Paleo Retiree writes:
I hated this very literary 2001 vigilante picture, directed by Todd Field from a story by Andre Dubus. It’s immaculate and meticulous; full of grief, bleakness and quiet; and bristling with mythic overtones and unexpressed (but broadly hinted-at) emotions. Set in a small fishing town on the New England coast and embellished with lots of contrasts between upper-middle-class comfort and working-class harshness, it seemed as overwrought and pretentiously bad (in a tasteful, color-coordinated, upscale way) to me as “Affliction” and “Margot at the Wedding” did. It was a real critic’s darling, though, and many viewers have reported that they love it too. It’s available on Netflix as a DVD, and on Amazon Instant Video for $1.99.
More
- A visit with Todd Field, the film’s director.
- Sissy Spacek talks about playing a repressed character.
- A short intro to Andre Dubus.

Eff this movie.
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My feelings too.
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I’m sure the ghost of Ingmar Bergman had something to do with this film. And it was probably bankrolled by Eli Lilly & Co (makers of Prozac).
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Seems like two very safe bets.
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OK, at the risk of losing the respect of all y’all, I remember loving this movie when I saw it during its original run. In my defense, it was a dozen years ago and I was even stupider than I am now.
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Budd Boetticher says not to worry — we were all young and foolish once.
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BTW, it should be illegal to invoke a movie as awful as “Margot at the Wedding.” It should be like Godwin’s Law for movies.
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Dammit, now I have to watch it.
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“Margot”? I don’t know if you’re man enough yet for that challenge.
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I intended the “Margot” reference to be the critical equivalent of a neutron bomb. Glad you picked that up.
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I’m not alone! Thank you!
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