Category Archives: Performers

Sunday Jazz Selection

Fenster writes: A link to the streaming version of Chick Corea and Gary Burton, I’m Your Pal.

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Showtune Saturday: “The Making of ‘West Side Story'”

Eddie Pensier writes: Bit of different to our normal Showtune Saturdays, rather than one number, this is a 90-minute documentary on the making of the 1984 recording of West Side Story. Astonishingly, it was the first time that Leonard Bernstein … Continue reading

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Wimmin Singin Wednesday

Fenster writes: I am enamoured of Rosemary Clooney’s interpretation of Cole Porter’s Ev’ry Time We Say Goodbye.  How strange the change from major to minor. . . . As McCartney sang in another context entirely, she’s a woman, and she … Continue reading

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Notes on “Turn Back the Clock”

Fabrizio del Wrongo writes: I had an okay time with this rather flimsy and almost Capraesque Lee Tracy film about an Average Joe who gets to relive the recent past. Because he knows what’ll happen, he makes himself into a financial … Continue reading

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Nothin’ Beats a Noir Dame: Hazel Brooks in “Sleep, My Love”

Blowhard, Esq. writes: Considered a failure by director Douglas Sirk, SLEEP, MY LOVE is a decent enough noir for fans of the genre. The film concerns a brittle New York blueblood, played by Claudette Colbert, who is being gaslighted by her … Continue reading

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Sunday Jazz Selection

Fenster writes: Paul Bley, Ida Lupino.

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Showtune Saturday: “Whatever Lola Wants”

Eddie Pensier writes: Your hot leggy redhead of the day. Gwen Verdon in “Damn Yankees”. Pretty damn sexy for 1958, or anytime, to be honest. Bob Fosse choreographed, of course.

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Sunday Jazz Selection

Fenster writes: Ornette Coleman, Sadness.

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Carlo Bergonzi, Five Ways

Eddie Pensier writes: There aren’t many singers who have epitomized the true meaning of bel canto better than Carlo Bergonzi. It literally means “beautiful singing”, and refers to the style or school that emphasizes vocal beauty and line above other … Continue reading

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Showtune Saturday: “Lonely House”

Eddie Pensier writes: The late American tenor Jerry Hadley gives us a haunting and wistful rendition of this tune, from Street Scene. Like Porgy and Bess, Street Scene is often the basis for pedantic musical arguments about whether it’s an opera … Continue reading

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