Quote Du Jour

Blowhard, Esq. writes:

Robert-Hooke-Black-Death

The mortality in Siena began in May. It was a cruel and horrible thing…It seemed that almost everyone became stupefied seeing the pain. It is impossible for the human tongue to recount the awful truth. Indeed, one who did not see such horribleness can be called blessed.

The victims died almost immediately. They would swell beneath the armpits and in the groin, and fall over while talking. Father abandoned child, wife husband, one brother another; for this illness seemed to strike through breath and sight. And so they died. None could be found to bury the dead for money or friendship. Members of a household brought their dead to a ditch as best they could, without priest, without divine offices.

In many places in Siena great pits were dug and piled deep with the multitude of dead. And they died by the hundreds, both day and night, and all were thrown in those ditches and covered with earth. And as soon as those ditches were filled, more were dug.

I, Agnolo di Tura, called the Fat, buried my five children with my own hands. And there were also those who were so sparsely covered with earth that the dogs dragged them forth and devoured many bodies throughout the city. There was no one who wept for any death, for all awaited death. And so many died that all believed it was the end of the world.

— Agnolo di Tura, chronicler of the town of Siena, Italy, describing the Black Death in the 14th century

Posted in Philosophy and Religion | Tagged , , | 2 Comments

Gilded Age Gallery

Blowhard, Esq. writes:

SailorTwainI enjoyed Mark Siegel’s Sailor Twain, a dark fantasy-romance graphic novel set during the late 19th century on a Hudson steamboat, quite a bit. I had planned on writing a longer review until I realized that, er, all I had to say was that I really, really liked it! (If for some bizarre reason my enthusiasm isn’t enough of a recommendation, check out these reviews here and here.) I especially loved Siegel’s moody charcoal art.

Click on the images to enlarge.

A major appeal of the book is its Gilded Age setting, which has always had a hold on my imagination. I took an upper-division seminar in college on post-Civil War American history, and man, what a drag that was. The predictable Race-Gender-Class™ critique. Taking that class, you never would’ve known that this era saw the Beaux Arts/City Beautiful movement, the glories of the 1893 Expo in Chicago, the emergence of vaudeville, the beginnings of movies, or indeed the creation of mass popular culture as we know it. And don’t get me started on how art history courses still largely ignore Academic art.

Anyhoo, here’s a collection of images that conveys some of the splendor and sophisticated fussiness of the era to me.

Related

  • I shared a gallery of seascapes by a Russian-Armenian painter here and a collection of erotic illustrations here.
Posted in Architecture, Art, Personal reflections, Photography | Tagged , , , , , , | 6 Comments

Movie Still Du Jour

Blowhard, Esq. writes:

Click on the image to enlarge.

mysummerofloveNatalie Press and Emily Blunt in MY SUMMER OF LOVE. I watched it last night and loved it. It’s currently streaming on Netflix. Thanks to Paleo Retiree/Michael Blowhard for recommending it.

Posted in Movies, Performers | Tagged , | 3 Comments

NOT The Beatles 2

Fenster writes:

Another installment: My Before and After, by Cotton Mather.

I find this one remarkable.  I am simultaneously able to listen to it as a glorious John Lennon song and at the same time as a terrific work in its own right.  In fact the entire album this cut if from (Kontiki) is superior in every way.

Here’s a trailer for the 2012 re-release of the 1997 album.  Glad it was re-released.  It was hard to find for a long time and deserves another hearing.

Posted in Music, Performers | Tagged , , | 3 Comments

“Who’s the hottest girl in the world?”

Eddie Pensier writes:

If you have any old relatives (or maybe it’s you: we won’t tell) who watch the grand old movie musicals of days gone by with wistful regret, shaking their head and saying, “they just don’t make movies like this anymore”, I’ve got news for you: they do.

They’re in Hindi and Bengali, though.

I don’t seek out Bollywood movies but I watch them if they’re on TV. Not many other sorts of films revel in the sort of unself-conscious singing and dancing that were once commonplace.

Enjoy this clip of “Desi Girl” from Dostana, the first Bollywood feature filmed in the USA. It features the delectable Priyanka Chopra as well as the suave John Abraham. (Also Abhishek Bachchan, who isn’t quite so dashing to my eyes, but he must have something going for him since he’s married to Aishwarya Rai in real life.)

Somewhere in the beyond, I think Flo Ziegfeld and Vincente Minnelli are smiling and tapping their toes.

Posted in Movies, Music | Tagged , , , , , | 3 Comments

Ads Everywhere: A Continuing Series

Blowhard, Esq. writes:

I was just at Ticketmaster buying tickets for an event when the inevitable CAPTCHA gatekeeper popped up. I was surprised to see this:

captchasubwayAmerica: We never let an opportunity pass to sell you something or hawk crappy food. It would be against our religion to do so. Also, aren’t CAPTCHAs supposed to funky and near-illegible to fool computers? All of the sudden they’re perfected an easily-read one?

Related

  • Previous installments in this series can be found here, here, and here.
Posted in Commercial art, Computers, Food and health, Shopping | Tagged , , , | 6 Comments

Movie Posters of the French New Wave (Italian Edition)

Fabrizio del Wrongo writes:

As in France, the appearance of New Wave films in Italy coincided with the advent of new techniques for the creation of movie posters. Designs became hipper, more au courant, and gradually the use of photographic images began to supplant the painterly tradition of Anselmo Ballester and Luigi Martinati. (If in France poster making was closely allied with the tradition of printmaking, in Italy it was always aspiring to the splashier effects of painting.)

One thing remained constant: The Italians’ love of sex, heat, and drama. It’s a predilection that caused even the grim films of Ingmar Bergman to be marketed in Italy as colorful, hot-house extravaganzas. (You expected the sun-loving Italians to cotton to all that Scandinavian brooding and angst?) This resulted in some rather incongruous New Wave posters, such as Angelo Cesselon’s hysterical take on Rivette’s rather staid “La Religieuse,” or Piovano’s dual interpretations of “Week End,” both of which emphasize sex over Godard’s analytical brand of doomsaying. On the other hand, the unsigned cartoon-style image used to represent the lunatic “Zazie in the Metro” is very appropriate, and Giuliano Nistri’s image of Bardot on his “Contempt” poster gets the smoldering side of the star in a way French posters often don’t. And Enrico DeSeta’s large poster for “The 400 Blows” is simply one of the loveliest designs of the era: it’s less a representative image of the film than an advertisement for an emerging continental style — one characterized by tousled hair, Vespa scooters, and jaunty modernist typefaces.

As I did in the first entry in this series, I’ve included posters for some films that don’t qualify as New Wave in the strict sense, but which derive from the same period and set of attitudes. I’ve also included some posters for films that can be considered part of Italy’s own new wave — movies made by men like Bernardo Bertolucci and Marco Bellocchio. Because . . . well, why not?

I apologize for the variable quality of the photos. Some of these posters are over six feet in length, making them hard to photograph.

Related

Posted in Commercial art, Movies | Tagged , , , , , , , , , | 5 Comments

Seeing What is in Front of One’s Nose

Fenster writes:

I wrote here that, just as the Left is right to struggle with the possibility of too much diversity, the Right is left to struggle with the possibility of too much inequality.

It’s a struggle all right, and a familiar one.  As Orwell wrote (and as writers as diverse–and unequal–as Steve Sailer, Paul Krugman and Andrew Sullivan have re-posted), “to see what is in front of one’s nose needs a constant struggle.”

Which Orwell?  Door #1, door #2 or door #3?

Which Orwell? Door #1, door #2 or door #3?

Why is this?  Faced with this kind of question I suggest doing what I usually do–resort to some good old fashioned evolutionary biology just-so stories.

People apprehend social ideas in binary terms, as black/white, good/bad.  But ideas are like all things in an ultimately Darwinian universe improvisations made up for adaptive traction.  We can’t help but be beguiled by them–that’s part of the trick that makes them work–but improvisations they are nonetheless (IMHO as a Darwinian–all are free to disagree).

So we promote diversity, fairly, as a way to cope with inevitable cultural complexity–but close our eyes to an honor killing in a Western nation.  We say, fairly, that inequality is a good and necessary thing for growth–but is that a guillotine I see before me?

Accordingly ask not whether something is good if it promotes diversity, or if it signifies growth because there is an unequal outcome.  Ask what the situation demands.

Assuming you can see beyond your own nose.   If you are predisposed a certain way, it is likely you have already decided what you will see past your nose, even while bravely quoting Orwell.  It’s a problem.

What is the way out?  Keeping to the Darwinian theme, I suspect what happens is that sooner or later some underlying forces and issues become unavoidable, and cause various styles of reinterpretation, as advocates attempt to square their past shaky assumptions with new challenges.  That puts a premium on the ability to fit the shocking new in with the comfortable old.

I think we are seeing that now on the Right where inequality is concerned. epiminondas and I both linked to a Weekly Standard story in which fretting about inequality was manifest.  But the author, in true contempo partisan style, needed to come up with a way to raise the issue without conceding anything to the opposing camp (we are all in camps nowdays donchaknow?).  So the concern about inequality was framed in the context of the hypocrisy of left-leaning, green Silicon Valley millionaires.

It’s like the Fifites, where one only had to say what you were not.  An anti-communist, or an anti-anti communist.  Figuring out where one truly stands, well . . . well, that requires a constant struggle now, don’t it?

Now comes Mark Steyn, by far the most entertaining pundit around and one who is very often . . . er . . . right.  But even Steyn is not immune from the anti-anti spin mentioned above.  From time to time he too can take something that truly matters and convert it into anti-matter.  Such must be the pressures of punditry in the modern era . . . you get invited to show up on a radio show hosted by a hyper-partisan like Hugh Hewitt and soon you are spewing and spinning with the best of them.  IT’S ALL ABOUT OBAMA!!!  RUN!!!

panic

So here is Steyn tackling inequality.  A very interesting column.  As with the Weekly Standard article, the concern over inequality is manifest.  Give Steyn a lot of credit for bearing down on an important aspect of the problem, which is whether our economy is headed for a situation in which capital does not need labor.  Tyler Cowen and others have been pushing the notion of the inevitability of increased inequality, and it is a real topic.  But Steyn can’t help it.  Rather than embrace the problem and take a stand, it is all once again reduced to a problem manufactured by the other side’s mendacity.  But how does his conclusion that the problem is all about government dependency square with the notion that there may well be deeper structural components?

That will have to wait for another day, a day when score settling and one-upsmanship take a back seat to problem solving.  If I were a Hegelian, I’d say it is a dialectic, one being worked out as we speak.

Posted in Personal reflections, Politics and Economics | Tagged , , , , , , | 11 Comments

Neon & Cocktail Du Jour

Blowhard, Esq. writes:

colesneon

Their sandwiches are amazing and the Old Fashioneds are pretty good too.

colesoldfashioned

Click on the images to enlarge.

Posted in Food and health, Photography, The Good Life | Tagged , , | 2 Comments

Linkage

Paleo Retiree writes:

Posted in Linkathons | Tagged , , , , , , , | 3 Comments