Tag Archives: Mikio Naruse

Notes on “Every-Night Dreams”

Fabrizio del Wrongo writes: There’s an almost cubist visual sensibility at work in this 1933 silent from director Mikio Naruse. Scenes are fractured into barrages of angles, the camera sometimes moving in on its subjects in kamikaze fashion. Many of the … Continue reading

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“Summer Clouds”

Fabrizio del Wrongo writes: The 1958 “Summer Clouds” is a sprawling but tightly structured work, one that has an almost mathematical precision to it. Chikage Awashima plays Yae, a war widow doing what she can to sustain herself, her son, and her mother-in-law on a … Continue reading

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“Untamed”

Fabrizio del Wrongo writes: Released in 1957, “Untamed” is an episodic account of a woman’s semi-voluntary trudge towards independence, one that uses the Westernization of Japan as its backdrop. (It’s set during the Taisho period of the early 20th century.) Hideko Takamine — … Continue reading

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Notes on Two Late Naruse Films

Fabrizio del Wrongo writes: “The Stranger Within a Woman,” from 1966, is an unsettling late Naruse that feels a bit like one of Bergman’s ’50s films, especially in its use of the flashback as a structuring device. The plot concerns a … Continue reading

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