Diversity Update

Paleo Retiree writes:

diversity

The Diversity Management industry needs more Diversity

We here at UR enjoy tracking and marveling at the phenomenon of Diversity. What an overwhelming spectacle it has become, and what a lot of cultural and political energy it has attracted and absorbed. How to account for this? Can Diversity be compared to a case of mass hypnosis? How much more can Diversity grow? Can Diversity be said to have attained the status of a religion?

A somewhat more abstract question that Diversity-mania often has me wondering about: Though I’d like to think that ruling is something that can be done in a totally practical way, maybe that isn’t true. Perhaps it’s possible that elites need a cause to rule in the name of. Seen in that light, Diversity is the noble ideal our elites are asking us to sacrifice — er, devote — ourselves to. It’s part of how they’re pulling the wool over our eyes. Is this anything we should put up with?

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Posted in Politics and Economics | Tagged , , , , , | 31 Comments

Notes on “My Chauffeur”

Fabrizio del Wrongo writes:

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This Crown International production from 1986 is perkily hit-and-miss. It seems like an attempt to do a modern-day screwball comedy with some Dickensian elements (there are some real shockeroos, plot-wise), but the tone is mostly off — it’s hard-edged and pushy where it needs to be flirtatious. Deborah Foreman, the moppet who is chased by Nic Cage in “Valley Girl,” acts as though she’s been directed to quash all of her softness. She comes off as an adrenalized chipmunk, twinkling her eyes and aggressively flashing her gums. (I’m guessing the cast was doing a lot of coke.) And there are some bits that simply bring the movie to a stand-still, namely one in which Penn & Teller do a not-very-amusing cigarette trick. Yet the picture is silly and colorful enough to keep you engaged, or at least stimulated. One scene in particular stands out: A trudge through the wilderness in which Foreman does a daffy impersonation of a Southern belle while carrying a parasol fashioned from her bloomers. Here the movie manages to sustain a satirical tone, and it’s delightful. Leading man Sam Jones is so wooden he’s like a dime store Indian — one that came in a box labelled “straight man.” In this context it’s not a bad quality: he’s amusing. Jones has an extended nude scene, which is pretty unusual.

Related

  • Someday I need to blog about my love of Crown International Pictures, one of the great producers of low-budget drive-in fare.
  • As far as I’m concerned “Valley Girl” is a classic — and perhaps the most dippily romantic movie of the ’80s. The young Nicolas Cage was a perfect leading man for romantic comedy, which is to say he was born at the wrong time. “Valley Girl” is built around the needy-intense way he looks at Foreman. Talk about a bedroom stare!
  • A snippet of the best scene in “My Chauffeur”:
Posted in Movies | Tagged , , , , , , , | 6 Comments

Fanservice

Sax von Stroheim writes:

I picked up the first seven issues of Red Hood and the Outlaws from the same digital comics sale that netted me those Batman comics. As I noted (briefly) in that post, Red Hood and the Outlaws is one of the many current Batman-spin-off comics. I wanted to read Scott Snyder and Greg Capullo’s Batman because I heard it was good. I wanted to read Scott Lobdell and Kenneth Rocafort’s Red Hood and the Outlaws because I heard it was horribly sexist and “strongly objectionable”.

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I think my next post may be about how terrible superhero comic book covers have gotten over the years

First, a little background:

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Posted in Art, Books Publishing and Writing, Sex | Tagged , , , , , , | 7 Comments

Quote Du Jour

Blowhard, Esq. writes:

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Few of the tens of thousands of whores in London gave their virginities either to gentlemen, or to young, or old men — or to men at all. Their own low class lads had them. The street boys’ dirty pricks went up their little cunts first. — This is greatly to be regretted, for street boys cannot appreciate the treasures they destroy. A virginity taken by a street boy of sixteen, is a pearl cast to a swine. Any cunt is good enough for such an experience. — To such an animal, a matron of fifty or sixty would give him as much, if not more pleasure than a virgin. I am sure of this even from my own experience, for I cared nothing whatever about the virginities I took early in my life. It was cunt alone I cared about, and any cunt for my pleasure then was good enough.

— My Secret Life, Vol. 5, Chapter 16

Posted in Books Publishing and Writing, Sex | Tagged , , , | 7 Comments

Art/Architecture Du Jour

Blowhard, Esq. writes:

Click on the image to enlarge.

st-chapelle-stained-glassThe mid-13th century stained glass windows of Sainte-Chapelle in Paris, France.

Posted in Architecture, Art, Philosophy and Religion | Tagged , , , | 5 Comments

Linkage

Fabrizio del Wrongo writes:

Posted in Architecture, Humor, Linkathons, Movies, Sex | 3 Comments

Meanwhile, Back at Stately Wayne Manor…

Sax von Stroheim writes:

I had been hearing good things about the new Batman comics written by Scott Snyder and drawn (mostly) by Greg Capullo. They were offered at a steep discount on one of the read-your-comics-on-an-iPad-apps so I thought I’d give the first dozen issues a try.

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Spoiler alert: I really disagree with whoever it was that wrote that blurb at “Complex Magazine”

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Posted in Art, Books Publishing and Writing | Tagged , , | 5 Comments

The LAX Theme Building

Blowhard, Esq. writes:

LAXT

OK, so how much of my trad architecture cred do I lose by saying that I love this Jetsons-Googie-Jet Age-swoopy-blobby work? Has SHAG ever had an art show here? If not, why not?

First, a few shots of the exterior.

Here’s the courtyard surrounding entrance.

The elevator ride up plays some fun mid-century lounge music. If the interior looks a bit Tomorrowland to you that’s because it was renovated by Walt Disney Imagineering in 1997.

Related

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“In its death throes, the mega state is gonna make a lot of mess.”

Glynn Marshes shares

. . . an interview with Louis Rossetto, co-founder of Wired magazine, by Reason‘s Nick Gillespie. Starts with predictions Rossetto made in the 1990s about the impact of Internet technology and then moves to what’s happened since, touching on the impact on mainstream media, political discourse, and (yay) human consciousness 😉

Despite the “lot of mess” comment, Rossetto is generally positive:

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Posted in Politics and Economics, Television | 2 Comments

JFK

Fenster writes:

The world wants to know: what does Uncouth Reflections think of the 50th anniversary of JFK’s assassination, JFK’s legacy, JFK the man, JFK the womanizer, JFK the tax-cutting conservative, JFK the secretly emerging heroic liberal, and so forth.

Well, probably not.  So on to the real issue: where were you when he got shot?

I was in a high school assembly.  Oddly enough, some famous violinist had agreed to come to our nondescript suburban high school for a daytime recital for the kids (classmates recall it being Vladimir Horowitz but, as a commenter below noted, he was a pianist).  Unreliable memories notwithstanding, there is also general consensus as to what happened.  He came on stage acting irritated and complained about too much sound in the space.  His behavior somehow prompted the unawed and unsophisticated high school crowd–who’s Horrorwish?–to start giggling and laughing.  This got Horowitz even more irritated, and he began denouncing the audience, and quickly strode off stage before playing a note.

I was in the back of the auditorium and I turned to look out the back door leading to the corridor to see him angrily marching out to the street.  The principal then came on stage and told us to return to our home rooms, where we got the news.

My first reaction, and that of many other of the freshmen: ohmigod that bad man Lyndon Johnson will be president.  It was a kind of mirror image to the many stories of school kids in the south who were reported to have celebrated at the news.  Recall, this was pre-Vietnam War LBJ.  Whatever bile we felt as 9th graders to Lyndon would have been entirely due to a kind of regional bias inherited from our elders.

Reliable high school friends generally confirm this account, though no one really knows whether it was the news of the assassination that prompted Horowitz to be irritated, and to storm off stage.  Probably.

As to more current manifestations of the JFK issue.

1.  I continue to be amazed at how mainstream reporting so quickly resorts to the kind of hagiography that for the most part went the way of the dodo after Watergate.  Diane Sawyer’s coverage on the ABC Nightly News was downright smarmy in an excruciating way.  Here’s hoping that Peggy Noonan is right:

The television coverage has been excessive, and some have found it grating. Fair enough, but we’ll never do it like this again. There won’t be any such attention paid to the 60th and 70th; those who were there will be gone, as will be many of those who were not there but remember.

Though who knows?  A Google search for “new generation Kennedy family” turns up 56 million hits, roughly one for each member of the new generation to whom the tawch will be pahsed.

2. While the MSM is sticking with its Oswald story for the most part, conspiracy stuff is, as always, just under the surface.  Republican operative Roger Stone is saying that Oliver Stone’s account has a lot of truth to it, especially as regards the involvement of LBJ.  And James Douglas is making the rounds with his account of CIA involvement.

3.  As Steve Sailer and others have been fond of pointing out, the Dallas/Hate meme has been on bounteous display.  And, further, how odd that that meme is so strong considering the official version is that of a lone Marxist assassin, a story that renders whatever right-wing anger existed in Dallas for Kennedy somewhat beside the point.

At one level I agree that the Oswald/Marxist and Dallas/Hate memes are in conflict, and that they might comprise an almost perfect form of Orwellian doublethink.  On the other hand, though, might there be an Occam’s Razor-style argument that is capable of squaring this particular circle?  Maybe.  

Consider that the media constantly promote the lone assassin theory as gospel, and regularly “diagnose” skepticism as though it were a psychological ailment (see here and here).   Yet almost since the beginning most Americans have been highly skeptical about that lone Marxist gunman.   A lot of Americans seem to buy that Kennedy was in fact done in by powerful evil people–not necessarily John Birch style haters, but certainly forces arrayed against an emerging liberal impulse domestically and a softer tone internationally.

Now of course Dallas does not really own any collective guilt for its Hating Ways.  But at the level of the collective unconscious it could well be a stand-in for those whom the American public consider to be the real murderers.  In that sense, the irony disappears, as it often does, under the microscope.

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