Fabrizio del Wrongo writes:
— United Auto Workers, 1946
Groups of idle sailors lay about the decks, “overhauling a range of their memories;” how they had spent the last Christmas-day, in some “Wapping,” or “Wide Water street,” with the brimming goblet in hand, and the merry music of the dance sounding in their ears. Nor were the memories of the officers idle. They clasped in fancy their loved ones, now sad and lonely, to their bosoms once more, and listened to the prattle of the little ones they had left behind. Not the least curious of the changes that had taken place since the last Christmas day, was the change in their own official positions. They were, most of them, on that day, afloat under the “old flag.” That flag now looked to them strange and foreign. They had some of their own countrymen on board; not, as of yore, as welcome visitors, but as prisoners. These, too, wore a changed aspect–enemy, instead of friend, being written upon their faces. The two “rival nations,” spoken of by De Tocqueville, stood face to face. Nature is stronger than man. She will not permit her laws to be violated with impunity, and if this war does not separate these two nations, other wars will. If we succeed in preserving the principle of State sovereignty — the only principle which can save this whole country, North and South, from utter wreck and ruin — all will be well, whatever combinations of particular States may be made, from time to time. The States being free, liberty will be saved, and they will gravitate naturally, like unto like — the Puritan clinging to the Puritan, and the Cavalier to the Cavalier. But if this principle be overthrown, if the mad idea be carried out, that all the American people must be moulded into a common mass, and form one consolidated government, under the rule of a majority — for no constitution will then restrain them — Constitutional liberty will disappear, and no man can predict the future — except in so far, that it is impossible for the Puritan, and the Cavalier to live together in peace.
— Raphael Semmes, 1869