Paleo Retiree writes:
William Friedkin’s 1977 metaphysical action-adventure film had an almost ludicrously unhappy initial release. Although it was widely anticipated and was one of the biggest productions of its era, the critics were hard on the film, finding it overbearing and overlong, and the mass audience ignored it almost completely; the popular phenom of the year turned out to be “Star Wars” instead.
As the years passed, and to the extent that anyone gave it much thought at all — finding and watching a copy of “Sorcerer” wasn’t easy — the film was generally seen more as a symbol than a movie. It acquired a reputation as the moment Friedkin (one of the most successful directors of the ’70s) came a-cropper, as filmmakers often did in those days. It also acquired notoriety as an example of the way that the rampaging, adventurous “New Hollywood” gang self-immolated, thereby making way for the the corporate-blockbuster era we’ve been saddled with ever since.












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