Fabrizio del Wrongo writes:
@ Uncouth Reflections
UR Elsewhere
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Recent Posts
- Note to R—-, about Trump and DeSantis
- Fairhaven
- Damn Yankees
- Note to B—-: Science and Religion
- Watching Freedom of Speech Speed Atrophy in Real Time
- SCENES WE’D LIKE TO SEE*
- Note to K—-, on the morning of January 6
- Notes on Barbara and Night Train to Lisbon
- Is Culture Stuck?
- You Can Never Be Too Thin, Too Rich or Too Woke
Recent Comments
- chris evans on Fairhaven
- amac78 on Fairhaven
- chris evans on Damn Yankees
- Fenster on Damn Yankees
- Richard Morchoe on Damn Yankees
- Benny on “The Godfather is Boring”
- chris evans on Book Notes: “A Disease in the Public Mind”
- Pepe on Naked Lady of the Week: Marry Queen
- Why I’ve Seen “Since You Went Away” Umpteen Times – Taking Up Room on “Since You Went Away,” a Culture’s Dreams, and the Agee-DOS Dosado
- Brian on Naked Lady of the Week: Roberta Pedon
- Fenster on Damn Yankees
- Epaminondas on Damn Yankees
- thurston n aiken on Naked Lady of the Week: Anamika
- fenster on Our New Gizmo
- Fabio on Our New Gizmo
Blowhard, Esq.
Callowman
Sherbrooke
Eddie Pensier
Enzo Nakamura
Epaminondas
Fabrizio del Wrongo
Fenster
Brundle Guy
Glynn Marshes
Paleo Retiree
Atypical Neurotic
Question Lady
Sax von Stroheim
Sir Barken Hyena
The Mistaken
Uncouth Reflections 
This kind of thing festered in Hollywood for half a century. We now see the results.
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Is it me, or does MASH just seem remarkably unfunny now? And not because it’s “sexist” or whatever. It’s just dull.
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Most of us were teenagers when this film came out, ie, complete idiots.
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