Tag Archives: Film

Divas

Fabrizio del Wrongo writes: Bessie Smith appeared in only this one movie; it has an all-black cast and runs 16 minutes. Whatever one might say about the limitations of the story line, derived from the W.C. Handy song by the … Continue reading →

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Notes on “That’s My Man”

Fabrizio del Wrongo writes: This late Frank Borzage picture is about a compulsive gambler (Don Ameche) whose mojo is all bound up with the fate of a thoroughbred that he raises from a colt. Borzage and screenwriters Steve Fisher and Bradley … Continue reading →

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Reverse Engineering Hollywood

epiminondas writes: So how many genres and sub-genres do you think there are when it comes to forming a database of Hollywood films? 200? 500? 1,000? Actually, it’s north of 90,000.

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Juxtaposin’: Stair Singing

Fabrizio del Wrongo writes:

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Movie Posters of the French New Wave (Other Countries Edition)

Fabrizio del Wrongo writes: I’ve already posted galleries devoted to French and Italian posters of the French New Wave. This entry is the last in the series: it focuses on New Wave posters released in countries other than France and Italy. … Continue reading →

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Notes on “Big Star: Nothing Can Hurt Me”

Fabrizio del Wrongo writes: “Big Star: Nothing Can Hurt Me” is ostensibly a documentary about ’70s cult band Big Star, and it’s good at being that, but its stealth subjects are the state of rock ‘n’ roll in the ’70s … Continue reading →

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Three Erotic Tarzans

Fabrizio del Wrongo writes: Edgar Rice Burroughs (1912): To Jane the strange apparition of this god-like man was as wine to sick nerves. From the description which Clayton and her father and Mr. Philander had given her, she knew that … Continue reading →

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RIP Billy Jack

Fabrizio del Wrongo writes: I saw that Tom Laughlin died the other day. He was mostly known for playing Billy Jack in a series of films, the most famous being the first two: the 1967 “The Born Losers” and the 1971 “Billy Jack.” You … Continue reading →

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“Untamed”

Fabrizio del Wrongo writes: Released in 1957, “Untamed” is an episodic account of a woman’s semi-voluntary trudge towards independence, one that uses the Westernization of Japan as its backdrop. (It’s set during the Taisho period of the early 20th century.) Hideko Takamine — … Continue reading →

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Notes on “Finishing School”

Fabrizio del Wrongo writes: This RKO production about young ladies making their way through a stuffy Manhattan finishing school tries its darndest to be a drag, particularly when it focuses on Frances Dee and her involvement with Bruce Cabot’s sturdy do-gooder. (He … Continue reading →

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