Architecture Du Jour

Blowhard, Esq. writes:

broadway

Somewhere on Broadway in Manhattan.

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Sunday Jazz Selection

Fenster writes:

Egberto Gismonti, Baiai Malandro.

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Showtune Saturday: “Honey Bun”

Eddie Pensier writes:

Welcome to Showtune Saturday, where I’ll share some great musical theater numbers from stage, screen, and recording.

Here’s “Honey Bun” from Rodgers & Hammerstein’s South Pacific, performed by Reba McEntire and Alec Baldwin with the New York Philharmonic. Have fun!

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“Plush”

Paleo Retiree writes:

plush

Interesting / awful film by Catherine Hardwicke, who did the first “Twilight” movie, which I haven’t seen and don’t plan to see. It’s an interesting movie because Hardwicke is very talented; it’s an awful one because of the script. I fast-forwarded through more than half of the movie; the Question Lady made it barely ten minutes into the film before she snoozed off.

It’s about Hayley, a young rock star whose brother/creative-partner has died, and who’s trying to get back into the music-making, concert-giving game. Lost (and flopping) without her brother, she takes on a new performing/writing partner, a guy guitarist with dyed black hair and a lot of Goth eye makeup; he’s bisexual, kinky, talented and maybe a little too dangerous. Hayley may still be a funky rock chick but she’s also now a wife, a mom and a homeowner. Can she find a way to continue to rock out while protecting her relationships and living up to her adult responsibilities? The film is clearly intended to address this question in a style today’s hyper-assertive Millennial young women can relate to. It’s a metaphor for trying-to-find-a-way-to-continue-having-fun-while-growing-up.

Hardwicke has a background in design and decor, and she gives her film a wonderful, if a little too glossy, alt-boho/Free People look — ie., a glam-disheveled, boas-and-leather, neo-’70s feeling. (There’s ‘way too much handheld/reality-TV camerawork for my tastes, but that’s the current mode and I’m trying to roll with it.) Hair, clothes, makeup, jewelry, fabrics, and backlighting — the movie’s backlighting budget must have been huge — are all chic, inventive and fun.

Hardwicke’s also very free and enthusiastic with her actors, and they respond with a lot of freewheeling charisma, spirit and daring. Emily Browning is supercute and very talented as the waifish, tough/sensitive rock chick/mom (note to self: time to catch up with “Sleeping Beauty“); Xavier Samuel manages to make his wildly-talented, dangerously-troubled guitarist not-laughable, a considerable acting achievement; and, as Browning’s middle-aged-but-still-girlish manager/agent/ publicist/friend, Dawn Olivieri is hilariously pushy, shrewd and enthusiastic. Back in my days as a magazine flunky, I frequently dealt with these too-raucous-for-an-office-job professional pop-culture gals, and Olivieri really nails the type.

Incidentally, I notice that many of the movie’s Amazon reviewers found the film a lot more sexual than I did. Does that reflect a difference between people whose culture-consumin’ lives mainly consist of TV-watching and people, namely me, who have a foreign-film/downtown-theater frame of reference? But aren’t a lot of today’s cable-TV hits said to be shockingly adult? I haven’t watched them myself.

The film’s script is an absurd combo of the dewy-and-naive and the wised-up-and-edgy, veering in mode from chickflick to magazine article to music video to horror movie, and doing so in very arbitrary-seeming, YA-novel ways. For all I know, that’s a recipe that could really please a lot of younger viewers. So it was interesting to learn that the film was a flop. What about it didn’t work for young people? I have zero idea. (The film wasn’t made with me in mind, that’s for sure.) In any case, what it definitely is is a movie for people who have never grown up and never will, but who want to think that they’re watching a grownup movie anyway — and especially for young women who were once addicted to the WB network and “Sex and the City,” and who are now starting to think about kids and houses.

Related

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Today’s Lunchtime Reading: The Rise and Fall Playboy Magazine

Blowhard, Esq. writes:

playboyfirstcoverAuthor D.R. Haney traces the history of Playboy magazine, provides a character sketch of founder Hugh Hefner, and charts the fortunes of a number of Playmates in this 9,000-word essay. A fascinating bit of cultural history.

At the same table, Hefner wrote a sketch of his target reader, the sort of young urban bachelor who enjoyed “mixing up cocktails and an hors d’oeuvre or two, putting a little mood music on the phonograph, and inviting in a female acquaintance for a quiet discussion on Picasso, Nietzsche, jazz, sex.” This fantasy figure had been a stock character of Hollywood movies since the silent era, the aristocratic rake often found in drawing rooms, where he wore a smoking jacket, or exclusive nightspots, where he wore a tuxedo. His wealth and wit made him irresistible to naïve young women and shady at best to audiences enamored of the hardworking, plainspoken, outdoorsy type; but in Stag Party, Hefner, a movie fan since childhood, would rescue the rake from villainy as the male counterpart of the femme fatale and position him as a hero. A cartoonist drew an anthropomorphic stag to serve as the magazine’s mascot, and when Stag Party became Playboy, the stag became a rabbit still dressed in the stag’s smoking jacket and raising his fizzy drink in a firelit den.

STAR 80, Bob Fosse’s film about the murder of Playmate Dorothy Stratten, is available in full on YouTube.

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Naked Lady of the Week: Remy LaCroix

Blowhard, Esq. writes:

remyheader

It’s Independence Day folks, so no nubile or buxom Eastern European starlets today, we’re celebrating the ol’ US of A. You know how Bardot, Deneuve, and Casta have been the models for Marianne over the years? Why the hell don’t we have a different smokin’ hot chick provide the visage (and other parts) for Lady Liberty? Sure, Kate Upton would be the obvious choice, but Remy would be an obvious frontrunner too. Her freckles and easy smile make Ms. LaCroix look like the head high school cheerleader but her lust for hardcore sex (anal and BDSM especially, check all the usual porn sites) provide just the nice-naughty juxtaposition necessary to represent this wonderfully insane country of ours.

The pictures below the jump are NSFW but it’s a holiday weekend, so you ain’t toiling for The Man anyway, right? Happy Friday.

Continue reading

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Price Gouging in the Academy?

Fenster writes:

As Fenster predicted back in 2012, while online education can be conducted at less cost than bricks and mortar versions, universities running online programs are now being charged with price gouging where online is concerned.

These days, two out of three students attending on-campus programs receive some form of generous subsidy or discount, while their online counterparts, generally ineligible for such assistance, foot the full sticker price even though they do not benefit from all the amenities of the revered campus life, do not take up parking spaces, inflict wear and tear on facilities, or take up as much instructor time. Instead of embracing these online learners who produce considerable incremental revenue for institutions, colleges and universities are penalizing them, which has troubling implications not only for students’ bank accounts, but also for universities’ own vaunted views of fairness. Read more: http://www.insidehighered.com/views/2014/07/03/essay-calls-end-charging-online-students-same-person-students#ixzz36YSlK8Xg Inside Higher Ed

The nest of cross subsidies that defines modern higher education is left in place to benefit “regular” students, when more often than not online students are expected to pay their own way, or even pay a premium to actual costs. Discussing Clayton Christenen’s optimism about lower cost on-line models, Fenster wrote:

I also worry that there is a more fundamental problem with Christensen’s analysis, one dealing with subsidies. Let’s stipulate that he is correct that traditional universities can’t cover their costs but that on-line approaches can. He takes that insight to a possible conclusion: universities could be comprised of a combination of both approaches, with on-line subsidizing traditional. But is that in itself a sustainable model? Students currently put up with their tuition dollars subsidizing other things for a bunch of reasons. There is often no transparency in cost allocations and subsidies so they don’t know. They don’t have the luxury of unbundling their tuition if they figure it out. They can’t help but be attracted by the reputational buzz of college X and figure they have to put up with it. And the activities they subsidize are local and visible and they may (say, if they go to football games) recognize some sort of value for payments made. But those conditions are less likely to apply in the case of a student who is predominantly, or exclusively, engaged in an online capacity. Why should that student want to pay a tuition charge that is higher than needed so that a traditional student can enjoy the whole panoply of services and amenities that characterize the “college experience”? That’s not only unfair but likely to be regressive as well, since the more privileged are likely to continue with a traditional education under this view, with the less privileged consigned to a lower cost model. Granted if a college with a mixed approach could show that its mixed nature contributed to a better online experience that would be one thing. But how likely is that to happen? Given the institutional constraints discussed above, doesn’t it seem more likely that a new entity devoted to the best that on-line could offer would be able to mount a worthwhile program more effectively and expeditiously than a traditional university struggling in the face of inevitable faculty hostility and resistance to reinvent itself?

OK, the clash between the two modes of delivery was correctly predicted.  But the prediction in the last paragraph–that the oil-and-water nature of the two modes as regards finance will lead to superior programs that dispense with bricks-and-mortar–has not yet happened.  Whether it does or not remains an open question.  I suspect yes, and that the reason it has not yet happened is mostly a tribute to the successful conservatism of the higher education sector.  But taking a page from Montaigne, this I do not know.

Posted in Education | Tagged | 3 Comments

Elvgren Du Jour

Blowhard, Esq. writes:

independence-day-elvgren-pinupHappy Fourth of July, everyone.

Click on the image to enlarge.

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Art Du Jour (Independence Day Edition)

Eddie Pensier writes:

independenceday_y1943-120_575

William T. Ranney, Washington Rallying the Americans at the Battle of Princeton (1848)

Wishing all UR readers and bloggers a happy, festive and pleasant Fourth of July.

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Linkage

Blowhard, Esq. writes:

redheadbookstore

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