Naked Lady of the Week: Adriana Morriss

Fabrizio del Wrongo writes:

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I know shit about Latvia, and one of the drawbacks of modern Encyclopedias (by which I guess I mean Wikipedia) is that, in an effort to avoid being Hitler, they never get into the physical traits of the people who live in the countries on which they provide information. So I don’t know if Adriana’s green eyes, olive-ish skin, and fine, vaguely Eastern features are at all representative of Latvian women.

Fortunately, we have Roosh, who takes a look at Baltic women here and Latvian women in particular here. Informative though his write-ups are, I still don’t feel like I have a grasp on this topic. More research is needed.

Idea for a website sure to piss everyone off: A man’s guide to global girl-watching. Users submit data and photos of women from around the world, and the website’s proprietors collate it into regional guides. Sort of like Audubon’s “Birds of America,” but with sex appeal. I would visit regularly, not because I’m Hitler (maybe Goebbels), but because I am really that intensely interested in women.

Looks like these photos come from MetArt, Femjoy, and Karups.

Buck-naked, beauteous Baltic girl below the fold. Enjoy your weekend.

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Posted in Photography, Sex, The Good Life | Tagged , , , | 1 Comment

Mad Men Notes: S7, Ep10 — “The Forecast”

Blowhard, Esq. writes:

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1. Don has sold his penthouse — for $85k, or $492k in 2015 dollars — and is now homeless. “This place reeks of failure,” his real estate agent says. Pardon me, but I’ll take a half mil “failure” any time.

2. California geography shout-outs this episode: Beverly Wilshire Hotel, Palos Verdes, and Biltmore in Santa Barbara. I’ve been to a couple of hoity-toity lawyer events at the Beverly Wilshire and it is indeed a swanky place. We also get accurate directions to Hanna-Barbera studios, right off the 101 in Universal City — “Sunset to Highland to Cahuenga”.

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3. Traveler’s cheques have pretty much disappeared, right? I remember my family getting some for a trip to Canada in 1986. I’m guessing we were the last people to use them.

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4. Happy to see Captain Pike (aka Bruce Greenwood) show up to woo Joan. Now how soon before some geek argues that MAD MEN and STAR TREK take place in the same universe?

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5. Joan in that blue dress.

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6. It’s probably unlikely, but I’m hoping we get more from Ted Chaough before the season is out. I liked when he was the cocky pissant challenging Don.

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7. New York geography: The Oak Room at The Plaza and we find out that Joan lives on 12th St.

8. I don’t have a screenshot, but we get brief glimpses of The New Yorker and Newsweek magazines in this episode. Some of my UR comrades have worked for both of those publications.

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9. My favorite line of the episode goes to Mathis who yells at Don, “You don’t have any character, you’re just handsome. Stop kidding yourself!” Take it from me, someone who has quit two jobs in the past year — there are few things more satisfying than telling off a shithead boss as you walk out the door.

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10. My second favorite scene was watching Sally’s teenaged friend throw herself at Don and Don being only too happy to flirt back. Jesus, Sally is gonna be one fucked up teenager, isn’t she?

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“The Last Artist in New York City”

Paleo Retiree writes:

Despite all the bitching and carping we here at UR like to indulge in, we aren’t just a bunch of negativity-mongers. (Critics, patooie.) Many of us make our own creative contributions too. Try this, and this, and this, and this, and this, and this. In fact, please give ’em a try. Expressing yourself may be easier than ever these days, but audiences are getting harder and harder to scare up.

Recently my wife and I were delighted to see a video pop up on YouTube of a performance of a short play of ours. The actress is Karen Grenke, a souful/funny genius who always makes our material look its best, and the director was Jason Jacobs, a miracle maker who we’ve worked with many times and who we look forward to working with again. The event where the performance took place was a celebration at the Nuyuorican Poets Café of the launch of “Best Monologues from Best American Short Plays.” (Our piece was also selected for “Best American Short Plays, 2008-2009.”) Hey, we’re award-winners, doncha know. Hope you enjoy. And if you don’t: for God’s sake either don’t tell me about it or lie. Honesty isn’t always a virtue.

Posted in Books Publishing and Writing, Performers, Theater | Tagged , , , | 2 Comments

Architecture Du Jour

Blowhard, Esq. writes:

Madrid_-_Palacio_de_comunicaciones_01

Palacio de Cibeles, Madrid. More here.

Click on the image to enlarge.

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Moi on Book Publishing

Paleo Retiree writes:

Steve Sailer was kind enough to highlight a comment I made on his blog about the demographics of the American book publishing world from 1985ish to 2001ish, a stretch when I was professionally covering the field. (I dropped about a half a dozen comments on Steve’s posting, so if you’re in that kind of mood, scrawl down and give those a look too.) Ah, the memories … Especially of the hundreds of fancy lunches I enjoyed, paid for by money that in a just world would have been going to authors instead of into my belly. Although I couldn’t be more happy about being retired, I do miss those fabulous meals — Manhattan’s great restaurants are really something to experience. In any case: many thanks to Steve, who these days always seems to be on an inspired tear of one sort or another. If you value his work as much as I do, why not make a donation?

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  • You can access some of my other thoughts about publishing and literature at my old blog via this link.
Posted in Books Publishing and Writing | Tagged , , , | 1 Comment

“Cultural Literacy for Religion”

Paleo Retiree writes:

cultural

I enjoyed Mark Berkson’s hyper-basic (one-half to four lectures per major religion) Great Courses series very much. My beefs with it first, but only because complaining is so much more fun and easy than praising. It wasn’t the anthropological lecture series of my dreams. I’d have enjoyed some looks at animism, tribal beliefs, and Egyptian, Mesoamerican and Mesopotamian religions, as well as a few tours through the main ongoing debates over what’s a religion and what’s not. Is our current regime of multiculturalism / feminism / diversity / PC / neoliberalism taking on some characteristics of a religion, for instance? (I sure think so.) The course’s worthy “If only we understood each other we’d get along better” framing struck me as pretty silly. Why shouldn’t intellectual curiosity be understood to be reason enough to justify going through such a series? And, perhaps predictably, Berkson’s treatment of Islam seems as concerned with preventing listeners from hating the religion as with presenting and explaining it. Berkson in fact seems to have intended his Islam lectures as a corrective to some imagined wave of anti-Islam vindictiveness. Since despite checking the news most days I’ve remained unaware of the angry mobs in the U.S. that are apparently clamoring for attacks on Muslims, I did roll my eyes a few times during these particular lectures.

OK, it’s a pretty earnest experience. But, all my ungallant carping to one side, I also found it to be a super-clear and very informative series of talks. If you’re like me, you’ve run across 3/4 of this material before but only in a scattershot, higgledy-piggledy fashion. Berkson lines it all up in very easy-to-digest order. He speaks clearly and well; he has a lot of enthusiasm as well as a major gift for organization; and he supplies just the right amount of historical context-setting to make the beliefs, dogmas and developments comprehensible. And for what the course wants to be he gets the generalization-level just right. That strikes me as a very big accomplishment. (A writerly note: It’s fascinating how the demands of speaking hyper-basically can — somewhat paradoxically? — make a person come up with interesting things to say, as well as interesting ways of saying them.) For a few minutes, my head felt very clear, and that’s something I’m always very grateful for. Verdict: A first-class (if slightly, and forgivably, square) shot at Major Religions of the World 101.

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Posted in Books Publishing and Writing, Education, History, Philosophy and Religion | Tagged , , , | 25 Comments

Art Du Jour

Blowhard, Esq. writes:

Bernardo_Bellotto_(View_of_the_Grand_Canal_and_the_Dogana)

Bernardo Bellotto, “View of the Grand Canal and the Dogana,” 1743.

Click on the image to enlarge.

Posted in Architecture, Art | Tagged , , , | 1 Comment

Art Du Jour

Blowhard, Esq. writes:

Jan_Brueghel_the_Elder_-_The_Archdukes_Albert_and_Isabella_Visiting_a_Collector's_Cabinet_-_Walters_372010

Jan Brueghel the Elder and Hieronymus Francken II, “The Archdukes Albert and Isabella Visiting a Collector’s Cabinet,” 1621-1623. More here.

Click on the image to enlarge.

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Architecture Du Jour

Blowhard, Esq. writes:

designwithinreach

I spotted this at Design Within Reach, a chic national chain that sells modernist furniture, at their location on 3rd Avenue. Erasing the boundaries between inside and out is one thing if you live in Newport Beach, CA where it’s between 75 and 85 for ten months out of the year. But New York? It was pouring this morning. And hasn’t it been known to snow here? When are designers gonna get over their obsession with blurring boundaries?

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A Walk Down Bedford Ave.

Fenster writes:

I wrote here about a walk down Moody Street in Waltham, Massachusetts, a half-mile slice of interesting grit and glamour–mostly grit–in the otherwise upscale suburbs west of Boston.  It was night time at 5 PM near the shortest day of the year and what jumped out at the casual stroller were the lively scenes unfolding in the brightly lit tableaux as the lights spilled out from large old-fashioned windowed storefronts.

Fenster recently perambulated down a stretch of road in Brooklyn that is in some ways similar in length, attitude and affect.  It was Bedford Ave. in ohsotrendy Williamsburg, walked not at the end of the day in winter but in the early morning, before 7 AM, on a recent day when spring was finally in the air.

Given the time of day and the differences in the configuration of buildings along the street, what appealed this time was not the haunting quality of storefront light at early nightfall but something else: the palimpsest quality of the non-windowed spaces, layer on layer of revealed human intention.

Dr. Johnson once remarked that to find a new country and to invade it has always been the same thing.  People–even awfully nice and inoffensive people like hipsters–are natural colonizers, despite whatever self-image to the contrary.  Dogs pee on fire hydrants and people . . . well . . .

fireplug

they also leave their mark.  A walk down Bedford Ave. revealed communications from different, and perhaps rivalrous, communities.

Williamsburg is an area that is, as they say, in transition, so it is not surprising that we should find evidence of various tribes along the trail.  Now, Williamsburg is not in transition nearly to the extent as other neighborhoods like Bed-Sty but neither is the complete colonization by the young and hip an accomplished fact.  Sure there are hipsters on display, and can be spotted at a distance.

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But there are plenty of non-hipsters around too.

 

So the neighborhood retains something of a mishmash quality that can be attractive.  At least that is how Fenster found it that early spring morning recently, and set out to peel back some of the layers of the palimpsest.

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Of particular interest was an examination of tribal communications.  Which groups colonized what kinds of spaces and what were they trying to say?

The spaces that were most aggressively on display as communications vehicles: doors into buildings along the street.  Doors into private space are an interesting mix of private and public.  Unlike a blank wall at a construction site,  say, doors into buildings are, while in public space, nominally private.  Some were treated that way and were spared any messages. . .


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and in a few instances nice hipsters would be so brazen as to colonize someone else’s private space

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or perhaps their own.

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But for the most part hipsters avoided private doors.  These were left to a different and more aggressive tribe prone to old school graffiti, the kind of tagging that was rife in the Manhattan I left in the early 80s but which has effectively been banished on most of the island.  Indeed, the riot of graffiti colors and styles left me almost . . . almost . . . nostalgic for the Manhattan of my yuppie younger self.

Let’s take a look at the private door spaces colonized mostly by graffiti folks.

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The opposite was the case with more public spaces.  There, the hipster element came to dominate.  

Here is the side of a storefront with ATM.

20150417_081124and here are close-ups of the tangled mass of messages.



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20150417_080850and wastebaskets

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Of especial note: ATMs.  I have never seen such a quantity of ATMs in a several block area.  I counted around a dozen in a stretch of no more than two blocks, with some sitting right next to each other facing the street.

doorsThese were, no surprise, colonized by the more affluent of the tribes.  There were many messages to be seen, most of which were lifestyle related.

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I’ll leave you with some larger works on public walls.

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Posted in Art, Commercial art, Personal reflections, Photography | 6 Comments