@ Uncouth Reflections
UR Elsewhere
- Our NSFW Tumblr blog
-
Recent Posts
- Note to R—-, about Trump and DeSantis
- Fairhaven
- Damn Yankees
- Note to B—-: Science and Religion
- Watching Freedom of Speech Speed Atrophy in Real Time
- SCENES WE’D LIKE TO SEE*
- Note to K—-, on the morning of January 6
- Notes on Barbara and Night Train to Lisbon
- Is Culture Stuck?
- You Can Never Be Too Thin, Too Rich or Too Woke
Recent Comments
- chris evans on Fairhaven
- amac78 on Fairhaven
- chris evans on Damn Yankees
- Fenster on Damn Yankees
- Richard Morchoe on Damn Yankees
- Benny on “The Godfather is Boring”
- chris evans on Book Notes: “A Disease in the Public Mind”
- Pepe on Naked Lady of the Week: Marry Queen
- Why I’ve Seen “Since You Went Away” Umpteen Times – Taking Up Room on “Since You Went Away,” a Culture’s Dreams, and the Agee-DOS Dosado
- Brian on Naked Lady of the Week: Roberta Pedon
- Fenster on Damn Yankees
- Epaminondas on Damn Yankees
- thurston n aiken on Naked Lady of the Week: Anamika
- fenster on Our New Gizmo
- Fabio on Our New Gizmo
Tag Archives: Film Noir
Movie Posters: “The Reckless Moment”
Fabrizio del Wrongo writes: One of the great female-centered noirs, Max Ophuls’ “The Reckless Moment,” first released in 1949, has been ill-treated by whatever multinational entertainment conglomerate owns its video rights. Some 20 years after the dawn of modern video … Continue reading
Posted in Commercial art, Movies
Tagged Alfredo Capitani, Film, Film Noir, James Mason, Joan Bennett, Max Ophuls, Movie Posters, movies, Rene Peron, The Reckless Moment
Leave a comment
Notes on “Cry Danger”
Fabrizio del Wrongo writes: “Cry Danger,” the first film directed by Robert Parrish, may come closer to the wry, frugal tone of Dashiell Hammett than even Huston’s adaptation of “The Maltese Falcon,” which leans rather heavily — and quite successfully … Continue reading
Posted in Movies, Performers
Tagged Bunker Hill, Cry Danger, Dick Powell, Film, Film Noir, Los Angeles, movies, Richard Erdman, Robert Parrish
Leave a comment
“Woman on the Run”
Fabrizio del Wrongo writes: This 1950 noir, directed by Norman Foster, and written by Foster and Alan Campbell, from a story by Sylvia Tate, is intriguing for the way in which it uses its thriller premise to mine the complexities … Continue reading
Posted in Movies, Performers, Uncategorized
Tagged Ann Sheridan, Dennis O'Keefe, Film, Film Noir, movies, Norman Foster, Ross Elliott, San Francisco, Woman on the Run
Leave a comment
Depth of Field in “Kiss Me Deadly”
Blowhard, Esq. writes: A while back I watched KISS ME DEADLY and was struck by the excellent composition by director Robert Aldrich and cameraman Ernest Lazlo, in particular the way they were able to draw your eye through the frame. Check … Continue reading
Seduction in 60 Seconds
Blowhard, Esq. writes: Frank (John Garfield), an affable drifter, ambles into a lunchroom on the outskirts of Los Angeles. Surrounded by fragrant orange groves, the place is quiet and isolated. There’s a “Man Wanted” sign outside, so he approaches the owner, … Continue reading
Posted in Movies, Sex
Tagged Film Noir, great moments in game, James M. Cain, John Garfield, Lana Turner, shit tests, Tay Garnett
Leave a comment
“Born to Kill” (1947)
Blowhard, Esq. writes: I loved this wicked noir, one of Robert Wise‘s early directorial efforts. I won’t bother trying to summarize the plot other than to say amorality, rage, and murder abound as Claire Trevor‘s scheming San Francisco socialite and Lawrence … Continue reading
Posted in Movies
Tagged Bosley Crowther, Claire Trevor, Eddie Muller, Film Noir, Lawrence Tierney, Robert Wise
6 Comments
Nothin’ Beats a Noir Dame: Hazel Brooks in “Sleep, My Love”
Blowhard, Esq. writes: Considered a failure by director Douglas Sirk, SLEEP, MY LOVE is a decent enough noir for fans of the genre. The film concerns a brittle New York blueblood, played by Claudette Colbert, who is being gaslighted by her … Continue reading
Posted in Movies, Performers, Sex
Tagged Alberto Vargas, Billy Gibbons, Cedric Gibbons, Claudette Colbert, Don Ameche, Douglas Sirk, Film Noir, glamour, Hazel Brooks, Hollywood, Pin-Ups
3 Comments
Movie Still Du Jour
Dana Andrews, Gene Tierney, and Clifton Webb in Otto Preminger’s LAURA (1944). I was reminded of this shot while browsing The Noir Style by Alain Silver and James Ursini. Click on the image to enlarge.
Naked Lady of the Week: Dita Von Teese
Blowhard, Esq. writes: As this post alluded to, I recently saw the documentary BETTIE PAGE REVEALS ALL, so I’ve been in a pin-up mood recently. (OK, so I’m always in a pin-up mood.) The documentary made me appreciate how, in this … Continue reading
Posted in Art, Photography, Sex
Tagged burlesque, Dita Von Teese, femme fatale, Film Noir, George Hurrell, glamour, Pin-Ups, retro
5 Comments