Author Archives: Fabrizio del Wrongo

About Fabrizio del Wrongo

Recovering liberal arts major. Unrepentant movie nut. Aspiring boozehound.

Charlemagne Sleeps at Salzburg

Fabrizio del Wrongo writes: Such a changed France have we; and a changed Louis. Changed, truly; and further than thou yet seest!—To the eye of History many things, in that sick-room of Louis, are now visible, which to the Courtiers … Continue reading

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Notes on “Tusk”

Fabrizio del Wrongo writes: In “Tusk,” writer-director Kevin Smith burrows deep into a hole of self-loathing and misanthropy. He’s beating up on the digital age, on young people, on hip callowness: the movie plays like the howl of a onetime … Continue reading

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Alas, That They Are So

Fabrizio del Wrongo writes: DUKE ORSINO Come hither, boy: if ever thou shalt love, In the sweet pangs of it remember me; For such as I am all true lovers are, Unstaid and skittish in all motions else, Save in … Continue reading

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Naked Lady of the Week: Radka

Fabrizio del Wrongo writes: This green-eyed, honey-complexioned Slovakian is a favorite from a few years ago. She’s got a lovely, wide-open face and a body that’s about as dramatic as the rolling Slovakian countryside. The trimmed bush is, for me, … Continue reading

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Haven’t You an Adventurous Soul, Mr. Bayliss?

Fabrizio del Wrongo writes: He had scarcely seen her to speak to since the beginning of the voyage. When she was not walking with Rolly or playing shuffle-board with Twombley, she was down below ministering to the comfort of a … Continue reading

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(Semi) Naked Ladies of the Week: Girls of Zishy

Fabrizio del Wrongo writes: I don’t know about you, but I like looking at real (if beautiful) girls; Photoshopped-smooth simulacrums of pulchritude aren’t what get me going. Internet nudity used to offer a ton of funky naturalness — it’s what … Continue reading

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Notes on “Let’s Go Native”

Fabrizio del Wrongo writes: Like many early talkies, the 1930 “Let’s Go Native” is so effortlessly weird it serves as proof an innate American tendency toward surrealism. Jeanette MacDonald — still in her lingerie-naughty, pre-MGM phase — plays a Broadway … Continue reading

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