Creepshot or Not?

Paleo Retiree writes:

A pic I fired off last summer in NYC’s Washington Square Park:

ne_nyc_2013_06_creepshot004The case, as far as I can tell, for this snap being deemed a Creepshot: 1) Skin. 2) I didn’t ask my subjects for permission, either to take the shot or to post the shot online. 3) I definitely sneaked the shot off. 4) OK, I admit it, part — a big part — of what moved me to take the snap was, “Hey, girls, er, young women in bikinis!” And creating-from-lust is no longer permissable … Except in pop music … fashion … advertising … and porn. But whatever. It’s not like these things have to make sense, let alone be consistent.

The case, as far as I can tell, for this snap NOT being considered a Creepshot: 1) You can’t really tell who the girls, er, young women are, so who cares? 2) The galz have chosen, of their own free will, to display themselves in a very public spot. (This being a busy park in a huge city, there’s no question that thousands of people passed by during their sunbathing session.) And let’s be real: If/when you’re in public, you’re gonna get looked at — and possibly be photographed — by strangers. Deal with it.

But I’m an oldguy. What do I know about today’s mores, assumptions and sensitivities?

Your thoughts, hunches and verdicts?

Related

  • My original posting about Creepshots lays out my general thoughts about the topic. Don’t skip the comments, where many visitors offer up sharp observations and reflections.
  • I’m no lawyer, but this strikes me as a good guide to the legalities of taking photographs in public. “Legal” doesn’t automatically mean “admirable” and/or “desirable,” of course.
  • Fenster turned up a provocative interview with a news photographer who’s also a lawyer. “If you’re in public, you have no reasonable expectation of privacy,” he says. “That’s the difference between what is public and what is private. It’s the reason that all those security cameras that are on every city street are allowed to photograph us, because when we’re out in public we have no reasonable expectation of privacy.”
Posted in Personal reflections, Photography | Tagged , , , | 24 Comments

Movie Posters by Angelo Cesselon

Fabrizio del Wrongo writes:

One of the great artists of Italian movie posters, Angelo Cesselon was known for his energetic, brushy style and his ability to nail celebrity likenesses. It’s no surprise, then, that he went on to a distinguished career as a portrait artist, painting important figures such as the Pope.

The below gallery shows Cesselon working in a number of moods, from the exploitation fury of his take on “The Born Losers” to the moonlit placidity of his two paintings for Mizoguchi’s great “Ugetsu.” But my favorite of the group is his poster for “Lana, Queen of the Amazons.” I’ve never seen the movie — and I’m not sure Cesselon had either — but that image sure makes me want to. On the other hand, his dual versions of “Persona” don’t quite come off. I don’t think Cesselon’s style was suited to Bergman’s heavier films.

Related

Posted in Commercial art, Movies | Tagged , , , , | Leave a comment

Linkage

Fenster writes:

  • More on the seductions of narrative in public life, complete with a nice, perhaps too nicey-nice, suggestion for how to deal with the problem.
  • James Carroll on a perfect example of the above: given the failure of deliberation in the public square and the intransigence of much church dogma, how are we going to deal with the big issues of reproduction coming our way?
  • New hope for the non-conventionally religious. No, you will not be saved.  It’s even better than that!
  • Diversity statements.  A new addition to the package requested of applicants for faculty positions.  Interesting that the author says everyone is confused about what they mean and how to write them.  You’d think that would have been thought through in advance, no?
Posted in Linkathons | Tagged , , , , | 9 Comments

Quote Du Jour

Eddie Pensier writes:

“First, any sound worth making must be a beautiful one.”

–Italian conductor Claudio Abbado (1933-2014)

Posted in Music | Tagged , , , , | Leave a comment

Opening Titles Du Jour

Blowhard, Esq. writes:

Stanely Donen‘s CHARADE (1963). Titles by Maurice Binder, music by Henry Mancini.

Posted in Movies | Tagged , , | 4 Comments

NOT The Beatles

Fenster writes:

A passable McCartney.  The Nines–“Better”.

Posted in Music, Performers | Tagged , , | 1 Comment

Notes on “Eega”

Fabrizio del Wrongo writes:

Sudeep in Eega Movie Wallpapers

In “Eega,” one of the most successful Telugu-language films of all time, a recently  murdered young man, named Nani, is reincarnated as a housefly, then sets out to knock off his killer — who also happens to be courting Nani’s one true love, a plush, almond-eyed beauty played by Samantha Ruth Prabhu. The concept, which is something like a mix of “Ghost” and “The Shaggy Dog,” provides directors S.S. Rajamouli and J.V.V. Sathynarayana with a wide range of romantic, comedic, and action opportunities. These they seize with an eagerness that drives the movie forward. The scenes in which the insectoid Nani torments his rival, a heartless sensualist named Sudeep (he’s played by Kiccha Sudeepa, who looks like an evil M. Night Shyamalan), elaborate on that feeling of frustration one experiences when trying to rid himself of a fly that has colonized his personal space. And the filmmakers are mischievous enough to push this elaboration into areas both amoral and parodic. (Nani writes “I WILL KILL YOU” on the windshield of Sudeep’s car, and when his tiny bug head is splattered with blood, the way in which he wipes it from his face conveys Stallone-like conviction.) The CGI action sequences — particularly one involving a pair of sparrows possessed by something akin to the Black Sleep of Kali Ma — have a Spielbergian ingenuity, and they’re almost lyrical in the way they waft you from one surprise to the next; at one point the fly zoots through a coiled telephone cord like a surfer shooting the curl. Though the animation isn’t up to Hollywood standards of verisimilitude, there’s a satisfying continuity between its hard, artificial lines and the airbrushed unreality of the live-action material — the picture is a multi-tiered slab of flimflam. Not since Yar has a fly been so set on revenge.

“Eega” is currently available to stream on Netflix Instant.

Related

Posted in Movies | Tagged , , , , , , | 5 Comments

Four Jazz Singers

Fabrizio del Wrongo writes:

Posted in Music, Performers | Tagged , , , , | 3 Comments

Salomé, Five Ways

Eddie Pensier writes:

And when a convenient day was come, that Herod on his birthday made a supper to his lords, high captains, and chief estates of Galilee; And when the daughter of the said Herodias came in, and danced, and pleased Herod and them that sat with him, the king said unto the damsel, Ask of me whatsoever thou wilt, and I will give it thee. And he swore unto her, Whatsoever thou shalt ask of me, I will give it thee, unto the half of my kingdom. And she went forth, and said unto her mother, What shall I ask? And she said, The head of John the Baptist. And she came in straightway with haste unto the king, and asked, saying, I will that thou give me by and by in a charger the head of John the Baptist. And the king was exceeding sorry; yet for his oath’s sake, and for their sakes which sat with him, he would not reject her. And immediately the king sent an executioner, and commanded his head to be brought: and he went and beheaded him in the prison, and brought his head in a charger, and gave it to the damsel: and the damsel gave it to her mother. And when his disciples heard of it, they came and took up his corpse, and laid it in a tomb.

–Gospel of Mark 6:21-29

Silent film from 1923 of Oscar Wilde’s “Salomé”, starring Alla Nazimova, directed by Charles Bryant.

regnaultlarger

Henri Regnault, Salomé (1870)

salome-bernardino-luini

Bernardino Luini, Salomé with the Head of John the Baptist, c.1515

Karita Mattila performing the final scene from Richard Strauss’ Salomé, Metropolitan Opera, 2008 (Part 2 is here.)

  • Bonus: Rita Hayworth performing the Dance of the Seven Veils from “Salomé” (1953)
Posted in Art, Books Publishing and Writing, Music, Performers, Philosophy and Religion | Tagged , , , , , , | 4 Comments

Naked Lady of the Week: Taya Karpenko

Fabrizio del Wrongo writes:

tayatop

Taya, who is Ukrainian, has been all over the internet for a couple of years now, usually working under names like Milena and Sunna. I love the just-hatched glow of her skin; the slow-motion spectacle of her slightly uncouth, Russkie-looking face (it seems about 80% nose and mouth); and her long, exuberant hair — which is, to quote Leonard Cohen, like a “sleepy golden storm.” Also — and I’m sure you’ve already noticed this — she’s not bashful about flaunting her unshaven-ness. The look of her furry muff and armpits, and the way their textures play off the smooth pinkness of the rest of her . . . phew! It strikes this lover of natural gals as being pretty darn appealing.

Another thing that struck me while looking at her various photo sets: It’s an awful lot of fun watching her play dress-up. What woman doesn’t love to dress up, to wrap herself in a look, a mood, a role? And what man who loves women doesn’t love to watch her do it? Bless women for being able to pour themselves into so many different molds — even if it makes it that much harder for us dudes to draw a bead on ’em.

As far as I can tell, these low-res sample photos come from Amour Angels, Met-Art, Hegre Art, and WeAreHairy. Go there for hi-res versions and, presumably, lots more.

Content below the jump is NSFW. Happy Friday.

Continue reading

Posted in Photography, Sex, The Good Life | Tagged , , , | 5 Comments