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Category Archives: Art
Mexican Pulp Art
Sir Barken Hyena writes: I struck gold browsing through a local book store. Here we have selected highlights from Mexican Pulp Art published by Feral House. Enjoy.
Neon Du Jour
Blowhard, Esq. writes: Downtown Vegas ca. 1948-1950. Click on the image to enlarge.
Artist Stanislav Szukalski, A Forgotten Master
Sir Barken Hyena writes: Cultural memory is a roulette wheel, and there’s no telling who will survive to be one of the “deathless greats”. Some come and go, as Shakespeare has, and some never get a shot at the big … Continue reading
Posted in Art
5 Comments
Art Du Jour
Blowhard, Esq. writes: “Daughters of Lusting Torment” is my nominee for Title of the Year. Published February 1939. Click on the image to enlarge.
Fuck Clement Greenberg
Blowhard, Esq. writes: In discussions of literature and architecture, I still come across would-be intellectuals who invoke art critic Clement Greenberg’s distinction between the avant-garde and kitsch. Of course, for such people avant-garde is doubleplusgood, while kitsch is one small step … Continue reading
Posted in Art, Books Publishing and Writing, Commercial art, Movies
Tagged ads, art critics, avant-garde, Clement Greenberg, Comics, Hollywood, kitsch, pulp fiction, tap dancing, Tin Pan Alley
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Art Du Jour
Blowhard, Esq. writes: Published October, 1930. Click on the image to enlarge.
Prigs Against Private Imagination
Blowhard, Esq. writes: A UK group calling itself 50 Shades Is Abuse, “the original campaign to raise awareness that the 50 Shades of Grey series romanticises domestic abuse,” isn’t too happy about the movie adaptation opening this week: “We want to … Continue reading
Art Du Jour
Blowhard, Esq. writes: A pulp cover by Victor Kalin. More here and here. Click on the image to enlarge.
Posted in Art, Books Publishing and Writing
Tagged Crime Fiction, pulp fiction, Victor Kalin
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Depth of Field in “Kiss Me Deadly”
Blowhard, Esq. writes: A while back I watched KISS ME DEADLY and was struck by the excellent composition by director Robert Aldrich and cameraman Ernest Lazlo, in particular the way they were able to draw your eye through the frame. Check … Continue reading