Fabrizio del Wrongo writes:
Related
@ Uncouth Reflections
UR Elsewhere
- Our NSFW Tumblr blog
-
Recent Posts
- Damn Yankees
- Note to B—-: Science and Religion
- Watching Freedom of Speech Speed Atrophy in Real Time
- SCENES WE’D LIKE TO SEE*
- Note to K—-, on the morning of January 6
- Notes on Barbara and Night Train to Lisbon
- Is Culture Stuck?
- You Can Never Be Too Thin, Too Rich or Too Woke
- Notes on Fargo
- Boomers Won’t Go Away, Part XXV
Recent Comments
- Brian on Naked Lady of the Week: Roberta Pedon
- Fenster on Damn Yankees
- Epaminondas on Damn Yankees
- thurston n aiken on Naked Lady of the Week: Anamika
- fenster on Our New Gizmo
- Fabio on Our New Gizmo
- Wayland on Naked Lady of the Week: Lindsey Marshal
- Blowhard, Esq. on Thom Mayne Must Be Stopped
- Dave on Crusader Follies: Peter Bartholomew and the Holy Lance
- MEH 0910 on Note to B—-: Science and Religion
- Dain Fitzgerald on Note to B—-: Science and Religion
- Calvin Hobbes on Note to B—-: Science and Religion
- Charlotte Verdini on Thom Mayne Must Be Stopped
- teageegeepea on Notes on Fargo
- Note to B—-: Science and Religion | Uncouth Reflections on Touching the Void
Blowhard, Esq.
Callowman
Sherbrooke
Eddie Pensier
Enzo Nakamura
Epaminondas
Fabrizio del Wrongo
Fenster
Brundle Guy
Glynn Marshes
Paleo Retiree
Atypical Neurotic
Question Lady
Sax von Stroheim
Sir Barken Hyena
The Mistaken
I think it’s worth examining the extent to which Star Wars and other “regime change” cinema (like Mad Max: Fury Road) are selling a simplistic political paradigm hat manifests itself in our foreign policy and is at least semi-responsible for us running around and fucking up the world.
LikeLiked by 1 person
One thing worth pondering is if our real problem with Star Wars, Mad Max or any other PC infested film is that they are politically correct or that their politics are objectionable/annoying?
In truth art has historically been concerned with ethics and morality so can we really blame the current set?
Perhaps the writer in the piece linked to above gets right when he argues that it is overtness of it that gets under our skin:
“The irony is that, a long time ago, in a film industry far, far away, Star Wars was born in left-wing politics. Lucas dreamed up American Graffiti, Apocalypse Now (a project he subsequently passed off to Francis Ford Coppola) and Star Wars as a trilogy—one film about the carefree days just before the Vietnam War, one about the war itself, and one a dystopian sci-fi look at the ramifications of the aftermath—with plucky guerillas Luke and Co. representing the Viet Cong and the technologically awesome Empire meant to stand in for the United States.
Oh, you didn’t know that? That’s because makers of Hollywood fantasy films used to have the good sense to keep their politics to themselves.”
LikeLike