Movie Posters by Angelo Cesselon

Fabrizio del Wrongo writes:

One of the great artists of Italian movie posters, Angelo Cesselon was known for his energetic, brushy style and his ability to nail celebrity likenesses. It’s no surprise, then, that he went on to a distinguished career as a portrait artist, painting important figures such as the Pope.

The below gallery shows Cesselon working in a number of moods, from the exploitation fury of his take on “The Born Losers” to the moonlit placidity of his two paintings for Mizoguchi’s great “Ugetsu.” But my favorite of the group is his poster for “Lana, Queen of the Amazons.” I’ve never seen the movie — and I’m not sure Cesselon had either — but that image sure makes me want to. On the other hand, his dual versions of “Persona” don’t quite come off. I don’t think Cesselon’s style was suited to Bergman’s heavier films.

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Linkage

Fenster writes:

  • More on the seductions of narrative in public life, complete with a nice, perhaps too nicey-nice, suggestion for how to deal with the problem.
  • James Carroll on a perfect example of the above: given the failure of deliberation in the public square and the intransigence of much church dogma, how are we going to deal with the big issues of reproduction coming our way?
  • New hope for the non-conventionally religious. No, you will not be saved.  It’s even better than that!
  • Diversity statements.  A new addition to the package requested of applicants for faculty positions.  Interesting that the author says everyone is confused about what they mean and how to write them.  You’d think that would have been thought through in advance, no?
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Quote Du Jour

Eddie Pensier writes:

“First, any sound worth making must be a beautiful one.”

–Italian conductor Claudio Abbado (1933-2014)

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Opening Titles Du Jour

Blowhard, Esq. writes:

Stanely Donen‘s CHARADE (1963). Titles by Maurice Binder, music by Henry Mancini.

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NOT The Beatles

Fenster writes:

A passable McCartney.  The Nines–“Better”.

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Notes on “Eega”

Fabrizio del Wrongo writes:

Sudeep in Eega Movie Wallpapers

In “Eega,” one of the most successful Telugu-language films of all time, a recently  murdered young man, named Nani, is reincarnated as a housefly, then sets out to knock off his killer — who also happens to be courting Nani’s one true love, a plush, almond-eyed beauty played by Samantha Ruth Prabhu. The concept, which is something like a mix of “Ghost” and “The Shaggy Dog,” provides directors S.S. Rajamouli and J.V.V. Sathynarayana with a wide range of romantic, comedic, and action opportunities. These they seize with an eagerness that drives the movie forward. The scenes in which the insectoid Nani torments his rival, a heartless sensualist named Sudeep (he’s played by Kiccha Sudeepa, who looks like an evil M. Night Shyamalan), elaborate on that feeling of frustration one experiences when trying to rid himself of a fly that has colonized his personal space. And the filmmakers are mischievous enough to push this elaboration into areas both amoral and parodic. (Nani writes “I WILL KILL YOU” on the windshield of Sudeep’s car, and when his tiny bug head is splattered with blood, the way in which he wipes it from his face conveys Stallone-like conviction.) The CGI action sequences — particularly one involving a pair of sparrows possessed by something akin to the Black Sleep of Kali Ma — have a Spielbergian ingenuity, and they’re almost lyrical in the way they waft you from one surprise to the next; at one point the fly zoots through a coiled telephone cord like a surfer shooting the curl. Though the animation isn’t up to Hollywood standards of verisimilitude, there’s a satisfying continuity between its hard, artificial lines and the airbrushed unreality of the live-action material — the picture is a multi-tiered slab of flimflam. Not since Yar has a fly been so set on revenge.

“Eega” is currently available to stream on Netflix Instant.

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Four Jazz Singers

Fabrizio del Wrongo writes:

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Salomé, Five Ways

Eddie Pensier writes:

And when a convenient day was come, that Herod on his birthday made a supper to his lords, high captains, and chief estates of Galilee; And when the daughter of the said Herodias came in, and danced, and pleased Herod and them that sat with him, the king said unto the damsel, Ask of me whatsoever thou wilt, and I will give it thee. And he swore unto her, Whatsoever thou shalt ask of me, I will give it thee, unto the half of my kingdom. And she went forth, and said unto her mother, What shall I ask? And she said, The head of John the Baptist. And she came in straightway with haste unto the king, and asked, saying, I will that thou give me by and by in a charger the head of John the Baptist. And the king was exceeding sorry; yet for his oath’s sake, and for their sakes which sat with him, he would not reject her. And immediately the king sent an executioner, and commanded his head to be brought: and he went and beheaded him in the prison, and brought his head in a charger, and gave it to the damsel: and the damsel gave it to her mother. And when his disciples heard of it, they came and took up his corpse, and laid it in a tomb.

–Gospel of Mark 6:21-29

Silent film from 1923 of Oscar Wilde’s “Salomé”, starring Alla Nazimova, directed by Charles Bryant.

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Henri Regnault, Salomé (1870)

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Bernardino Luini, Salomé with the Head of John the Baptist, c.1515

Karita Mattila performing the final scene from Richard Strauss’ Salomé, Metropolitan Opera, 2008 (Part 2 is here.)

  • Bonus: Rita Hayworth performing the Dance of the Seven Veils from “Salomé” (1953)
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Politics and Higher Education (Fishes and Bicycles)

Fenster writes:

The American Way of Higher Education is a lot more about letting a hundred flowers bloom than the heavy hand of central government.  Certainly we are a lot more freewheeling than China, where the government and the party play a leading role.  But our system is more open than many others in the Western world, too.

The federal government is good at giving money.  It has funded sponsored research, essentially creating the modern research university since World War II.  And it provides financial aid to students.  Yes, it uses its role as subsidy provider to gain leverage over certain desired policy outcomes, and it can do so in ham-handed ways.  But the government itself does not itself determine institutional strategic directions, curricular decisions or whether a new entity may commence operations.  There are no real federal universities.

The direct regulation that takes place, such as it is, happens via semi-autonomous accreditation agencies, a positive review from which is necessary for any entity to get federal financial aid and which most reputable institutions desire just for the brand value.  These agencies are much more captive of the industry than they are the government.

But while the American Way is generally comfortable with a hundred flowers, there is always a cry for someone to do something when things are not going well, and that usually implies a buck stopping somewhere.  Under our system, that duty often falls to the President, as Symbolist-in-Chief.  That symbolic role has been much on display in the Obama administration.

As the bearer of a hope and change message, Obama has had bad timing from the outset, and higher education is no exception.  The go-go years of growth in higher education are behind us.  Where does that leave hope and change?

Costs and prices are going up, unsustainably.  The institutions themselves have proven incapable of doing much about it, partly because of the Pournelle’s Iron Law of Bureaucracy and partly for good, capitalist market-related reasons: parents don’t want to pay more but they know junior loves the rock-climbing wall, the rock-climbing program and the pretty rock-climbing residence life staffers.

7697975-pretty-young-athletic-girl-climbing-on-an-indoor-rock-climbing-wall

Obama’s first round of action was somewhat chiding in tone.  Look, he lectured, you guys need to constrain costs and prove you are good at what you do.  So we propose metrics that will tell us who is doing what we want to have done at the federal level, and we will direct the money accordingly.

That went over like a lead balloon, for both good and bad reasons.  Bad reason: the institutions resist change.  Good reason: any metric likely to be used would likely result in a misallocation of resources (for instance, away from institutions working with problem students) and would bring the federal government more into a direct regulatory role.  I am with the institutions in being suspicious of that.

Now, as Obama struggles to keep his footing in an increasingly tough second turn, I think he’s figured out that he should stick to symbolism.  Real change is hard, as he is finding out on Obamacare.  The higher education system, like the health care system, is complex, and trying to push either sector with a one dimensional prod is hubris–it’s like trying to herd elephants with a boiled noodle.

So what do do?  You do what Obama did yesterday. You call leaders to the White House and ask them to increase “access”.  That’s a magic word that all can like.

Gone are the ambitions for a federal government stepping in to control a sector out of control.  That is replaced with pledges from college leaders that they will do a better job with “access”.

What does this mean?  Take Tufts.  According the Boston Globe:

In one of the more unusual initiatives, Tufts University said it would launch a program to help high school seniors take a year off to do community service before enrolling.

Crucially, Tufts said it would provide enough financial aid to make the “gap year,” already popular among affluent young people, affordable for all students, regardless of their ability to pay.

A gap year?  That’s a classic in the Stuff White People Like genre.  Google “gap year” and you will find only a little bit on things like working on a fishing boat, and even that is pretty white and privileged when you get right down to who would actually work on a fishing boat during a gap year.  Mostly you find an elite-focused industry devoted to taking junior away for a “broadening experience”, allowing him to beef up his holistic bona fides on the way to Tufts admission.  These often serve as a means by which white suburban kids flesh out the required diversity side of an otherwise diversity-starved academic resume.  The image below from Adventures Cross Country, a gap year program.

gap

Perhaps Tufts will find that subsidizing this side of things will make it more diverse and increase access.  Perhaps not.  We report you decide.

Elsewhere, with the other colleges in attendance, it was a pledge of doing more for 10 students here and 15 there.  Nothing wrong with this, mind you.  But it is pretty thin gruel for a big press hoo-hah.  And of course it has nothing to do with how the conversation started: how the heck to do something about changing the nature of the beast in more fundamental ways.

My own view: the feds should own up to the fact that as regards direct action they are holding that boiled noodle.  Rather than engage in an Obamacare equivalent for the higher education sector, the feds ought to find a better way.  That starts with acknowledging that they don’t hold the center of power, and that the fight that is taking place is occurring in the real world beyond them.  They might need to take sides in that fight.

That could start with pressure on the accreditation agencies to move away from their role as protectors of institutions and to think harder about what students and employers need.

There is no reason for colleges to have a monopoly on credentialing.  Let them teach, let others teach, and let students learn where they will.  But let’s have someone find a way to formally recognize skills-based approaches, wherever gotten, that are not required to have the form of a Bachelor’s Degree from College X.

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Then and Now: Courthouse Edition

Blowhard, Esq. writes:

County_Courthouse_ca1900

stanleymosk

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