The Camera Loves…

Eddie Pensier writes:

glynisjohnsmiranda1948

…Glynis Johns, Miranda, 1948

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Retro Model Du Jour

Blowhard, Esq. writes:

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To Hell with The Other White Meat

Fenster writes:

Food and music are important things, no?

When asking people to distill down their musical tastes there is the concept of Desert Island Discs.

Where food is concerned there is the concept of the last meal.  .   .

jeffrey-dahmer-serial-killer-21-638

which of course does not have to include Jeffrey Dahmer.

Not that I am planning to have a last meal in the near future but if I had to choose, I have long expressed a preference for pernil, a seasoned pork roast.  Blowhard Esq. wrote about pernil here.

What’s great about pernil is that it is resolutely against the idea that pork should be the other white meat.

Pork

Also not intended to refer to Jeffrey Dahmer.

No, pernil is not that.  It is full-flavored, fatty, rich and generously herbed and spiced.  Done right, with a Boston butt or shoulder, it is deservedly at the top of the Last Meal List.

Or maybe not.

The other day I was wandering in New York’s Chinatown–the part of it that used to be called Little Italy–and found myself in Di Palo’s.

DiPalo's exterior

At certain times of the day, Di Palo’s will sell you a slice or two of porchetta.

porch

Sorry, pernil, move over.

If pernil is a ten out of ten in terms of non-white meat porky goodness, porchetta is at least eleven, as close to a chunk of pig from a pig roast as you are going to get without having to roast the whole animal, and in some ways better.

The reason for this starts with the cut: a whole pork belly, the cut used in bacon.  You start with a chunk of pork belly before it is cut up.  You salt it overnight.  You add spices like garlic, rosemary, fennel and lemon zest to the meat side.  You score the skin.  You roll it up and secure with string.  You blast it on high heat for a bit, lower the heat for long-cooking and then blast it again at the end to crisp up the skin.  Bliss.

Whereas a pork butt is mostly meat, albeit heavily streaked with fat, pork belly is roughly equal parts skin, fat and meat.  The meat is meltingly tender and strongly flavored of the seasonings.  The fat just falls apart on you.  And the skin is crunchy and salty. It is almost too much but not quite.

Actually it is too much but what of it?  I call it Paleo and I say the hell with anything short of it.

Within the week I found myself at an Asian market that does a good trade in pork bellies.  After some language problems describing to the butcher what I wanted I emerged with a nice solid chunk of pork belly, maybe four pounds.  A day or two after that I pulled this thing from the oven.

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Honestly, I am not planning to find myself on death row.  But I am at least now well prepared for the last meal.

Recipe here.

Last meal ideas, anyone?

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Non-Color at the High Line

Paleo Retiree writes:

Because I’m apparently someone who, once I’ve noticed something, can’t help noticing it over and over again, here’s another posting in what I guess is turning into a series about the way our new designers and developers are starving us of color.

I took a walk along NYC’s High Line the other day. The High Line is a celebrated new park that was built atop a previously abandoned elevated train track in the very far west of Manhattan. It has been a fabulous success — everyone likes strolling along the High Line — and the parts of Manhattan immediately flanking the High Line have been turned into a playground for trendy architects and developers hoping to capitalize on what’s Hot and Now.

Here’s a sample of the color-environment I walked through (in the West Village and Chelsea) to get to and from the High Line.

village_color01

Let’s ignore for the sake of this posting the many factors that contribute to a seriously rich visual/tactile environment. Wait, am I nuts? Let’s first mention some of those factors: textures, materials, layers of shapes and patterns, an extraordinarily complex and changing play of light and shade, a magical way of sharing space and gestalt with nature, and harmonies on many levels.

OK, that particular pleasure to one side, let’s focus for a sec on color and nothing but color. Fair to characterize this as a warm and lively environment? Fair to associate warmth and color with coziness, nurturance, blood, flesh … and maybe even life itself? I certainly think so.

Now here’s a collection of snaps I took of the chic new structures around the High Line.

high_line_non-color01

Tinny materials, flat planes, solipsistic standalone rhythms, ridigity and awkwardness where natural elements (trees and grass) go; and, as for light, almost nothing on offer but concrete matte-ness and glass-and-metal reflectiness.

Putting aside all that, how about color? I don’t know about you but I’m seeing nothing — literally nothing — but black, white and gray (as well as whatever it is that the omnipresent, impersonal metal and glass happen to be reflecting). And warmth? Not even on the agenda.

Why, why does our chic-design class want us living in a monochromatic world?

Related

  • Eddie Pensier also walked the High Line.
  • In his survey of the charms of a modest neighborhood, Blowhard, Esq. ran across a lot of color. Charm seems to rank about as high on the priority-list of chic designers these days as color does. I wonder why.
  • I’m feeling tempted to buy this well-illustrated, chock-full-of-info book about the High line.
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Pop Science, Five Ways

Eddie Pensier writes:
As should be obvious to regular readers, I’m hardly a scientific type. Music, food, drink, and art are more my speed. But every once in a while my brain drifts briefly to rationality and I enjoy learning more about science. Here are five means to do so, aimed at the layperson.

disappearing spoonThe Disappearing Spoon, and Other True Tales of Madness, Love and the History of the World from the Periodic Tales of the Elements by Sam Kean

Kean tells witty and informative stories of the periodic table, from its creation by notorious oddball Dmitri Mendeleev to the fact that aluminium was briefly more valuable than gold, to the treatment of bipolar patients (including poet Robert Lowell) with lithium. History lovers and sciencey types will adore it.

poliakoffPeriodic Videos
An even better pop-chem resource is Periodic Videos, a YouTube channel featuring brief chats and experiments about chemistry. The series was created by Australian video journalist Brady Haran and features the chemistry faculty of the University of Notttingham, the most prominent member being the ebullient, halo-haired Sir Martyn Poliakoff. (Other favorites include geek-girls Sam Tang and Debbie “Boron” Keys). At first Periodic Videos merely made short explanations of each element of the table in order, sometimes accompanied by experiments, but after number 118 they moved onto molecules, scientific curiosities, and freaky-but-awesome clickbait such as the revolting result of soaking a cheeseburger in hydrochloric acid, or what happens when a jelly baby gets violently incinerated in a beaker of potassium chlorate. Haran also has other video projects such as Sixty Symbols for physics and cosmology, and Numberphile for mathematics, all compelling.

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Ideal Secretary Du Jour

Blowhard, Esq. writes:

idealsecretary

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Hillary’s Open Mouth

Paleo Retiree writes:

Is there any woman who isn’t a porn star who’s photographed with her mouth wide open more regularly than Hillary Clinton?

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Mostly Naked Lady of the Week: Tessa Fowler

Blowhard, Esq. writes:

tfcover

Playboy’s announcement earlier this week to cease publishing nudes, like all great Aristotelian tragedies, was both surprising and inevitable. Given that we’ve had freely available Internet porn catering to all proclivities for about two decades, it’s surprising the magazine lasted as long as it did. And it was inevitable that it would have to adjust to the realities of a different erotic marketplace. How could its fresh-faced girls next door compete with the likes of BangBros and Kink.com?

Actually, the softcore aesthetic can do surprisingly well, as sites like Met Art, FemJoy, and PinUp Girls show. Some models make a living — and have become hugely popular — without even getting fully nude. Leanne Crow rarely takes off her bottoms. Denise Milani has built up a sizeable following without ever getting naked at all.

One of the most popular of the mostly-nude glamour models is redheaded Southern belle Tessa Fowler. Although she did some full nudity at the beginning of her career, she has largely eschewed it in favor of shoots that highlight her ample assets. Sure, why not hold a little something in reserve and preserve the mystery? It makes it all the more titillating when it’s finally revealed.

Nudity enough to get you in trouble at work below the fold. Have a good weekend.

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Linkage

Blowhard, Esq. writes:

krysritter

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Listing Books: Anti-Modernism

Blowhard, Esq. writes:

It’s funny how after over a century of a near-stranglehold on elite sensibilities, modernism refuses to give an inch in the art world. Whether in novels, gallery art, architecture, fashion, or music, the implicit (or even at times, explicit) assumption is that the “challenging,” “forward thinking,” and “avant-garde” frontier is where all serious work is produced. Argue that art that invokes traditional pleasures is just as worthy of praise and one is regarded as quaint at best or a dangerous reactionary at worst. Traditionalist art produced in the past may be perfectly acceptable, but when it comes to the way we live now, only modernist (or modernist-derived) expression has any kind of respectability among our cultural mandarins.

To be fair, I enjoy many works of modernism. My issue isn’t with the individual works. What gets me about the modernist worldview is its bullying insistence on universality, how it has positioned itself as the inevitable culmination of art history. It’s not merely one way of looking at the world, it’s The One True Way to which all other forms of expression are inferior and subservient. To which I respond — using the most elevated vocabulary of traditionalism available to me — “Fuck that shit.”

Here are some books that I’ve found helpful in providing an alternative to the Modernist Narrative. Even if you don’t find them as convincing as I do, I hope you’ll find them to be provocative and challenging in the best ways.

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