Category Archives: Movies

Notes on “The Junk Shop”

Fabrizio del Wrongo writes: “The Junk Shop,” directed by Czech filmmaker Juraj Herz, and adapted from a story by Bohumil Hrabal, is a funny and inexplicable short film in the best tradition of Slavic surrealism. Based on the evidence of … Continue reading

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“I, Psychopath” and “God’s Angry Man”

Paleo Retiree writes: Have you run into Sam Vaknin? He’s quite a phenomenon. Vaknin is a self-described narcissist who has, primarily online, made a name for himself as an expert on narcissism. Hundreds of thousands of people have watched his … Continue reading

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Quote Du Jour: On the White Cultural Theft of “Bye, Felicia!”

Blowhard, Esq. writes: Carvell Wallace, commenting on white friend’s use of the phrase “Bye, Felicia!” in a text message, writes perhaps the stupidest thing I’ve read so far this year: Not knowing where something comes from is not a crime. But … Continue reading

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Notes on “Capricorn One”

Fabrizio del Wrongo writes: There is one great moment in the 1978 “Capricorn One”: a slow track away from a group of astronauts who are acting out a Mars landing for the benefit of a credulous public. As the head … Continue reading

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Juxtaposin’: Rides

Fabrizio del Wrongo writes:

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Those Dirty Rings

Fenster writes: Like that ring around the collar left by men in the old Wisk ads, the Hollywood gender pay gap is another case of residue left by men that falls on women to clean up.  And so far, you … Continue reading

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Notes on “Occupied”

Fenster writes: Occupied (or Okkupert in the original) is a Norwegian mini-series, a 10-part political thriller on the subject of a Russian occupation of Norway.  With a budget of $11 million, it is the most expensive mini-series to be produced … Continue reading

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Eight Movie Posters for “Band of Outsiders”

Fabrizio del Wrongo writes: “Band of Outsiders” is, I think, the tenderest of the great Godard films. It’s also, with the exception of “Breathless,” the one that looms largest in the public consciousness: The scenes showing Karina, Frey, and Brasseur … Continue reading

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Notes on “Cry Danger”

Fabrizio del Wrongo writes: “Cry Danger,” the first film directed by Robert Parrish, may come closer to the wry, frugal tone of Dashiell Hammett than even Huston’s adaptation of “The Maltese Falcon,” which leans rather heavily — and quite successfully … Continue reading

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“Love & Friendship” Pre-review

Fenster writes: It is always a kind of special event, albeit in a low key, when a new Whit Stillman film opens.  He’s done only four since 1990: the WASP trilogy of Metropolitan, Barcelona and The Last Days of Disco … Continue reading

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