“A Bloody Spear on Mount Fuji”

Fabrizio del Wrongo writes:

Chiyari_Fuji_poster

Tomu Uchida is one of those great Japanese filmmakers who remains virtually unknown in the West. This 1955 work of his is a road movie; it deals with the transient relationships forged among a group of individuals during a trip to Edo. In form it recalls Hiroshi Shimizu’s delicate travel poems, but the tone is much different: it’s earthy, comedic, populist, a little like Ozu’s “Good Morning.” (In fact, Shimizu and Ozu served as advisors on the production — how’s that for backup?) The social commentary is sometimes a little too on the nose, and some of the plot developments come close to being maudlin, but the production is so well constructed that it scarcely matters. It has a neatness of effect that Maupassant might be proud of — and I suspect Maupassant was an influence, possibly via the mediator of John Ford’s “Stagecoach.”

Related:

  • A nice write-up of Uchida’s career, which includes a discussion of “Spear.”
  • A good lengthy review, which claims that “Spear” includes “the best fart joke ever in a samurai film.”
  • Dan Sallitt on one of Uchida’s ’30s films, “Earth.” I love this bit: “If only we could talk openly about the online sources that supply films like Earth, we could rhapsodize about an amazing second childhood for film buffs, in which fan subtitling is unlocking a seemingly endless supply of treasures from foreign countries, and sheer accumulation is creating archives that dwarf any brick-and-mortar institution. But we can’t talk openly.” True dat.
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A Pentagram Solution?

Fenster writes:

In a recent New York Review of Books, Timothy Garton Ash weighed in on the subject of multiculturalism.  Correction: make that “subjects” of multiculturalism, in the plural, since the word has multiple meanings.

“Multiculturalism” has become a term of wholly uncertain meaning. Does it refer to a social reality? A set of policies? A normative theory? An ideology? Last year, I served on a Council of Europe working group with members from eight other European countries. We found that the word meant something different, and usually confused, in every country.

Note his point at the end: that it is not just that the word has fixed meanings that vary by culture and locale.  The word also has “confused” meanings in any given country or culture.  It’s a mess, and one that Ash hopes to reason through, looking to straighten out the real world by first straightening things out in the world of ideas.

Read the whole thing, as they say.  If you are interested in the subject, of course–it is a little on the long side, but manageable.

What’s my summary?  Well, per the above, I think Ash totally gets right the conceptual mess that goes by the name of multiculturalism, and I endorse the project of trying to straighten things out.  I tried myself in shorter form, and much more modestly, back here.

Ash’s effort consists of a review and restatement of good old-fashioned pluralism, Isaiah Berlin-style.  Is it a big enough concept as to permit itself to wrap itself comfortably around the multicultural conundrum?  Ash answers yes.

In so doing he creates what he calls a liberal pentagram for living together: five underlying principles that are strong and robust enough to weather the challenge to the liberal project summoned up by multiculturalism.

Correction again: it is not strictly speaking “multiculturalism” that presents a challenge to liberalism.  That would be putting the conceptual cart before the real-world horse.  No, the challenge comes not from ideas but from real conditions: the way-increased velocity of social friction arising from different kinds of people living together.

His five concepts:

Inclusion.  If you are going to have people with quite different behaviors and values living with you, seek to include not exclude.

Clarity.  If you are going to have people with quite different behaviors and values living with you, seek clarity in what is expected of them relative to rights and duties.

Consistency.  If you are going to have people with quite different behaviors and values living with you, try to set expectations consistently–avoid one rule for the more familiar Amish over the less familiar Cambodians.

Firmness.  If you are going to have people with quite different behaviors and values living with you, be willing to act quite firmly when violations of the clear and consistent rules take place.

Liberality.  Approach all questions with the open-minded spirit Berlin associated with liberal thinking.

Note I prefaced all the above but liberality with the phrase “if you are going to have people with quite different behaviors and values living with you.”  That’s because, while liberality Berlin-style does not depend on the newer multicultural challenge, the other four sides to Ash’s pentagram do.

Indeed, one can argue that the five sides are not really equivalent.  It seems more useful to me to consider the fifth side–Berlin liberalism–as the cornerstone.  The other four represent the need for liberalism to step up its game in order for it to make the claim that it is sufficient to meet new cultural, religious and ethnic challenges.

Ash himself seems to realize this.  As he concludes his piece:

Having reached the last corner of the pentagram, a disaffected reader may complain, “but here is nothing new; just old, familiar liberal virtues, applied and adapted to the new circumstances of multicultural societies.” Exactly so.

And nicely said, too.

But does it fly?  Ash has nicely restated his belief that liberal philosophy, properly understood and sufficiently charged-up, can handle the new.  Can it?

Ideas are surely tools and in my mind Ash has chosen the right tool for the right job.  If I were in charge I would be starting from a liberal point of view and asking for a lot of beefing up in terms of inclusion, clarity, consistency and firmness.  But if ideas are tools, they are also only tools.  You never know completely whether they will work since, living forward, you never really know the job you are working on, and how intractable it may yet become.

All well and good for Ash to pronounce this philosophy from on-high, the Oxford don as Platonic leader.  One has to hope that, at least in Europe, it is not a little too late to expect philosophy to save the day.

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Quiz o’ th’ Day (with answer)

Fenster writes:

Here are some quotes.  The quiz question is to identify the job of the person who said them.

  • “College costs too much and delivers too little. Students are leaving, when they graduate at all, with loads of debt but without evidence that they grew much in either knowledge or critical thinking”

  • “The mission of undergraduate instruction is increasingly subordinated to research…”

  • “Athletics is out of control…”

  • “Shared governance implies shared accountability. It is neither equitable or workable to demand shared…power…but declare that cost control…is someone else’s problem.”

1. A writer for the National Review

2. A Republican Senator

3. A professor at Harvard’s School of Education

4. A University President

Well, since these quizzes aim toward the counterintuitive, you probably can reason out that it is #4, a university president.  Presidents never take this line publicly, especially when just coming into office and setting a tone.  Then, it is always time for soaring rhetoric about learning and opportunity, only faintly masking an orientation towards more research, more student services, more and better everything.  While keeping the existing structures in place of course.

So who is this unusual president?  It is Mitch Daniels, former Governor of Indiana and now President of Purdue.  It will be interesting to see how and if Daniels opts to put flesh on his rhetorical bones.  For a long time both boards and presidents have been mostly parts of systems more or less on autopilot.  The first real skirmish in a possible real war involving boards, CEOs and faculties was played out at the University of Virginia.  The faculty came out on top in that skirmish, at least for the moment.  But the conflict is just beginning.

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More L.A. Noir

Blowhard, Esq. writes:

Via the Facebook group Vintage Los Angeles, I came across this old video of a trip through downtown L.A. According to comments, it’s process footage shot in 1948 for the movie Shockproof, directed by Douglas Sirk and co-written by Sam Fuller. Set YouTube to full screen and check it out.

Pretty wonderful, no? I took some screenshots so we can look at a few details.  Continue reading →

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Linkathon

Paleo Retiree writes:

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Trapped . . . a Desperate Man and a Strange Half Animal Girl!

Fenster writes:

. . . . is the tagline for Fear and Desire (1953), Stanley Kubrick’s first feature.

fear and d

The poster makes Kubrick’s first out to be some sort of hot noir.  In fact, it is Kubrick’s attempt at making some sort of odd art-house film, exhibiting in early, amateurish form some of the aridity that would highlight/plague many of his later works.  Four soldiers in a nameless, highly abstracted war are trying to get out from behind enemy lines but mostly just run through the woods pronouncing and emoting.

As Ty Burr commented in the Boston Globe just this morning:

“Fear and Desire,” recently released on DVD after years in obscurity, is the work of a visually gifted, fatally earnest young artist burning to Say Something. An hour long drama about a squadron of soldiers behind enemy lines in an unnamed war, the film features “poetic” dialogue (written by Howard Sackler) out of an adolescent’s journal and an awesomely terrible performance by the young director-to-be Paul Mazursky. More than anything, “Fear” plays like a student production of Terrence Malick’s later “The Thin Red Line.”

Over time, I’ve gone back to see all of Kubrick but never was able to catch this.  Kubrick himself didn’t favor its wide release.  It’s recently been restored by the Library of Congress and committed to DVD.  It’s also making the rounds, including at an upcoming Kubrick retrospective at Boston’s Museum of Fine Arts.  So it’s around if you are a completist like I am, but caveat spectator.

Now if you are in the market for a visually arresting first film by a director who went on to more famous works, The Duellists, Ridley Scott’s first, is now out on Blu-Ray.  I suspect many here will have seen it, and I myself have seen quite few times, mostly for the visuals.  I’ll see it again, I am sure, on Blu-Ray.

the_duellists

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Ads Everywhere 2

Paleo Retiree writes:

Another entry in my ongoing diary of the kooky, unexpected and annoying places Americans find to plaster ads.

ads_everywhere13That’s a video screen running ads, set into a gasoline pump. Keep it classy, America.

Previously.

Posted in Commercial art, Photography | Tagged , | 7 Comments

Record Stores

Fenster writes:

“What’s a record?”

–my nephew, aged 14, about 15 years ago.

“It’s called vinyl, dad.  You wouldn’t know what it is.”

–my son, aged 14, three years ago.

Recently, a wag who is known to frequent this blog sent out an article about record stores in the 1960s.  It got a predictable, sentimental, reaction from those able to remember what it was like to frequent such stores.  My favorite photo from the article is below.  It brings me back to the record store on Marshall Street near Syracuse University.

hmv-1960s-records-music-9

So what was the feeling, exactly, on walking in to a place like this?

Utne Reader ran an article about gardening some years back that included a quote by the author, Paul Gruchow, that seems to work here.  He wrote:

When you can’t resist planting a few peas in the backyard on the first warm day of spring, what is it that you crave?  Peas?

And when you walked into that record store back then, what was it you craved?  Music?

Posted in Music | 7 Comments

Trapped . . . a Desperate Man and a Strange Half Animal Girl!

Fenster writes:

The above blog title title is the tagline of an early film directed by . . .

1.  Claude Chabrol (“piégés. . . un homme désespéré et un étrange, mi-animal fille!”)

2. Sam Raimi

3. Stanley Kubrick

4. Alfred Hitchcock

5. Bille August (“fanget. . . en desperat mand og en mærkelig, halvt dyr pige!”)

6. Brian de Palma

No Google-peeking!

Next up: a review of that film!

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Juxtaposin’: Health

Fabrizio del Wrongo writes:

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