Fenster writes:
. . . wherein we introduce a new semi-regular feature on NOTS. These will be songs that crib from the masters, especially those in the power pop lineage, and do it well enough to make it work no matter how shameless the cribbing.
Music in the power pop tradition looks to balance a certain set of contrasts. It looks to be punchy without overdoing it, and often relies on a certain restraint despite the punch (e.g., The Who’s I Can See for Miles as opposed to the group’s later all-out arena-sized bombast). And it looks to be melodic, and especially harmonic (as with the Beatles), without retreating as far as the tradition of commercial pop. Sometimes it holds these in rough balance (Squeeze, say). Sometimes one is dominant over the other, as the harmonic side is with the Beach Boys.
Sax has taken it upon himself to go through the latter’s albums here, one by one. What a project! I have enjoyed the music and commentary to date and look for more.
In the meantime, here is installment one of NOT The Beach Boys.
It is a cut called Forever by a contemporary outfit called the Explorer’s Club. It is, per the above, as shameless a rip-off as you will ever find. And that is saying a lot. I have some other NOTs queued up that are pretty shameless in their own way. Anyway, here it is.
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The not-the-Beach Boys thing has been much harder to accomplish than the not-the-Beatles thing. Even the most talented duplicators (like the Explorers Club) can’t capture the effect of the Brian Wilson-Mike Love mismatch: the spiritual-materialist clash that raises the Beach Boys outstanding pop songwriting to the level of art.
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My iPod NOT Beatles playlist is long. My NOT Beach Boys list is short. To some extent this is because the Beatles still occupy a kind of special place, and have spawned lots of different types of tributes. But there is something in the BB music, too, that makes it harder to bottle, as you have pointed out.
The Explorer’s Club is, as far as I can tell, almost singular in its desire to want to capture the Beach Boys completely, from vocal tone to harmonies to cheesy, chunky rhythm guitar chords pressed into service in the solo section. The other NOT the Beach Boys in the queue are less direct, incorporating ideas and spirit more than they attempt note-for-note cribs.
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