Blowhard, Esq. writes:
Saltair Pavilion, Great Salt Lake, Utah, 1900. Source.
Click on the image to enlarge.
Blowhard, Esq. writes:
Saltair Pavilion, Great Salt Lake, Utah, 1900. Source.
Click on the image to enlarge.
Paleo Retiree writes:
I somehow managed to make it through the 1970s without seeing any of Alejandro Jodorowsky’s movies, the best-known of which were “El Topo,” “The Holy Mountain,” and “Santa Sangre.” A few months ago, though, I watched the documentary “Jodorowsky’s Dune,” about Jodorowsky’s failed attempt to bring Frank Herbert’s sci-fi novel to the screen, and I enjoyed it a lot. In his 80s now, Jodorowsky is a lot of fun to spend time with. He’s still brimful of director / therapist / visionary charisma, and the film is worth seeing just to experience his low-key, sly, and companionable brand of personal magnetism. Hey, charisma is a real thing. I don’t know how you measure it or investigate it, but once you’ve you’ve had some real charisma focused on you a few times its factual existence becomes hard to deny.
Eddie Pensier writes:
The sublime Donna Murphy sings this nightclub/torch song from On The Town, the classic Bernstein/Comden/Green musical later remade (and substantially revised) as a Gene Kelly-Frank Sinatra film. The song was cut from the original but is sometimes added back in revivals, and has developed its own life as a cabaret number.
Donna Murphy isn’t well known outside theater circles: she’s made a few television appearances and plays a ballet mistress in one of my favorite bad movies, “Center Stage”. Let’s see if this video doesn’t gain her a few new fans.
Blowhard, Esq. writes:
Is there a more overrated mainstream director than P.T. Anderson? Yes, he has loads of talent, there’s no question about that. The level of craft in his films is always high and Anderson himself has good visual instincts and a strong rhythm when it comes to editing individual scenes. Yet for all his precociousness, his films add up to nothing for me. They may tackle Big Important Themes — family dynamics, addiction, self-delusion, and pornography in BOOGIE NIGHTS; family dynamics, addiction, sexual abuse, and television in MAGNOLIA; father-son relations, exploitation, greed, and capitalism in THERE WILL BE BLOOD — but he spends so much time demanding a Best Picture Oscar in every frame that he forgets to say anything particularly insightful or meaningful about any of these topics.
In THE MASTER, he takes on family dynamics, addiction, cults, and post-WWII masculinity and yet again Anderson the writer lets down Anderson the visual stylist. Actually, outside of some mid-century department store porn in the opening half hour, even Anderson the visual stylist isn’t much in evidence. At least BOOGIE NIGHTS gave us the opening tracking shot and BLOOD had the burning oil derricks. Here, we mostly get Philip Seymour Hoffman and Joaquin Phoenix engaged in a lot of Method-inspired hysterics with nary a pretentious plague of frogs to be seen. While watching BLOOD it occurred to me that Anderson makes literary fiction novels for the screen. His upcoming film, an adaptation of Thomas Pynchon’s Inherent Vice, looks like it will continue this trend.
Related
Eddie Pensier writes:
The next time you see an article discussing the “costs” of some bad habit or other, remember these words of Christopher Snowdon, and proceed accordingly:
Imagine I’m walking towards you in the street. Your wallet is in your hand and I can see that it contains three twenty pound notes. We get closer. A terrible thought suddenly crosses my mind that I could snatch your wallet and run off with £60. We draw still closer and, as we are about to pass, I abandon the criminal thought and go about my day.
As a result of not stealing from you, you are now £60 better off than you would have been. If you had a warped view of the world, you could almost say that I have saved you £60, but even a warped thinker would not would claim that I have actually given you £60.
For anyone with an even passing interest in the tragicomic farce calling itself “public health”– our betters busybody nannies trying to instill teetotalism by force–Snowdon’s blog and books are essential reading to counteract the lies.
Blowhard, Esq. writes:
Sir Barken Hyena writes:
I have no idea what the origin of this video is. But it’s cool.
Fenster writes:
There has been coverage in the right-wing blogosphere/press of a faculty listerv at Brandeis that is held to contain anti-Israel and anti-Semitic rants. Odd for a school that is the pride of the American Jewish Community? Perhaps, but irony tends to disappear under the microscope.
Here’s The National Review.
No left-leaning coverage at HuffPost, Salon, Slate, Daily Kos, etc.
Which is seemingly ironic as well, since hard lefties can also be anti-Israel and pro-Palestinian, and the gist of the faculty inside chatter reveals them to be just these kinds of folks–hard lefties with Palestinian sympathies. For instance, the faculty on the listserv appear to have been big-time opponenets of Ayaan Hirsi Ali’s abortive commencement appearance at Brandeis.
But what gives the story its catnip allure is not just the anti-Israel voicings, but the allegedly anti-Semitic ones. But is that the case?
It can be difficult to tell anti-Israel talk from anti-Semitic talk, and different parties have interests in smudging the line from time to time. But it is usually a distinction worth parsing. What have we here?
Here, it appears less a matter of broad-gauged anti-Semitism and more a case of a heavy handed critique of Brandeis’ ex-president, framed by using unfortunate and even ugly tropes. Reinharz and his wife are referred to as “Mein Leader und Frau.” The same professor refers to Brandeis as the “Reinharz shetl”. Not nice.
But here’s what all of the stories missed, at least so far. The most quoted faculty member, and the author of the above phrasings is one Donald Hindley. Ring a bell?
If you pay attention to free speech issues in higher education, you will know the name. Hinldey is the guy who used the term “wetback” in a class in 2007 and had the book thrown at him by the Reinharz administration.
It was a big story for a while, as these things go. Lefty prof uses “wetback” in class in a suitably contextualized way, criticizing how Americans tend to view Mexicans. Some students complain. The PC machine gets rolling down the track. Next thing you know he is a racial harasser and his classes are being monitored.
FIRE was all over it, and still carries it as a free speech black mark. Inside Higher Ed reported the story here. Reinharz, famously a hard-headed sort, didn’t back down and never looked back. With Reihnarz no longer president, even the student newspaper called for an apology as recently as 2012, here.
So what the right leaning press missed here is that while a lot of the listserv rhetoric is boiler-plate academic politics, the anti-Semitism appears to be mostly a form of score settling on the part of an angry faculty member who felt railroaded by the Reinharz administration. That doesn’t excuse the bad language–Hindley appears to have chronic case of being too glib and smarty-pants for his own good, a poster child for the bad effects of tenure. But it is something the press ought to note.