Blowhard, Esq. writes:
Le Château Frontenac, Quebec, designed by Bruce Price.
Click on the image to enlarge.
Blowhard, Esq. writes:
Le Château Frontenac, Quebec, designed by Bruce Price.
Click on the image to enlarge.
Eddie Pensier writes:
I will confess to not being a Will Ferrell fan at all (with the exception of his turn as Bob Woodward in Andrew Fleming’s very underrated Dick) but if anyone could harness the manic lunacy of Kenneth Mars’ Franz Liebkind from Mel Brooks’ original, nonmusical 1968 The Producers, it’s Ferrell, who is an absolute gas in the 2005 remake.
And you should not read anything into the fact that this is the second ShoSat in a row to be tagged “dancing nazis”. Coincidence, I swear.
Paleo Retiree writes:
Fabrizio del Wrongo writes:


Blowhard, Esq. writes:
Gustave Doré, “The Deluge,” 1866. Hi-res copy here. H/T Glynn Marshes.
Click on the image to enlarge.
Fabrizio del Wrongo writes:
Beneath your perfume and your make-up
You’re just a baby in disguise
And though you know that it’s wrong to be
Alone with me
That come on look is in your eyes
Eddie Pensier writes:
More AGNSW pictures, this one focusing on the museum’s works by Australian artists. (I’m using a loose definition: artists who were either born or died or spent a substantial part of their lives in Australia.) I was especially taken by the nightmarish Surrealist paintings of Herbert McClintock and James Gleeson, enough that I’ll be investigating their work a lot further. Talk about out-Dalí-ing Dalí. I’m also a fan of Weaver Hawkins’ strikingly modernist jockeys, and Arthur Collingridge’s oddly sweet A Token of Friendship.
Related
Fabrizio del Wrongo writes:
This poster, for a ’40s release of “Grand Illusion,” is generally regarded as the best design for the film. It’s by Bernard Lancy.
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Eddie Pensier writes:
Me and my Girl was a hit musical of 1937, a mistaken-identity dancehall comedy about a Cockney bloke named Bill Snibson who discovers he is the heir to a noble title. The show’s hit tune was “The Lambeth Walk”, whose strutting rhythm and “OI!” singalong became a national craze. It inspired an eponymous 1939 film, from which this clip is taken.
The song eventually spread to the US…and Germany, where a member of the Nazi party denounced it as “Jewish mischief and animalistic hopping”.
A wag at the British Ministry of Information named Charles Ridley took this as an opportunity to assemble a clip, edited from bits of Leni Riefenstahl’s Triumph of the Will,made to appear as if the Nazis were goose-stepping to “The Lambeth Walk”.
Goebbels was reportedly extremely displeased with the clip.
Me and my Girl was given a makeover in the 1980s (including a revised book by Stephen Fry), sufficiently altering it to earn Tony and Olivier awards for Best Musical. Check out Robert Lindsay and a young and endearingly gawky Emma Thompson in this 1984 video.