Linkage

Paleo Retiree writes:

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Overlooked Oeuvres: Winsor McCay (1867-1934)

Fabrizio del Wrongo writes:

McCay1

Winsor McCay strikes me as an underappreciated artist. Oh, he’s pretty well kown for his comic strips, all-time classics like “Little Nemo” and “Dream of the Rarebit Fiend.” But as a maker of movies he’s often dismissed as little more than an animation pioneer. And while he definitely fits that description, I’m not sure that does full justice to his achievements.

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Anthropology Update

Fenster writes:

Here is an interesting account of the controversies surrounding the anthropologist Napoleon Chagnon, famous for his studies of the fierce Yanamamo people of the Amazon jungle.  And here’s his page on . . . uh . . . Amazon.

I remember Chagnon’s Yananamo book was everywhere back in the day, that I owned it and that I probably even read it.  But I didn’t follow the Chagnon controversy over the last, oh, forty years.  Peter Wood’s article is a good refresher course.

Wow, anthro.  For me, long time no read.  I was an anthropology major in college, way back when it was OK, even fashionable, to major in something not useful.  Even then, anthropology was that.  Today, it often tops the list as the worst possible major from a career point of view.

Anthro always was prone to PC infection given its relativist and culture-uber-alles tendencies.  From the tiny bit I have observed over the years, it does seem like it fell into right-thinking rot more than its academic neighbors.  It probably needs a good thwack or two like this.

Things were not always thus.  One of my college idols was the Syracuse anthropology professor Agehananda Bharati, author of the autobiographical The Ochre Robe. Despite his Indian name and mystical training, Bharati was originally one Leopold Fischer, an Austrian caught up in the German back to nature movement and an early voyager to India for spiritual enlightenment.  Also a hard headed academic.  Also a devotee of the Tantric Tradition and thus into what Marvin Gaye would later call sexual healing.  I remember in his introductory course, Bharati defined anthropology, in his thick German accent, as “the schtudy of man”, at which point he leaned forward and leered, adding “embracing voman!”  No PC there!  Today he’d be keelhauled for fooling around with his schtudents.

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“Can Job,” by Kirsten Mortensen

Fabrizio del Wrongo writes:

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I had a lot of fun reading Kirsten Mortensen’s comic novel “Can Job.” It’s about a prominent can opener company from the city of Borschtchester, New York, which is hoping to expand into the digital sphere. Get outta their way, ’cause they’re laying the foundation for the high-tech kitchen of tomorrow! But there are a few problems — big ones. For one thing, their proprietary can dimpling system looks like it might not catch on. For another, they probably won’t have a prototype ready for the kitchen industry’s big show. And what to do about the pigeons that keep roosting outside of Boss Scally’s window — aside from calling them rock doves, I mean?

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Depressive Affinities: Bergman’s “Thirst” and Zanussi’s “Contract”

Fabrizio del Wrongo writes:

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Early in Ingmar Bergman’s 1949 “Thirst,” a serpent is plucked from a sun-dappled wood and placed on a swarming anthill. It’s meant as an image of paradise encumbered, and it sets the tone for what will develop into one of Bergman’s earliest examinations of a masochistic relationship. The principal character, played by Eva Henning, is named Rut. She’s a past-her-prime ballerina who is slowly undermining her marriage to Bertil, a rather limp art history professor (Rut resents him for being so feckless). Her dissatisfaction leads her to daydream about her past as a dancer and a young woman. That serpent vignette occurs during one of these reveries: a summery interlude filled with memories of a former lover, which Bergman situates right at the start of the film in order to demonstrate just how far Rut has fallen. The lover, Raoul, is an older man who met Rut between stints in the Second World War; unlike Bertil, he’s dashing, irreverent, and callously bullish. He’s also married, and when he impregnates Rut he cajoles her into aborting the child. This breaks the seal on Rut’s innocence: not only does it leave her barren, it permanently sours her on the efficacy of relationships. “Nothing takes root in me anymore,” she says at one point, “it’s all mud inside.”

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Quote of the Day

Blowhard, Esq. writes:

The weakening of the state, the progressive development of its imperfections, is a social necessity. The strengthening of other loyalties, of alternative foci of power, of different modes of human behaviour, is an essential for survival. But where do we begin? It ought to be obvious that we do not begin by supporting, joining, or hoping to change from within, the existing political parties, nor by starting new ones as rival contenders for political power. Our task is not to gain power, but to erode it, to drain it away from the state.

— Colin Ward, Anarchy in Action

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“Why Not Have a Beautiful Home?”

Blowhard, Esq. writes:

I’ve been focusing too much on crappy buildings lately. Let’s pay attention to the positive, shall we? Southern California has plenty of well-kept, modest, charming neighborhoods, if you’re willing to look. All of the following homes are within a few blocks of one another in Tustin, CA.

Built in 1881, this was the southern California retreat of David Hewes, “the maker of San Francisco” who provided the golden spike at Promontory Point. Hewes is buried in Mountain View Cemetery, the final resting place of the wonderful Julia Morgan.

Hewes Mansion

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Quote of the Day

Blowhard, Esq. writes:

God bless the straightforward writer, and God bless those with the ability to amuse, provoke, surprise, shock, appall.

The purpose of literature is to Delight. To create or endorse the Scholastic is a craven desire. It may yield a low-level self-satisfaction, but how can this compare with our joy at great, generous writing? With our joy of discovery of worth in the simple and straightforward? Is this Jingoism? The use of the term’s a wish to side with the powerful, the Curator, the Editor. The schoolmaster’s bad enough in the schoolroom; I prefer to keep him out of my bookshelf.

— David Mamet

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Juxtaposin’: Argumentation

Fabrizio del Wrongo writes:

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Linkage

Paleo Retiree writes:

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