Tag Archives: Film

Movie Poster Du Jour: “Madame De…”

Fabrizio del Wrongo writes: This is an earlier edition of this poster, bearing the printed signature of designer Guy Gerard Noël. Noël was one of the greats of French movie poster design, known for his bold use of line and … Continue reading →

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Sign of the Times

Paleo Retiree writes: “Daddy, what’s a film camera? And why are they so cheap?”

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Movie Poster Du Jour: “The Palm Beach Story”

Fabrizio del Wrongo writes:

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Notes on “Secrets of a Call Girl”

Fabrizio del Wrongo writes: The 1973 “Secrets of a Call Girl” must be the ultimate Edwige Fenech movie. Not necessarily the best one, just the one that shows her from the most angles. In this sense it’s a bit like … Continue reading →

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Movie Poster Du Jour: “Bonjour Tristesse”

Fabrizio del Wrongo writes: This poster isn’t signed, but I believe it’s by the great Ercole Brini. Related PR on “Bonjour Tristesse.” More about Brini here.

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Notes on “Red Dawn”

Fabrizio del Wrongo writes: Though ostensibly a combat film, “Red Dawn,” it seems to me, is built on a foundation of tropes related to ’50s sci-fi and exploitation. In some ways it’s as much a tribute to small-town monster movies as Joe Dante’s “Gremlins,” … Continue reading →

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“OSS 117: Lost In Rio”

Fabrizio del Wrongo writes: This second in the “OSS 117” series of spy spoofs is so glancing in its approach that its surreality sneaks up on you. Certain bits — a riverbank interlude involving the spit-roasting of a rubber crocodile, a hippie beach … Continue reading →

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Movie Poster Du Jour: “My Life to Live”

Fabrizio del Wrongo writes: Related I posted galleries of New Wave posters here, here, and here. I showcased some U.S. arthouse posters here.

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Knockin’

Fabrizio del Wrongo writes: Slim Pickens’ demise in “Pat Garret & Billy the Kid” is probably my favorite movie death scene. Pickens, a cowboy-movie staple, was typically a farcical figure — the guy you’d laugh at between the shoot-outs and the daring feats of … Continue reading →

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Movie Poster Du Jour: “The Passion of Joan of Arc”

Fabrizio del Wrongo writes: This poster for Dreyer’s “Joan” must be one of the earliest products of Boris Konstantinovitch Bilinsky’s cinema advertising company, Alboris, founded just a few months prior to the film’s Parisian opening in October 1928. A Russian expat … Continue reading →

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