What We Throw Away, The Lit Edition

Glynn Marshes writes:

Observations by indie writer Dan Meadows, who regularly patronizes his library’s used book sales.

I find the post interesting not only because I watch the book industry, but also in terms of cultural anthropology in a broader sense.

My, what we can learn about ourselves by looking at what we throw away …

Posted in Books Publishing and Writing | 9 Comments

Juxtaposin’: New York Walks

Fabrizio del Wrongo writes:

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Two Anti-Feminism Books By Women

Paleo Retiree writes:

  • The Manipulated Man by Esther Vilar. A rant from the early ’70s that has acquired an underground rep as an anti-feminism classic. Short, elegantly organized and composed; bristling with shrewdness and indignation; and far more insightful about women and the shit they get up to than any Game guy I’ve read. This is very worldly stuff composed in the tradition of the Euro literary essay, and in its ice-hot tone and its often scornfully ironic sophistication it reminded me of such classics as “La Princesse de Clèves” and “Les Liaisons Dangéreuses.” It’s a fun, super-stimulating read, but do come prepared: this ain’t no all-on-one-level, bullet-pointed self-help book. The case that Vilar makes is that in modern societies men don’t oppress women; instead, women use men’s needs and cluelessness to control us. Men want sex and praise so badly, and are so blind to the games women play, that, despite our rep for running the world, we’re basically women’s slaves. Me, I’ve been known to mutter “If only men wanted sex half as badly as we do, we’d make out a lot better for ourselves in the battle of the sexes,” and I suspect Vilar would agree. Fun to learn from Wikipedia that, inevitably I suppose, a feminist once accused Vilar of being “not only sexist but fascist.” Here’s a webpage devoted to Vilar.
  • The Sex Diaries: Why Women Go Off Sex and Other Bedroom Battles by Bettina Arndt. Arndt is an Australian sex therapist and magazine editor, but despite these qualifications she isn’t a member of The Cathedral: instead, she’s honest and down-to-earth about women, men, relationships and sex. (Her tone is very different, but her view of these things isn’t far from Camille Paglia’s.) Arndt based this book on contributions from numerous Aussie couples, who kept sex journals for her, and I found it valuable in two main ways. The first is the book’s main theme: how hard it can be for a woman and a man to stay in sexual sync over the long haul. The glimpses of grownup frustrations and relationship-struggles are fascinating and often moving, as well as very easy to relate to. The second great thing about the book is Arndt’s main argument, which is an attack on an idea that feminists have crammed into women’s brains in recent generations, namely: that, even in marriage, whether sex happens or not should be almost entirely up to the woman. (Traditionally, a wife was understood to owe her husband regular sex.) Arndt makes the point that it seems to be among life’s givens that many women lose a lot of their interest in sex once the initial seduction-and-falling-in-love, “limerance” period is over; and that as time passes, concerns such as kids ‘n’ jobs ‘n’  money ‘n’ houses often push sex ever futher down their to-do list. Meanwhile, many if not most guys marry in the expectation that access to sex will be simpler than when they were single, and despite life’s ups and downs maintain an eager interest in everyday bonking. The result is often mucho misery and despair, and a couple at loggerheads with each other. Arndt urges married women to move beyond the idea that they need to be in the mood (since they so seldom are) and to consider returning to the traditional view that they should agree to regular sex with their men whether they initially feel like it or not. The marriage will be happier, and practically speaking many women will find themselves enjoying the sex anyway. (FWIW, I’ve been amazed by the number of friends’ marriages that have broken up mainly because the wives cut off sex. How on earth does a wife who cuts off sex expect her husband to react?) As you might imagine, Arndt’s point of view has won her many feminist enemies; she’s been accused of being, among other things, a “rape apologist.” My verdict on the book: pop relationship journalism of a very rewarding kind. The world would be a far better, and far happier, place if it were inhabited by more rape apologists like Bettina Arndt. Here’s Arndt’s website, where you can find a lot of good interviews with her and blogpostings by her.
  • Bonus reading: Is Monogamy Insane?

Late edit: Much valuable life-wisdom from Dave Chappelle in this clip:

Posted in Books Publishing and Writing, Politics and Economics, Sex | Tagged , , , , , , | 12 Comments

“Khartoum” (1966)

Eddie Pensier writes:

khartoum

A gorgeous-looking Lawrence of Arabia wannabe, directed by Basil Dearden, about the defense of Khartoum by General Charles Gordon (Charlton Heston) against the forces of the “Mahdi” Muhammed Ahmed (Laurence Olivier). Khartoum features loads of wide desert vistas, stirring battle scenes, swelling music, and an unfashionably nostalgic attitude toward colonialism. Heston is restrained, dignified and fierce, and sports a surprisingly not-awful British accent as Gordon. Olivier overacts in the most delightful way as the Mahdi, enunciating his lines as he digests the surrounding scenery. He certainly looks no less ridiculous in brownface than Alec Guinness did in Lawrence, and his grand old-school presence is a welcome antidote to most present-day actors who subscribe to the less-is-more school.

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Architecture Du Jour

Blowhard, Esq. writes:

ceskykrumlov

Cesky Krumlov, Czech Republic.

Click on the image to enlarge.

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Movie Poster Du Jour: “The Reckless Moment”

Fabrizio del Wrongo writes:

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Back when movie posters were important as advertisements, and many theaters were independently run, some printing companies offered posters that functioned as alternatives to the studio-approved designs. Theaters looking to promote a film in a unique or high-impact way could order these alternative posters and display them in their lobbies. I believe this large, silk-screened take on Ophuls’ “The Reckless Moment” is one of these “alternative” posters. The tone of the image totally misrepresents the picture, but I like its bright, comic-book flair.

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Beer Day Out

Eddie Pensier writes:

beerdayout

If you were imagining an ideal way to spend a warm spring Saturday, it might involve dozens of beers and tasty ethnic nibbles. Such was the case at Beer Day Out, a festival of craft beers sponsored by topnotch local booze merchant Plonk, from whence a high proportion of Pensier family beverages are purchased.

The venue was the Former Transport Depot, the location of Canberra’s beloved Old Bus Depot Markets. About forty different breweries and ten food merchants were represented, and when we arrived shortly after the noon opening time the depot was already nicely populated with beer fans, some of them involved in a cutthroat game of competitive Jenga. Here were some of the highlights.

Cavalier Beer Imperial Stout: A hoppy stout with a super-pleasing aroma of ground coffee. It was rich without being heavy, and lingered lusciously on the palate long after swallowing.

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Showtune Saturday: “The Ballad of Sweeney Todd”

Eddie Pensier writes:

CORRECTION AND APOLOGY: Since this post was put up, the video has been taken off YouTube. Apologies, and I’ll try to find another one.

If there’s a better opening to a performance on video, I’ve yet to see it. And don’t pretend you’ve never wanted to wreck a concert stage just like that. (The fun starts at about 2:30.)

From last month’s “Live From Lincoln Center” broadcast with Bryn Terfel, Emma Thompson, Audra McDonald, and the New York Philharmonic.

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Naked Lady of the Week: Eva Kass

Fabrizio del Wrongo writes:

ek-cover

It’s somewhat appropriate that Eva’s photographers tend to shoot her in front of impressive vistas. There’s something panoramic about her. I guess you could say her photos are topographical — they’re boobscapes, if you will.

Still, I wish those photographers would get a little more creative with their Eva shoots. Her work — that I’ve seen — has a high degree of sameyness that causes it to blur together. Yeah, I get it — those vast expanses of honey-tanned skin look great when arrayed in bright sunlight. But can we try something a little moodier? Maybe put her in some stockings or get her to smile?

She often goes by Ela. She’s Romanian, supposedly, though I’m not sure that’s what I’d guess just by looking at her.

The shots featured here all come from Photodromm. It’s a lovely place to visit.

Naked lovely below the fold. Have a good weekend.

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Linkage

Blowhard, Esq. writes:

gemmaart

Posted in Linkathons | 30 Comments