Blowhard, Esq. writes:
The ceiling of the Venetian casino in Las Vegas, photo by me.
Click on the image to enlarge.
Blowhard, Esq. writes:
The ceiling of the Venetian casino in Las Vegas, photo by me.
Click on the image to enlarge.
Blowhard, Esq. writes:
Paleo Retiree’s swipe at Richard Meier reminds me that I’ve been meaning to share some photos of my trip to the Getty Center last month. Have you ever been there? It’s located in the hills overlooking Brentwood and has some wonderful panoramic views of the ocean, the Hollywood Hills, and downtown Los Angeles. The Getty, which Wikipedia tells me is the world’s richest art institution with an endowment of $5.6 billion (suck it Met and Loov-rah!), has an excellent collection that it’s rightly proud of. But the building itself, Meier’s “masterpiece”? Ummm, less successful, IMHO. Let’s take a look at what $1.3 billion gets you.
Fabrizio del Wrongo writes:
epiminondas writes:
The Hour of Decision is one of those books that should be read now more than ever. Nice book review here.
Although I’m not the biggest horror fan, recently I decided to give Stephen King’s The Shining a whirl. And hey, it’s been years since I’ve seen Stanley Kubrick’s movie so why not check it out for a compare-and-contrast? Even though both have been available for over three decades, I’ve hidden the rest of the post below the fold in consideration of the four remaining people out there who haven’t read/seen either and are extra-super-duper sensitive about spoilers.
Eddie Pensier writes:
This glorious clip comes from a rare, never-aired 1974 Metropolitan Opera telecast of Jacques Offenbach’s Les contes d’Hoffmann. The late and great Joan Sutherland makes an absolute meal of this infamously difficult aria(“Les oiseaux dans la charmille”). She plays Olympia, the mechanical doll, with whom the opera’s title character falls in love. It’s hard to find on YouTube because the uploader misspelled Dame Joan’s surname. Plácido Domingo is the Hoffmann and Huguette Tourangeau sings Nicklausse.
Pure coloratura soprano awesomeness.
Bonus trivia: Did you know that Offenbach, who spent most of his life in Paris writing frothy French operettas, and composed the tune that many people think of when they think of France (the “Can Can” from Orphée aux enfers, and I bet you’re humming it right now, and ain’t I a stinker) , was actually German? He was sometimes called by the nickname “O de Cologne” after his birthplace.
Paleo Retiree writes:
Musing Du Jour: Are GoPro videos and dashcam videos the most exciting audiovisual-thru-time things being made these days? What movies can compare?
Paleo Retiree writes:
In a daring editorial move that will unquestionably rock the world of architecture to its very core and cause all its fans and practitioners to re-evaluate their standards, tastes and practices, Architectural Digest has chosen to feature on its January cover a new house by Richard Meier — the already-hypercelebrated creator of a large number of geometry-heavy white-and-glass boxes.
Why on earth are so many in the field of architecture so enamored with geometry, abstraction and cold materials? How on earth did this situation arise? What on earth might be done to combat it? And where are the blogs, magazines and online conversations that treat contempo architecture with irreverence and mockery it demands and deserves?
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