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- chris evans on Notes on Barbie
- Fenster on Fairhaven
- electricangel on Fairhaven
- Fenster on Fairhaven
- electricangel on Fairhaven
- Fenster on Notes on Barbie
- Whisky Prajer on Notes on Barbie
- chris evans on Fairhaven
- amac78 on Fairhaven
- chris evans on Damn Yankees
- Fenster on Damn Yankees
- Richard Morchoe on Damn Yankees
- Benny on “The Godfather is Boring”
- chris evans on Book Notes: “A Disease in the Public Mind”
- Why I’ve Seen “Since You Went Away” Umpteen Times – Taking Up Room on “Since You Went Away,” a Culture’s Dreams, and the Agee-DOS Dosado
Category Archives: Performers
“Premium Rush”
Fabrizio del Wrongo writes: “Premium Rush” is a shallow chase movie that, for the most part, doesn’t ask us to make too much of it. Its plot concerns a New York bike messenger (the ubiquitous Joseph Gordon-Levitt) who is tasked with … Continue reading
Posted in Movies, Performers
Tagged David Koepp, Film, Joseph Gordon-Levitt, Michael Shannon, movies, Premium Rush
4 Comments
“Wake In Fright,” aka “Outback”
Fabrizio del Wrongo writes: Movies aimed at revealing the essential brutishness of man are pretty hard to pull off. Attempting to scrape through the moral shell — to, in effect, reveal the rottenness of existence — they often end up feeling, well, pretty rotten. … Continue reading
Posted in Movies, Performers
Tagged Apocalypse Now, Australia, Donald Pleasence, Francis Ford Coppola, Gary Bond, Joseph Conrad, movies, Ted Kotcheff, Wake In Fright
5 Comments
“Silver River”
Fabrizio del Wrongo writes: I watched this mid-period Raoul Walsh western a while back on the recommendation of co-blogger Sax von Stroheim. It stars Errol Flynn as a disgraced Union officer who’s decided to live in a purely selfish manner. In … Continue reading
Posted in Movies, Performers, Politics and Economics
Tagged Errol Flynn, movies, Raoul Walsh, Silver River, westerns
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Moviemaking Linkage
Paleo Retiree writes: How much cocaine can one movie consume? What’s it like to direct Lindsay Lohan?
Posted in Linkathons, Movies, Performers
Tagged cocaine, drugs, John Belushi, Lindsay Lohan, moviemaking, The Blue Brothers
2 Comments
“Since You Went Away,” a Culture’s Dreams, and the Agee-DOS Dosado
Fabrizio del Wrongo writes: “Since You Went Away” doesn’t have a great reputation among filmbuffs, and it’s not hard to see why: it’s broad, sentimental, and downright propagandistic in its treatment of small-town American life (at nearly three hours, it’s also looooonnnngggg). … Continue reading
Best Rock Intros
Fenster writes: Here is a 2006 Chicago Tribune article by Mark Caro making an attempt at naming the best rock intros of all time. Granted, the article is a bit old but does it make a difference? Most of the … Continue reading
“Mike’s Murder”
Fabrizio del Wrongo writes: In the 1984 “Mike’s Murder,” Debra Winger plays Betty, a young woman whose staidness is underlain by a barely-discernible yearning for immediacy. She has the most sensible of jobs — she’s a bank teller — and … Continue reading
Posted in Movies, Performers
Tagged Debra Winger, James Bridges, Mike's Murder, Paul Winfield
13 Comments
“Thomas Graal’s Best Film”
Fabrizio del Wrongo writes: Swedish film pioneer Mauritz Stiller is known mainly for his connection to Greta Garbo; it was he who brought her to MGM. But in the 1910s and early ’20s he was a major force in movies, perhaps … Continue reading
Posted in Movies, Performers
Tagged Gustaf Molander, Karin Molander, Mauritz Stiller, movies, Romantic Comedy, Silent Film, Sweden, Thomas Graal's Best Film, Vertigo, Victor Sjostrom
6 Comments
Incredible
Fenster writes: Chucho commented on my Desert Island Discs post, mentioning slyly that that old pagan Rowan Williams included a song by the Incredible String Band among the eight he would take to a desert island. There are some artists … Continue reading
Douglas Fairbanks and “When the Clouds Roll By”
Fabrizio del Wrongo writes: This Douglas Fairbanks project, the first directing effort of Victor Fleming, stands at the nexus of a number of popular art traditions. It dates from 1919, a year prior to Fairbanks’ swashbuckling debut in “The Mark … Continue reading
Posted in Commercial art, Movies, Performers
Tagged Buster Keaton, Comedy, Douglas Fairbanks, Fred Astaire, Georges Melies, Harold Lloyd, movies, Silent Movies, Surrealism, Victor Fleming, Winsor McCay
4 Comments