Here and There

Fenster writes:

Charles Lane at the WaPo gives colleges an F for controlling costs.  He gets a B+, easy.

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A very nice essay on the law and driverless cars, discussed at this site here, can be found at the Volokh Conspiracy here.

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How good a historian was Howard Zinn?

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Red states are more generous in charitable giving and, no surprise, more religious states and regions are more generous than more secular ones.  However, when religion as the object of the gift is factored out, the situation reverses and the otherwise cheapskate Northeast leads the pack.

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Hey, don’t forget George Zimmerman!  He will be back.  Fred Francis, NBC’s chief legal affairs correspondent has said that the case against Z is “the weakest case I’ve ever seen get this kind of national publicity”.

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Will beauty kill the beast?

New social housing in Union Square, north London

 

 

 

Posted in Uncategorized | 3 Comments

Healthcare Linkage via Seth Roberts

Blowhard, Esq. writes:

Posted in Food and health, Linkathons | Tagged , , , , | 1 Comment

Happy New Year

Blowhard, Esq. writes:

C&HNewYear

Posted in Personal reflections, The Good Life | Tagged | Leave a comment

The Daughter in Fiction

Fenster writes:

If you are an Oprah book person, you’ve probably read Amy Tan’s The Bonecutter’s Daughter.  If you like pop thrillers, you may have read Nelson deMille’s The General’s Daughter.  But has it occurred to you how easy it is to get a lead in a contemporary novel if you are the daughter of someone with a nameable profession?

Herewith a very partial list from Amazon of books in which the title follows the form “The X’s Daughter”, with X standing for a job or calling or profession of some sort.  For the record, butcher is taken and baker is taken (glass-maker, too)–but candle-stick maker appears totally open.  Call your agent today!

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51N7fCrpUrL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_ 41b3Bv+i7UL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_ 51UYSCaGc6L._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_ 51StKs-wdcL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA278_PIkin4,BottomRight,-67,22_AA300_SH20_OU01_ 41jalXZ0yAL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA278_PIkin4,BottomRight,-64,22_AA300_SH20_OU01_ 51p345TnLCL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA278_PIkin4,BottomRight,-66,22_AA300_SH20_OU01_ 51QCBCjp3DL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_ 51mY3ZWCd6L._SL500_AA300_ 51nnVLNi6WL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA278_PIkin4,BottomRight,-57,22_AA300_SH20_OU01_ 41As9gWP--L._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA278_PIkin4,BottomRight,-52,22_AA300_SH20_OU01_ 41dGso8WTaL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_ 51JR13GmebL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA278_PIkin4,BottomRight,-64,22_AA300_SH20_OU01_ 51Nb9u1ebKL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA278_PIkin4,BottomRight,-61,22_AA300_SH20_OU01_ 51b8DDTBETL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA278_PIkin4,BottomRight,-62,22_AA300_SH20_OU01_ 51HdYiFHHBL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_ 51-Vi1Sk3vL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_ 41JQ6EYEs9L._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_ 51kb7FXwR6L._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_
51CkP5-OZXL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_ 51SiWUy-aJL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_ 51HkKvPYPaL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_ 41Z+v6UvSVL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_ 51tNTE6wXOL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_ 51rLJ4uiSmL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_ 41Ctgm2Uk-L._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_ 51+BgRiE1UL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_ 51cVrKJ7WhL._SL500_AA300_ 51xdUOyc+uL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA278_PIkin4,BottomRight,-52,22_AA300_SH20_OU01_ 51bmgy5tXCL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_ 51K9HeEvzFL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA278_PIkin4,BottomRight,-69,22_AA300_SH20_OU01_ 41Hliqxnw0L._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_ 51JwPvVJuSL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_ 51d0kEEYqfL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_ 51S+wwcuhwL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_ 51AIuCMsuvL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_ 51mv63Q3uxL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_ 71I8rQ-c5YL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_ 51Y40QA6YFL._SL500_AA300_ 41q8Ac-TlRL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA278_PIkin4,BottomRight,-50,22_AA300_SH20_OU01_ 51zkbA69wZL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_ 510segJUTtL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_
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And don’t get me started on “wife”.

51ICXUSnq-L._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_

Posted in Books Publishing and Writing | 5 Comments

Touching the Void

Fenster writes:

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AND

dawk

Quite apart from any offense that might be taken by a believer, proselytizing, especially about atheism, just doesn’t seem to be good form.  Plus, since Dawkins comes across as a snooty academic, his testimony can be considered wanting relative to the foxhole test, as in the old saying “there are no atheists in foxholes”.

It could be that there is some genetic explanation for the tendency to religious belief.  And whether a tilt has been hard wired in or not, life’s vast uncertainties and more than occasional inexplicable brutalities are a nice backdrop for the occasion to believe.  Such brutalities might cause one individual–in a foxhole, say–to suddenly believe.  More likely, they just form an essential part of the niche to which humans have had to adapt.

If you are going to accept an atheist’s testimony, it will feel more authentic if there is at least some trial by fire, some hard event which will put the atheist’s beliefs (because they are beliefs, not just non-beliefs) to the test.

So if you want to see a very dramatic example of this, go to Netflix Streaming and watch Touching the Void.  It is a 2003 documentary on a disastrous mountain climbing expedition in the Peruvian Andes in 1985.  Two British climbers–Joe Simpson and Simon Yates–made the attempt.  The film mixes narration by the two climbers with recreated footage using actors doing the climbing.

The duo made it to the top but on the way down found themselves enveloped in a blinding snowstorm.  Simpson was out in front, tethered to Yates by a rope.  Yates, who could neither see nor communicate with Simpson, would only move periodically, setting himself firmly in place to allow for Simpson to advance.

Suddenly, Simpson falls through and is left dangling in mid-air.  There’s a void to touch, for sure, but it is only the beginning of voids in the fim, both real and metaphorical.

Yates cannot fully tell what has happened and finds himself unable to reel Simpson back in.  After what must have been a very anguished set of calculations under difficult conditions, Yates opts to cut Simpson loose.  This alone would have been a tough moral/religious question worthy of the price of admission, but as it turns out, the religious burden in the film is borne less by Yates than by Simpson, who has fallen deep into a crevasse, deep enough to preclude climbing out but hardly at the bottom.  He’s broken his leg badly in the fall and is barely mobile.

Simpson rouses himself in the crevasse, calling for Yates.  More than three times, no doubt, before he concludes he’s alone, forsaken.  He cannot climb out and below him the abyss yawns, a dark, cold unfathomable hole.  Now that’s a foxhole for ya, and a first-class void!

What is he to do?  Will he die?  Will he pray?  Simpson was raised a Catholic but had long been a non-believer.  In fact, he had wondered in the past whether his lack of traditional belief would survive the kind of test in which he now finds himself.

What he does, how he does it, how he reasons it through, how he summons the courage to act in the face of near-certain doom . . . well, for me watching it was nothing short of a profound experience, all the more so for being true.  The abyss Simpson contemplates did not have to be thought up by a screenwriter as a metaphor.  It is scarier just being real–cold, inert and, though no fault of its own, unforgiving.

See the movie.  It really is worth it.  If you can’t spare the 106 minutes, go to Netflix and find the exact mid-point–53 minutes–and you will hear Simpson recount what went through his head.  Or you can watch this 10 minute or so YouTube excerpt.  The film is based on a book by the same title by Simpson, which is also available.

You don’t have to be an atheist to respect Simpson’s conclusions, to say nothing of his courage and determination.

Fast friendships mix with fear in the foxhole,

False gods can be fun, if you follow;

That fiery flash of insight can be fickle,

Dead certainties—fitting phrase!—can be hollow.

Posted in Movies, Philosophy and Religion | 8 Comments

Optimist and Pessimist

Fenster writes:

Either Ray Kurzweil is right about the Singularity, or he is wrong about it.  Either way, I feel a little uncomfortable about his appointment as Google’s Director of Engineering.

Either James Howard Kunstler is right about Peak Oil, or he’s wrong about it, but he ain’t going gently into that good night.

Posted in Science, Technology | 5 Comments

Best Rock Intros

Fenster writes:

Here is a 2006 Chicago Tribune article by Mark Caro making an attempt at naming the best rock intros of all time.  Granted, the article is a bit old but does it make a difference?  Most of the songs identified by the author and commenters predate 2006 by a wide margin in the first place.  And I doubt there have been many since 2006 that would make the list.  Rock per se may not be stone-cold dead, but a curatorial viewpoint is hardly inappropriate in 2012.

Heck, I listen to top 40 all the time nowadays courtesy of my kids and I don’t hear much new stuff that would qualify.  Yes, there are indie bands out there, and throwback bands we will always have with us.  But the mainstream now is some sort of hybridization of pop boy-bands/girl-bands, hip-hop and 80s synth, which was barely rock at the time.

That last influence–80s synth–seems shocking considering 60s folks like me thought it was off-putting in the 80s, and the idea that it should return does not compute.  Yet my 17 year old son asked me for a synth for Christmas.  I had no idea he knew what a synth was–but then I had my aha moment and realized just how much of what I was hearing in the car with the kids on those long drives owes to the dreaded 80s.

In any event, the heroic guitar solo–the signature sound of many of the best rock intros, mostly–is in scarce supply.

Guitars fuel much of Caro’s list and mine, too.  I have always been more partial to the Beatles than the Stones but Caro is right, I think, in putting the Stones first in the intro department.   Guitar matters here a great deal.  Caro names, among others, “Satisfaction”, “Street Fighting Man” and “Start Me Up”. No debate there.  He does not list my personal favorite: “Gimme Shelter”

The Who’s “Baba O’Reilly” also makes the list.  But Pete Townsend was always good at dramatic openings, going as far back as the hard but bouncy “I Can’t Explain” through “I Can See for Miles” and on to his solo work on songs like “Give Blood”.

Early Genesis and Peter Gabriel also good at dramatic openings.

“The Lamb Lies Down on Broadway”

and “Red Rain”

Steely Dan’s “Don’t Take Me Alive”.  Wonderful Larry Carlton solo to start the song off.

The Electric Flag’s “Killing Floor”, a neat reworking of an old blues tune dealing with a woman problem into an anti-Vietnam war song, complete with LBJ in the intro.

Many more could make a decent list, obviously.  Early Kinks singles.  “All Along the Watchtower”, Hendrix version.  “Layla”. “Daytripper”, “Eight Miles High”.

Feel free to add.

Posted in Music, Performers | Tagged | 14 Comments

Here and There

Fenster writes:

Julian Hoeber’s Demon Hill: art installation or just another funhouse at a carnival?

Is it different with kids?

Why do durians stink?

Why do we react in similar ways to danger?

Which college majors are to be avoided?

It’s a brave man who sleeps with Mike Tyson’s wife.

Posted in Art, Education, Food and health, Uncategorized | 1 Comment

Linkathon

Paleo Retiree writes:

Posted in Art, Books Publishing and Writing, Linkathons, Politics and Economics | Tagged , , , , | 5 Comments

“Mike’s Murder”

Fabrizio del Wrongo writes:

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In the 1984 “Mike’s Murder,” Debra Winger plays Betty, a young woman whose staidness is underlain by a barely-discernible yearning for immediacy. She has the most sensible of jobs — she’s a bank teller — and nothing about her lifestyle suggests imbalance, but Winger lets you see the fuzziness burbling below the comported exterior. Sensuality radiates from her infant skin, and when she goes out without a bra on it seems less like a provocation than an oversight, as though she simply never learned to wear one. She’s in a state of harmonious contradiction.

Continue reading →

Posted in Movies, Performers | Tagged , , , | 13 Comments