The Downton Economy

Fenster writes:

The normally sensible Walter Russell Mead sometimes leaves me scratching me head.  As with this article about whether we are headed towards a Downton Abbey economy.

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Mead notes the growing tendency of those with the resources to outsource services.  Some of that is garden variety handyman stuff on the part of those that are only moderately well off: paying people to assemble IKEA furniture, for instance.  The truly wealthy are unlikely to buy IKEA in the first place.  But Mead also notes that

the WSJ reports that demand for full-time live-in domestic help is growing rapidly, including for chefs, housekeepers, estate managers, and even maids and butlers. The return of butlers and maids is attention grabbing enough, but the story is full of many other eye-popping details. The pay, for instance, can rise as high as 200,000 dollars thousand a year for a butler, and some agencies say families have begun to build separate kitchens in their houses for the kitchen staff in order to maintain family privacy.

What to make of this?  Here, Mead falls back on that hoary argument: the magic of the market.

As manufacturing and clerical jobs decline, creating enough demand for service labor will push wages up to good levels.

Yes, so as inequality increases to Edwardian levels, we are not to be concerned because it heralds its own opposite, courtesy of that magic market.

I am somewhat more persuaded, and certainly far more worried, that Tyler Cowen is right, that inequality will continue to increase, and that those who are not rich will be living on rice and beans.  Whatever you make of that argument, it is more plausible than arguing, as does Mead, that rising inequality leads to greater equality.  That is the opposite of an Occam’s Razor contention.

IMHO a stable democracy needs a thriving, not a hollowed out, middle class.

I also find it amusing how other right-of-center voices deal with the Downton phenomenon.  Over at Instapundit, Mead’s article warrants a link and a lengthy excerpt.  But what does Reynolds make of it?  Here’s his revealing conclusion:

There’s nothing dishonorable about domestic service, but this isn’t the Hope And Change we were promised. Then again, they don’t call him President Goldman Sachs for nothing.

To unpack this: “I don’t want to say anything bad about domestics since I tilt right and a lot of folks on my side use ’em.  But maybe maybe there’s something unsettling about it, and maybe maybe I’ll give you that.  But if there is a problem, it’s Obama’s fault.”

This is exactly the kind of spin–I am in favor of what helps my side–that I detest.  Lurking under the surface, perhaps, is a shared distaste for a return of servitude, especially if it is a marker for a hollowed-out middle class.  It would be good if both right and left could talk about that.  But that would require some sort of conversation between progressives and Tea Partiers, and we can’t have that.

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Architecture Du Jour

Blowhard, Esq. writes:

Click on the image to enlarge.

stockholmStockholm, Sweden

(H/T Callowman)

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Quote Du Jour

Blowhard, Esq. writes:

Jane Austen

“One half of the world cannot understand the pleasures of the other.”

— Jane Austen, Emma

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Art Du Jour

Blowhard, Esq. writes:

muchaA railway ad by Alphonse Mucha, 1897

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A Solemn Consideration

Fabrizio del Wrongo writes:

Charles_Dickens-_A_Tale_of_Two_Cities-With_Illustrations_by_H_K_Browne,_1859

A wonderful fact to reflect upon, that every human creature is constituted to be that profound secret and mystery to every other. A solemn consideration, when I enter a great city by night, that every one of those darkly clustered houses encloses its own secret; that every room in every one of them encloses its own secret; that every beating heart in the hundreds of thousands of breasts there, is, in some of its imaginings, a secret to the heart nearest it! Something of the awfulness, even of Death itself, is referable to this. No more can I turn the leaves of this dear book that I loved, and vainly hope in time to read it all. No more can I look into the depths of this unfathomable water, wherein, as momentary lights glanced into it, I have had glimpses of buried treasure and other things submerged. It was appointed that the book should shut with a spring, for ever and for ever, when I had read but a page. It was appointed that the water should be locked in an eternal frost, when the light was playing on its surface, and I stood in ignorance on the shore. My friend is dead, my neighbour is dead, my love, the darling of my soul, is dead; it is the inexorable consolidation and perpetuation of the secret that was always in that individuality, and which I shall carry in mine to my life’s end. In any of the burial-places of this city through which I pass, is there a sleeper more inscrutable than its busy inhabitants are, in their innermost personality, to me, or than I am to them?

— Charles Dickens

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Architecture Du Jour

Blowhard, Esq. writes:

Some shots I took of the Fullerton Police Department in Fullerton, CA. Designed by G. Stanley Wilson, it was built by the Works Project Administration and originally dedicated as the town’s city hall in 1942.

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Actors (etc.) in Hats and Headgear

Sherbrooke writes:

Here’s Josephine Baker, in a hat, and — other things.

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Time Machine

epiminondas writes:

Everyone has the fantasy wish of going back in time for a brief visit.  But assuming you had only one trip you could take, where would you go?  I’ve thought about this quite a lot.  Obsessively, actually.

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Some of my choices: fifth century B.C. Athens, Paris in 1750, London in 1850, Florence in 1500, New York City in 1932, Charleston in 1860, Edo (Tokyo) in 1850, Constantinople in 1200, Baghdad in 900, Vienna in 1825, Babylon in 1200 B.C., Thebes in 1800 B.C., Buenos Aires in 1910…and Rome at the time of Augustus: 10 B.C.

Now if I could only go on one trip, it would be ancient Rome.  I would do all the touristy things, like taking in a gladiator match at the Colosseum, watching a chariot race at the Circus, taking the waters at the Baths of Diocletian, hearing a recital at the Theater of Marcellus, and attending a sacrifice at one of the numerous temples.  And if it really came down it, I would try to arrange a trip that would put me in Rome in time to see the Triumphal Procession of some victorious general or emperor.  Put me down for one ticket, please.  Round trip, coach would be fine.  I’ll be staying about a month.

Until someone figures out how to build a time machine, this is pure fantasy.  However, there is an ongoing project called “Rome Reborn“, an international initiative which seeks to eventually provide detailed virtual “fly-throughs” of ancient Rome at various stages in its history, from about 1000 B.C to its final period of decline up to around A.D. 550. This project began over ten years ago and will continue for many more years. It may never be completed. Here’s the latest version…

Other people are also jumping into the act.  Here’s a fly-through of just the Roman Forum with even greater detail:

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“Parker”

Paleo Retiree writes:

Parker12

Jason Statham and J-Lo directed by Taylor Hackford, in an adaptation of one of Donald Westlake’s “Parker” novels. For me the film straddled the line between “an OK watch” and “an unfortunate misfire.” It’s full of lively action and color — fun high-life/lowlife settings in New Orleans and Palm Beach, and loads of terrific actors in minor roles. But it isn’t very satisfying. With his battering-ram head, his physical prowess and his growling taciturnity, Statham must have seemed like a plausible choice for Parker, but he doesn’t work out very well; portraying an unstoppable, sociopathic, all-dick archetype (embodied in earlier movies by Lee Marvin, Jim Brown and Mel Gibson), Statham winds up looking like a boy playing at being a man. Masculinity today, eh? With J-Lo, it seems that you’re either amused by her childishly bad, cartoonish overacting or you aren’t — in this case, what the heck, I was tickled by it. Hackford can deliver a terrific movie when his trademark juicy-flamboyant realism is appropriate — I loved “Ray,” his recent biopic about Ray Charles. But here his approach seems all wrong, as though he was determined to deliver conventional payoffs of a kind the material isn’t much good for but was clueless about the quirkier potential the material is teeming with. FWIW, I’m one of those people who considers Westlake’s Parker novels to be genius. They feature an absurdist bluntness and matter-of-factness that’s like a fusion of Don Siegel and Robert Bresson; they’re reductionist and brutal to a comic/horrifying extreme; yet they’re also droll, devil-may-care, make-it-up-as-you-go-along shaggy-dog crime yarns.

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Put on Your Thinking Cap

epiminondas writes:

You’re going to need it…

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