Venti . . . . Ummmm?

Fenster writes:

Ever notice how much easier it is to remember or learn things you are interested in learning compared with when you are not?

Case in point.  After all these years and after all the Starbucks coffees I still cannot remember what silly names they attach to the quite functional and reasonable small, medium or large.  Nor do I fully understand why most customers parrot that talk.  To be sure I am a bit embarrassed to show my ignorance by having to squint at the sign before ordering.  But I am even more embarrassed when on the few occasions I actually found myself mouthing the corporate brand nomenclature.  So for me it remains small, medium and large, as unapologetic as possible, and with a curteous please and thank you.

Posted in Personal reflections | 4 Comments

Ooh La La

Fabrizio del Wrongo writes:

Since it’s Father’s Day (or just was, anyway), I’m curious what you all think the best man song is. For me it’s probably “Ooh La La,” which was written by Ronnies Lane and Wood and originally recorded by The Faces.

Happy to hear your suggestions.

Related

  • I listed some of my favorite man movies here.
Posted in Music | Tagged , , , | 2 Comments

Père Jules and Juliette

Fabrizio del Wrongo writes:

In “L’atalante,” a young girl from the French provinces, named Juliette, marries a barge operator. His occupation seems a promise of escape, and she dreams of traveling the world with him. But marriage isn’t all it’s cracked up to be: Barge life is by nature unexciting; the couple quarrel constantly. The vessel has one other occupant: Père Jules. A wily old stumblebum who lives below deck and looks something like a barnacled orangutang, Jules is intended as a counterpoint to the prosaic newlyweds. And the scene in which Juliette pays him a visit has overtones of the fantastic. His room is a king-sized curio cabinet, one festooned with wonders culled from the far corners of the world. It’s all so external to Juliette’s frame of reference. Tentatively, eyes peeled wide, she pokes around the space as a virgin does a sex boutique. On some level Jules, with his mangy hair and naked-lady tattoos, represents maleness in all its weird and stinky glory — he’s the manifestation of everything the girl fears (and perhaps hopes) is lurking behind the bland face of her husband. A bit later Juliette ditches her hubby and runs off to Paris. But things work out in the end.

Related

  • “L’atalante,” which is one of the foundational movies of the French cinema, can be streamed via Hulu.
  • Director Jean Vigo, the son of an anarchist and something of a radical himself, made three feature films, all of them unforgettable. Criterion has released a nice DVD set containing all of his work.
Posted in Movies | Tagged , , , , , , , | 1 Comment

Architecture Du Jour

Blowhard, Esq. writes:

nyplentrance

The entrance hall of the NYPL’s Stephen A. Schwarzman building on 42nd St. and Fifth Ave.

Click on the image to enlarge.

Posted in Architecture | Tagged , , , | Leave a comment

Movie Poster Du Jour: “Straw Dogs”

Fabrizio del Wrongo writes:

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Surely one of the iconic movie advertising images of its era. When the eyeglasses have been broken, you know you’re in for trouble. One of my favorite symbolic chestnuts.

Related

Posted in Commercial art, Movies | Tagged , , , , , | 1 Comment

Sunday Jazz Selection

Fenster writes:

Pat Metheny Group, Phase Dance (1977)

Posted in Music | Tagged , | 1 Comment

And I Thought I Knew What a Buccaneer Was Like

Fabrizio del Wrongo writes:

TreasureIsland4

As I was waiting, a man came out of a side room, and at a glance I was sure he must be Long John. His left leg was cut off close by the hip, and under the left shoulder he carried a crutch, which he managed with wonderful dexterity, hopping about upon it like a bird. He was very tall and strong, with a face as big as a ham — plain and pale, but intelligent and smiling. Indeed, he seemed in the most cheerful spirits, whistling as he moved about among the tables, with a merry word or a slap on the shoulder for the more favoured of his guests.

Now, to tell you the truth, from the very first mention of Long John in Squire Trelawney’s letter I had taken a fear in my mind that he might prove to be the very one- legged sailor whom I had watched for so long at the old Benbow. But one look at the man before me was enough. I had seen the captain, and Black Dog, and the blind man, Pew, and I thought I knew what a buccaneer was like — a very different creature, according to me, from this clean and pleasant-tempered landlord.

I plucked up courage at once, crossed the threshold, and walked right up to the man where he stood, propped on his crutch, talking to a customer.

“Mr. Silver, sir?” I asked, holding out the note.

“Yes, my lad,” said he; “such is my name, to be sure. And who may you be?” And then as he saw the squire’s letter, he seemed to me to give something almost like a start.

“Oh!” said he, quite loud, and offering his hand. “I see. You are our new cabin-boy; pleased I am to see you.”

And he took my hand in his large firm grasp.

— Robert Louis Stevenson

Posted in Books Publishing and Writing | Tagged , , , | 4 Comments

Dammit Scotty, Don’t Beam Me Up!

Fenster writes:

Scientists have been able to move/teleport atoms in that magical way characteristic of advanced physics.  Don’t ask me if the atoms moved, or were destroyed and recreated, or were just in both places, or in different states, or whatever.  I can’t follow it.

But this kind of thing has people asking whether teleportation is possible.  Some scientists argue that yes it is.  Or at least that there is no inherent technical limitation.

This, from HowStuffWorks:

Consider for a moment that teleportation hasn’t been strictly sci-fi since 1993. That year, the concept moved from the realm of impossible fancy to theoretical reality. Physicist Charles Bennett and a team of IBM researchers confirmed that quantum teleportation was possible, but only if the original object being teleported was destroyed.

Hmmm . . . If you believe, as I do, that consciousness is a function of the brain, then isn’t this less a matter, so to speak, of movement and more one of destruction and copying?  Doesn’t the destruction in effect kill you, or at least cause a cessation of the consciousness that comprises your experience?  Your friends won’t know the difference and neither will the new you.  And the old you won’t be around to raise an objection.

So while the idea has a certain utilitarian appeal–Kirk is needed down there on Ceti Alpha V!–I find it unappealing.

Or, as John Lennon sang in Revolution, don’t you know that you can count me out.  In.

Posted in Technology | Tagged | 6 Comments

Shucks

Fenster writes:

For the second time in a week, access to UR over a public wifi network has been blocked.  Different wifi providers: one on a bus, one in a coffee shop.

Both mentioned the reason, however.

Posted in Uncategorized | 3 Comments

Friday Music Wildcard: Ali Farke Toure Desert Blues

Sir Barken Hyena writes:

Well, I’m back on schedule now, and I’ve got a nice spreadsheet of applicants for Lady to peruse at my leisure. Time to take a break from  romance and indulge in some tunes of the “out there” variety. And you can’t get much more out there than the Sahara Desert, site of this week’s selection from Malian guitarist Ali Farke Toure. Like that desert itself, this music is the intersection of African and Islamic cultures, a synthesis like American blues, but from the other direction. And it BURNS like the desert sands. Let’s listen:

Posted in Music | 3 Comments