Author Archives: Fabrizio del Wrongo

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About Fabrizio del Wrongo

Recovering liberal arts major. Unrepentant movie nut. Aspiring boozehound.

Linkage

Fabrizio del Wrongo writes: Just how smart is Richard Sherman? David Pogue remains a really terrif tech writer. His stuff is for dummies without being dumb. You’d need half a ’90s-era Radio Shack just to replace your iPhone. If Millennials are so … Continue reading →

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“Summer Clouds”

Fabrizio del Wrongo writes: The 1958 “Summer Clouds” is a sprawling but tightly structured work, one that has an almost mathematical precision to it. Chikage Awashima plays Yae, a war widow doing what she can to sustain herself, her son, and her mother-in-law on a … Continue reading →

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Movie Posters by Angelo Cesselon

Fabrizio del Wrongo writes: One of the great artists of Italian movie posters, Angelo Cesselon was known for his energetic, brushy style and his ability to nail celebrity likenesses. It’s no surprise, then, that he went on to a distinguished … Continue reading →

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Notes on “Eega”

Fabrizio del Wrongo writes: In “Eega,” one of the most successful Telugu-language films of all time, a recently  murdered young man, named Nani, is reincarnated as a housefly, then sets out to knock off his killer — who also happens … Continue reading →

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Four Jazz Singers

Fabrizio del Wrongo writes:

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A Typical Routine Day

Fabrizio del Wrongo writes: It was the beginning of a typical routine day for Bond. It was only two or three times a year that an assignment came along requiring his particular abilities. For the rest of the year he … Continue reading →

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“Edouard et Caroline”

Fabrizio del Wrongo writes: Directed by Jacques Becker in 1951, this concise, smartly worked-out marital farce is a cynical companion piece to Becker’s earlier “Antoine et Antoinette.” When Daniel Gelin’s Edouard allows his wife Caroline to talk him into giving a piano … Continue reading →

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Notes on “Snow Country”

Fabrizio del Wrongo writes: An exceptionally beautiful melodrama that, though it never delivers on its narrative and thematic promises, is the kind of thing that seems to live in your memory even as you’re watching it. Director Shiro Toyoda is reminiscent … Continue reading →

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I am Satan! Syncopatin’!

Fabrizio del Wrongo writes:

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Divas

Fabrizio del Wrongo writes: Bessie Smith appeared in only this one movie; it has an all-black cast and runs 16 minutes. Whatever one might say about the limitations of the story line, derived from the W.C. Handy song by the … Continue reading →

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