The Beach Boys’ Fourth Studio Album: Little Deuce Coupe

Sax von Stroheim writes:

LittleDeuceCover

The first of the Hot Rod Albums. Their third album of 1963, released just a month after Surfer Girl.

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Quote Du Jour

Blowhard, Esq. writes:

Gustav-Mahler

Tradition is not the worship of ashes, but the preservation of fire.

— Gustav Mahler

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Beautiful Doors of Death

epiminondas writes:

Among the most beautiful objects of art ever created are the funerary monuments which are to be found scattered around the world in all cultures. Worldwide, there are about ten cemeteries which claim special attention, and among those is the Recoleta Cemetery in Buenos Aires, Argentina.  You can view these magnificent monuments in many ways: as architectural statements, as masterpieces of sculpture, stone carving, and stone masonry; as bronze artisanship and mastery in casting; and as works in precision glass artistry. It’s all here and in a variety of styles ranging from Classical, Gothic, Neo-Gothic, Art Nouveau, Art Deco and Baroque. The monuments were built beginning in 1822 to the present day. And most are breathtaking. I imagine the feeling one got from walking along the Appian Way 2,000 years ago while viewing those ancient Roman tombs must have been similar to the feeling engendered today during a visit to Recoleta.

I chose primarily to focus on the works of doors and windows in this slideshow, most of them created from amazing bronze castings. You won’t believe the artistic genius behind these wonderful pieces. Most of them were designed and cast in Paris and Milan. As the slideshow progresses, you will simply be overwhelmed by the variety and beauty of these funerary Doorways To Death. The music is the Miserere of Allegri, written sometime in the 1630’s and performed by the Tallis Scholars.

Click on the jump to enjoy a collection of still photos of the Recoleta Cemetery.

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“Respiro”

Paleo Retiree writes:

respiro

Three and a half stars. Set on the harshly beautiful Italian island of Lampedusa, this 2002 film is EZ neorealism — and I don’t mean that as a putdown. For much of its length, the film is an open and attentive portrait of a peasant fishing town, mainly via its rituals, its work, its meals and its children. Events unfold at an unhurried pace — the fascination is in taking in what these people are like and how their traditional, everyone-knows-everyone-else’s-business life works.

The story that slowly emerges is about a young, beautiful fisherman’s wife (Valeria Golino), the mother of three kids, with whom she has a very loving — and maybe too-sensual — relationship. She causes hard-to-understand scenes; she overreacts to everything; she can be disruptive as hell. Whassup with her? Is she mentally ill? Or is she a free spirit trapped in an oppressive small town?

Golino’s darned good, though the chic, waifish thing she physically is struck me as an odd choice for the kind of overwhelming-powerhouse-peasantwoman role that Anna Magnani used to play. The writer/director Emanuele Crialese gives the film a slightly magical, out-of-time aura and an open, unresolved finale. What will up-to-date American filmgoers — addicted as they are to wipe-you-out effects, and to being told exactly where to look and what to feel — make of a quiet, unforced experience like this one, where the whole point is to find your own way through it? That’s a luscious and magnificent (Rossellini, Renoir, Visconti — great names) tradition of filmmaking and film-experiencing that I’m sometimes afraid the world is losing track of.

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How To Make Use Of An Unwanted Opera House

epiminondas writes:

I don’t know how much longer this will last, but at the moment it is the most interesting bookstore in the world.

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Movie Still Du Jour

Blowhard, Esq. writes:

frankensteinMae Clark and Boris Karloff in James Whale’s FRANKENSTEIN

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Listing Movies: Horror Since 1980

Fabrizio del Wrongo writes:

David Edelstein and Bilge Ebiri discuss their fave horror films since 1980 here.

It’s a pretty good list. But since such lists seem intended to inspire competing lists, I’ve included my own below.

1. Audition (Miike, 1999)

2. Lake Mungo (Anderson, 2008)

3. Irreversible (Noe, 2002)

4. Candyman (Rose, 1992)

5. Lady in White (LaLoggia, 1988)

6. Cemetery Man (Soavi, 1994)

7. Braindead (Jackson, 1992)

8. Hellraiser (Barker, 1987)

9. Tenebre (Argento, 1982)

11. The Stepfather (Ruben, 1987)

12. The Others (Amenabar, 2001)

13.  Sister My Sister (Meckler, 1994)

14. Cronos (del Toro, 1993)

15. Re-Animator (Gordon, 1985)

16. The Fly (Cronenberg, 1987)

17. Near Dark (Bigelow, 1987)

18. Paperhouse (Rose, 1988)

19. Stagefright (Soavi, 1987)

20. Nightmare at 20,000 Feet (Miller, 1983)

21. The Descent (Marshall, 2005)

22. Wolf Creek (Mclean, 2005)

23. Pin . . . (Stern, 1988)

24. Sleepaway Camp (Hiltzik, 1983)

25. The Orphanage (Bayona, 2007)

Movies I might have included if I didn’t consider them to be either thrillers or fantasies:  “Blue Velvet,” “Mulholland Dr.,” “demonlover,” “OldBoy,” “Red Eye,” “Donnie Darko,” “What Lies Beneath,” “Body Double,” “Blow Out,” “Dressed to Kill,” “The Hitcher,” “Anguish,” “Tremors,” “Raising Cain,” “Nothing Underneath.”

This raises (but does not beg) an interesting question: What makes a film a horror?

What do you think? And what are your favorite horror movies of the last 33 years?

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Hurricane Sandy Memories

Paleo Retiree writes:

ne_nyc_2012_10_hurricane_sandy_tree_over03

The Question Lady and I were in town — that’d be New York City — a year ago, when Hurricane Sandy hit. It was quite a little adventure. For one thing, the hurricane itself was sort of a dud, at least from where we sat. Aside from some wonderfully ominous lighting effects and some weirdly colored clouds, you could have been forgiven for thinking that you were enduring a bad-but-not-terrible rainstorm, nothing worse. But then the power went out.

If you weren’t following the news closely at the time: A Con Ed power station on 14th St. was flooded, shorted out and took down all of the power for the lower half of the island of Manhattan, from (if I remember right) 33rd St. on south. That’s the part of town where we live. The power stayed off for anywhere from four days to several weeks.

We weren’t in any danger, and by no means did we suffer flooding or losses the way people in some areas of the city did. (My dental hygienist, for instance, who has an apartment out in the far reaches of Queens, still hasn’t returned to it.) But we were majorly inconvenienced. No electricity meant no elevators, no lights, no heat and no water. For days! To use a toilet, we had to walk 25 blocks to visit a restaurant. (We timed our eating and snacking very carefully.) Most stores in our neighborhood were closed. Street lights and stop lights were dark.

For a day, it was a giddy, topsy-turvy disruption in the usual routine. Kind of refreshing, really: shake it up, baby. Fun, even. I could have spent hours watching cars and buses negotiate intersections without the help of stoplights, for instance. How many crashes would there be? New York City has a lot of cars and trucks, as well as a lot of very aggressive drivers … but with the application of care and consideration, damned if the traffic didn’t flow OK. Maybe there really is something to this “self-organization” thing after all.

Plus: a crisis brings out the best in New Yorkers. Although when life is going smoothly Manhattanites can be brusque and rude, when there’s a crisis a lot of big hearts go on display. In the aftermath of Sandy, people struck up friendly, concerned conversations with complete strangers; uptown restaurants welcomed what everyone called “exiles” from downtown and let them use tables — and avail themselves of restrooms and wi-fi — for hours; cabbies drove residents around the darkness of nighttime lower Manhattan with no complaints. We were touched by many generous actions and gestures. People really went out of their way for each other, and doesn’t life need more of that?

After the first day had passed, though, the adventure got more and more tedious. How many times do you really want to end the day by lugging home a backpack full of bottled water? With no lights and no TV, how to kill the hours before bed? Bathing — or at least giving the pits, feet and crotch a quick rinse — in cool water poured from plastic bottles got to be a serious drag. We were very glad when life returned to normal.

On the anniversary of Sandy, I thought I’d share some snaps that I took during the hurricane and its aftermath.

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“The Counselor” (2013)

Blowhard, Esq. writes:

Javier Bardem Cameron Diaz

Given my distaste for him, I probably have no business reviewing this movie, the first based on an original screenplay by Cormac McCarthy. However, when I found out it was about a lawyer and was coming out around my birthday, well, I felt like I was being a given a gift. It even takes place in El Paso, Texas, a city I have a family connection to. I am not one to turn away such a portent. (Warning: Spoilers.)

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Art Du Jour

Blowhard, Esq. writes:

Click on the image to enlarge.

"The Triumph of Death" by Pieter Bruegel the Elder, c. 1562

The Triumph of Death by Pieter Bruegel the Elder, c. 1562

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