Tag Archives: Asghar Farhadi

Notes on “About Elly”

Fabrizio del Wrongo writes: “About Elly” uses the disappearing-woman device from “L’Avventura” but to a much different end. Where Antonioni uses it to comment on the modern condition, taking a quintessentially macro POV, Iranian director Asghar Farhadi uses it to … Continue reading

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