“Velvet Hustler”

Fabrizio del Wrongo writes:

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This 1967 crime picture, directed by Toshio Masuda, has a light, off-the-cuff quality. It’s perhaps too casual to qualify as lyrical, yet it seems to inhabit a musical universe, like one of Rene Clair’s early sound pictures. The hero, Goro (Tetsuya Watari), constantly whistles his own theme song; he’s in thrall to some internal hipster cadence. At one or two points in the movie the rest of the world picks up on his groove. He slugs a guy in a nightclub, and his followers fall into step behind him, all of them bobbing in unison as though they’d blipped, en masse, into a Stanley Donen picture.

“Velvet” is in the mode of the mid-century Japanese Yakuza film, the kind of thing Seijun Suzuki is known for. But it’s also a cynical gloss on “Breathless.” Goro suggests what Belmondo’s wannabe hood might have turned into had he lived: an assassin so post-everything that he can’t help but see through his own act. This may be what Masuda is hinting at when he shows us Goro peering through a slit he’s made in the brim of his fedora. It’s a peephole in the shell of his persona.

An accomplished director with a long history in genre films, Masuda gives the picture a strong graphic quality. He likes to shoot at an angle, his subjects framed in the distance by interstitial details. He then typically cuts to tight shots of their enormous, looming noggins. (On a few occasions I was reminded of the work of Yasuzo Masumura, a master of widescreen composition.) Shot on location in Kobe, the movie’s look manifests Goro’s contradictions: It’s a tug-of-war between bright pop sensationalism, mainly evident in the nightlife scenes, and drab, rusted-hull realism. (Goro says that Kobe smells like the ocean, and it looks like it.) “Velvet” loses a bit of steam when the two things that Goro cares about — semi-anonymous sex and his brother — come into conflict. It’s a drag watching this cynical prince go earnest.

Related

  • As far as I can tell, “Velvet Hustler” is not on DVD, but you can stream lots of other Yakuza films via Hulu. I can recommend “A Colt is My Passport,” also released in 1967.
  • The trailer:
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It’s 75 Degrees and the Jacarandas are in Bloom

Blowhard, Esq. writes:

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A scene today from my neck of the woods.

Click on the image to enlarge.

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Sunday Jazz Selection

Fenster writes:

En las Orillas Del Mundo, Gonzalo Rubalcaba and Charlie Haden

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Some Snaps I Took in Atlanta

Fabrizio del Wrongo writes:

I was in Atlanta recently for work. Thought I’d share some photos I took.

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This ferris wheel was right outside the hotel at which I stayed. I guess urban ferris wheels are a thing now? If so, I’m not really sure what to make of that. A fun, colorful development? Or a sign of civic rot and mass infantilization? Whatever it means, it didn’t seem to be heavily patronized. Both times I walked past there was no one riding. I immediately flashed on images of small-town fairs and toothless carnies — things I don’t typically associate with bustling city centers.

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Movie Poster Du Jour: “Madame De…”

Fabrizio del Wrongo writes:

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This is an earlier edition of this poster, bearing the printed signature of designer Guy Gerard Noël. Noël was one of the greats of French movie poster design, known for his bold use of line and color. This one makes particularly good use of metallic, gold-colored pigments. Note the floral detail on Boyer’s cuff.

“Madame De…,” by the way, is one of my all-time favorite movies.

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“Diary of a Nymphomaniac” (2008)

Blowhard, Esq. writes:

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This is a strange one. After failing to climax during her first sexual experience, Val, a Spanish-French twenty-something played by Belén Fabra, egged on by her dying grandmother who wishes she spent her whole life fucking, decides that she will spend her whole life fucking. But when it’s clear the guyz can’t keep up with her insatiable demands she decides to pursue a trad square life. And, lucky her, her dreams of Love and Fulfillment seem within reach when she meets The Perfect Guy. …OR IS HE?

The film, directed by Christian Molina and adapted by Cuca Canals from a novel by Valérie Tasso, is tonally all over the place, vacillating between late-night-cable Euro sex film and Lifetime melodrama. One minute she’s having her Arab fuck buddy bang her with a Coke bottle, the next she’s a young Spanish Julia Roberts complaining to her mousy yet oh-so-supportive coworker about men these days. The entire second act is a the-dream-turned-into-a-nightmare Oprah confessional. I spent significant parts of the movie dumbfounded at the choices the filmmakers made, but on the other hand, you have to admire a team that piles on so many cliches and plays them straight. (I shouldn’t have been surprised when she took a job at the high-class brothel but I was.) On top of the kooky plot, there’s the music video sex scenes, corny flashbacks, and plenty of you-go-girl validation. But hey, Fabra gives it her all and manages to generate some heat, so that ain’t nothin’. Perhaps amused is the more appropriate state of mind to watch this film.

DIARY OF A NYMPHOMANIAC is currently streaming on Netflix.

Related

  • I’ll admit the only reason I watched the movie is because it had “nymphomaniac” in the title. Netflix Instant has a lot of midnight sex movies. I enjoyed the daring LEAP YEAR much more than this film.
  • Paleo Retiree on Lars Von Trier’s NYMPHOMANIAC.
  • Have you checked out our XXX-rated Tumblr yet? (Hint: all the really gross, disgusting stuff is posted by Fabrizio.)
Posted in Movies, Sex | Tagged , , , | 6 Comments

Eva Green Du Jour

Blowhard, Esq. writes:

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Friday Music Wildcard: Vietnamese Westerns

Sir Barken Hyena writes:

In this feature we’ll dig deep down into bubbling cauldron of internet weirdness and see what we find. Today, we have a doozy. I give you Ghost Riders in the Sky by đàn bầu Vân Anh. Let’s listen:

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Eddie’s Tea Chronicles: Five Tea Brewing Tips

Eddie Pensier writes:

  1. Green and white tea should be brewed at lower water temperatures (75-80* degrees Celsius) than black or herbal tea (boiling 100 degree water). Too-hot water can burn the more delicate leaves and cause a bitter, over-extracted brew. If you haven’t got a temperature-controlling teakettle, here’s a trick: fill your teakettle 3/4ths full with water, boil it, then fill it to the top with cold water. The water will be at the perfect temperature for green and white tea. You might even discover you like it now, if you’ve been preparing it incorrectly all along.
  2. Want some tea but don’t want the caffeine, and don’t have any decaf tea on hand? Brew your tea, strain, and save the brewed tea for another time, or just pour it down the drain. (Or let it cool and use it to water your houseplants.) Use the same leaves to brew another cup. The second cup will have very little if any caffeine. Good quality loose-leaf tea can be re-steeped up to four times, sometimes more. Tea bags can be reused twice but are best disposed of after one use.
  3. If you want a stronger flavor to your tea, use more tea leaves per cup rather than steeping longer, which can cause bitterness. The standard measurement is one teaspoon of dry tea per cup (250mls) of water. Use a little more if you prefer.
  4. Many tea guides will swear that you need filtered or spring water to make good-tasting tea. I have never found this to make enough of a difference to be worth the expense. If your tap water is safe to drink, and tastes good on its own, it will make fine tea.
  5. One of the questions I’m asked most often is, How do you make iced tea? The obvious answer, “make a pot of tea and stick it in the fridge”, never seems to occur to people. (When I arrived in Australia over a decade ago, iced tea was still considered a grotesque Yankee abomination by many, especially older folks. It’s starting to catch on.) But you can also try the “concentrate” method: Pour a liter of warm water over 50 grams of your favorite tea. Put the mega-tea in your fridge overnight. (Yes, this appears to contradict #3 above. The warm water rather than hot water mitigates the long steep and prevents over-extraction.) In the morning, strain, and you’ll have just under a liter of tea concentrate. Mix in a 1:3 ratio with cold water and sweeten to your taste for perfect iced tea.

teapuffin

*A Celsius-Fahrenheit converter for those of you who may need it.

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The Sculptors of Notre Dame: “Muscle Shoals”, “20 Feet From Stardom”, and “The Wrecking Crew”

Blowhard, Esq. writes:

After STANDING IN THE SHADOWS OF MOTOWN, which shined a light on the Detroit backing band who played on dozens of Motown hits, there’s been a spate of documentaries honoring the previously-anonymous studio musicians who were essential contributors to scores of classic R&B, soul, and rock records. Recently I watched three: MUSCLE SHOALS, 20 FEET FROM STARDOM (recent winner of the Oscar for Best Documentary), and THE WRECKING CREW. I recommend all three to any pop music fans.

Fame Studios owner/producer Rick Hall with Clarence Carter.

Fame Studios owner/producer Rick Hall with Clarence Carter.

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