‘Tis Their Scalps or Ours

Fabrizio del Wrongo writes:

0_8f6d2_797c6459_orig

The warrior in the oak had maintained a quick, though ineffectual fire, from the moment of his discovery. But his aim was interrupted by the vigilance of his enemies, whose rifles instantaneously bore on any part of his person that was left exposed. Still his bullets fell in the center of the crouching party. The clothes of Heyward, which rendered him peculiarly conspicuous, were repeatedly cut, and once blood was drawn from a slight wound in his arm.

At length, emboldened by the long and patient watchfulness of his enemies, the Huron attempted a better and more fatal aim. The quick eyes of the Mohicans caught the dark line of his lower limbs incautiously exposed through the thin foliage, a few inches from the trunk of the tree. Their rifles made a common report, when, sinking on his wounded limb, part of the body of the savage came into view. Swift as thought, Hawkeye seized the advantage, and discharged his fatal weapon into the top of the oak. The leaves were unusually agitated; the dangerous rifle fell from its commanding elevation, and after a few moments of vain struggling, the form of the savage was seen swinging in the wind, while he still grasped a ragged and naked branch of the tree with his hands clenched in desperation.

“Give him, in pity, give him the contents of another rifle,” cried Duncan, turning away his eyes in horror from the spectacle of a fellow creature in such awful jeopardy.

“Not a karnel!” exclaimed the obdurate Hawkyeye; “his death is certain, and we have no powder to spare, for Indian fights sometimes last for days; ’tis their scalps or ours! and God, who made us, has put into our natures the craving to keep the skin on the head.”

Against this stern and unyielding morality, supported as it was by such visible policy, there was no appeal. From that moment the yells in the forest once more ceased, the fire was suffered to decline, and all eyes, those of friends as well as enemies, became fixed on the hopeless condition of the wretch who was dangling between heaven and earth. The body yielded to the currents of air, and though no murmur or groan escaped the victim, there were instants when he grimly faced his foes, and the anguish of cold despair might be traced, through the intervening distance, in possession of his swarthy lineaments. Three several times the scout raised his piece in mercy, and as often, prudence getting the better of his intention, it was again silently lowered. At length one hand of the Huron lost its hold, and dropped exhausted to his side. A desperate and fruitless struggle to recover the branch succeeded, and then the savage was seen for a fleeting instant, grasping wildly at the empty air. The lightning is not quicker than was the flame from the rifle of Hawkeye; the limbs of the victim trembled and contracted, the head fell to the bosom, and the body parted the foaming waters like lead, when the element closed above it, in its ceaseless velocity, and every vestige of the unhappy Huron was lost forever.

No shout of triumph succeeded this important advantage, but even the Mohicans gazed at each other in silent horror. A single yell burst from the woods, and all was again still. Hawkeye, who alone appeared to reason on the occasion, shook his head at his own momentary weakness, even uttering his self-disapprobation aloud.

“‘Twas the last charge in my horn and the last bullet in my pouch, and ’twas the act of a boy!” he said; “what mattered whether he struck the rock living or dead! feeling would soon be over. Uncas, lad, go down to the canoe, and bring up the big horn; it is all the powder we have left, and we shall need it to the last grain, or I am ignorant of the Mingo nature.”

— James Fenimore Cooper

Posted in Books Publishing and Writing | Tagged , , , , , | Leave a comment

Linkage

Paleo Retiree writes:

Posted in Uncategorized | 10 Comments

Song Du Jour

Blowhard, Esq. writes:

Posted in Music | Tagged , , | Leave a comment

Hapa, Live

Paleo Retiree writes:

Hapa at SoHo

My wife and I recently caught and loved a show by a legendary Hawaiian folk band. “Hapa” means mixed, as in a part-Hawaiian/part-white person. The group Hapa performs traditional Hawaiian music, featuring beautiful melodies, harmonies and values — beauty, serenity, devoutness, nostalgia, loss, longing — but jazzes them up with a lot of world-music-type influences as well as a lot of wild, whirling, and sometimes even jagged guitar work by Barry Flanagan, the group’s leader and main driver.

My wife and I both had a few moments when we wondered about Flanagan’s presence. His virtuosity, his rock-god posturing … How well do they really combine with the blissed-out ease and mellow dreaminess of the Hawaiian thing? But his flair and dynamism also give the music character and distinction … Flanagan’s unquestionably an amazing musician … And as a bandleader he’s a dynamo who has a nice way with the audience … Which, by the way, couldn’t have been happier. So fuck us.

For a few songs the musicians were joined onstage by four dancers from a local hula school. The effect was sweetly entrancing, and not touristy at all. Not for the first time, I found myself wishing that American parents were pushing their daughters into dance (maybe especially into hula dancing and bellydancing) rather than into volleyball and soccer. Enough already with cultivating mannish aggression in our girls. Let’s have more charm, grace and style from them instead.

After the show I had a good time updating my knowledge of Hawaiian music. (I was a big world-music fan back in the ’80s.) It turns out that Hapa emerged from the Second Hawaiian Renaissance, a revival-of-authenticity movement that lasted from the ’60s into the ’80s. It sounds like a lot of the other regional and folk movements of that hippie and post-hippie era. I was strongly reminded of the Breton secessionist/nationalist movement that was happening back when I was a student in Rennes. Are the localism-vs-globalism stresses we’re all experiencing today a new manifestation of those same forces and energies?

Related

  • Hapa’s first CD, released back in 1995, made a huge impact and continues to be one of the most revered and popular CDs of Hawaiian music in Hawaii itself.
  • An informative, fairly-recent article about Hapa.
  • Hapa’s website.
Posted in Music, Uncategorized | Tagged , , , , , | 2 Comments

Couldn’t Do It Today

Paleo Retiree writes:

Bonus Bond: one of the great moments of onscreen Game:

Posted in Movies, Sex | Tagged , , | 2 Comments

Lee Hazlewood and “These Boots Are Made for Walkin'”

Paleo Retiree writes:

Today I learned that producer/writer Lee Hazlewood urged Nancy Sinatra to sing “These Boots Are Made For Walkin'” as if she were “a sixteen-year-old girl who fucks truck drivers.”

Friends who know Lee Hazlewood’s work better than I do alerted me to these fab tracks:

Learn more about Lee Hazlewood.

Posted in Music | Tagged , , | 2 Comments

A Historic Night

Blowhard, Esq. writes:

clintongoldmansachs

To see a woman finally — FINALLY! — break through the Illuminati glass ceiling and become the military-industrial complex’s official stooge must be a real inspiration to all the children back on the Lizard Planet.

Posted in Politics and Economics | Tagged , | 1 Comment

Naked Lady of the Week: Natasha Marley

Fabrizio del Wrongo writes:

nm-cover

British blonde Natasha Marley got her start posing for pin-up material, then moved into the dicier world of hardcore films. She has a naturally naughty-looking mouth, and she’s an expert at opening it slightly while fixing the camera with an intense “fuck me” stare. According to a bio at Pornhub, she’s a former army brat who was kicked out of private school. What are the chances either detail is true?

Here’s an interview with Natasha in which she talks about her experiences filming a porn sendup of “Bonnie and Clyde.”

Nudity below. Stay cool this weekend.

Continue reading

Posted in Photography, Sex, The Good Life | Tagged , , , | Leave a comment

Juxtaposin’: Judy

Blowhard, Esq. writes:

Posted in Music | Tagged , | Leave a comment

Juxtaposin’: “So White”

Blowhard, Esq. writes:

Many people are showering contempt on Paul Ryan’s recent Instagram photo of Capitol Hill interns for being “so white.” This Esquire writer thinks it’s “deeply, disturbingly wrong.”

paulryaninterns

We’re at a bizarre moment in American history where some people think that noting that a group of people is “so white” is a trenchant political comment. This is akin to observing that the sun is “so bright” is an important piece of scientific data.

Via Paleo Retiree, a reminder of what Obama’s 2012 campaign staff looked like.

obama2012staff

Posted in Politics and Economics | Tagged , , , | 2 Comments