Tag Archives: Film

Notes On Two Early Films by Masaki Kobayashi

Fabrizio del Wrongo writes: “A Sincere Heart,” from 1953, demonstrates that Masaki Kobayashi’s gift for staging was evident very early on. In particular, his ability to invest spaces with emotional meanings, and to link them to other spaces via subtle visual … Continue reading →

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Linkage

Fabrizio del Wrongo writes: Given the play it receives in the media and on Facebook, it might surprise you to know that, according to Gallup, around 4% of Americans think gun control is the most important issue facing the country. Related. … Continue reading →

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Malick Studies

Fabrizio del Wrongo writes: I see Terrence Malick’s latest emanation is upon us. Call me crazy, but I tend to be less than enthusiastic about Malick’s movies; they often strike me as weird combos of dum-dum ideas and imperious stylization of the kind you might find … Continue reading →

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Linkage

Fabrizio dël Wrongo writes: David Chute posts a 2000 piece dealing with film preservation and digitization. What would Friedrich Wilhelm Murnau think? (H/T Michael Castañeda) Was Blue Öyster Cult the first non-German band to use an umlaut in its name? Wikipedia suggests … Continue reading →

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“Hara-Kiri: Death of a Samurai”

Fabrizio del Wrongo writes: “Hara-Kiri,” the latest from Takashi Miike, has met with tepid reviews, perhaps because it’s 1) a remake of a classic, and 2) defiantly short on action. But I thought it was largely riveting — aside from … Continue reading →

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Notes on Two Early Films by William Wyler

Fabrizio del Wrongo writes: In 1929 William Wyler directed a treatment of Peter B. Kyne’s “Three Godfathers,” a Western story of redemption which has been filmed several times, notably by John Ford in the 1940s. Where Ford emphasizes the spiritual … Continue reading →

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“Sex Scenes”: An Adventure in New Media

Fabrizio del Wrongo writes: “Sex Scenes” is one of my favorite media creations of the last few years. So I’m happy to admit that several of the folks who contributed to it have connections to this blog. Written by Polly Frost … Continue reading →

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Overlooked Oeuvres: Winsor McCay (1867-1934)

Fabrizio del Wrongo writes: Winsor McCay strikes me as an underappreciated artist. Oh, he’s pretty well kown for his comic strips, all-time classics like “Little Nemo” and “Dream of the Rarebit Fiend.” But as a maker of movies he’s often dismissed as … Continue reading →

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Depressive Affinities: Bergman’s “Thirst” and Zanussi’s “Contract”

Fabrizio del Wrongo writes: Early in Ingmar Bergman’s 1949 “Thirst,” a serpent is plucked from a sun-dappled wood and placed on a swarming anthill. It’s meant as an image of paradise encumbered, and it sets the tone for what will … Continue reading →

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Juxtaposin’: Tracking Shots, Literal and Metaphorical

Fabrizio del Wrongo writes:

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