“Survival Island”

Paleo Retiree writes:

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Enjoyably cheesy, made-for-Showtime flick from 2005 that crosses a shipwrecked-on-a-Caribbean-island adventure story with a lot of heavy-breathing  sexual suspense. For most of the movie, Billy Zane, Kelly Brook and Juan Pablo Di Pace (a fiery young Latin Lover type) are the only people on screen. Storywise, the movie is about the faceoffs between the two men as they bid for Kelly Brook’s attentions. Juan Pablo throws off a lot of smoldering Banderas-like sparks, and Billy Zane chews the usual — ie., awesome — amount of Billy Zane scenery. Gotta wonder why hip directors don’t make a showy point of casting Zane in their movies. He’s as distinctively flamboyant in C-movie ways as Christopher Walken.

But — and let’s be frank and cut to the point — the movie’s main attraction is the gorgeously upholstered Kelly Brook, who washes up on the island dressed in a white bikini and a silk wrapper, and who proceeds to galumph, run, snooze, agonize, and make love on the beach and in the ocean. Curvy, thy name is Kelly. The acting chops don’t amount to much, but what a likable pinup girl she is. According to webrumors, Brook asked the film’s producers to cut out a few of her nude scenes, and they refused. Knowing that fact — or at least thinking that I know that fact — was part of the fun of watching the movie too.

Related

Posted in Movies, Sex | Tagged , , , , | 7 Comments

Linkage

Blowhard, Esq. writes:

  • How Japan keeps Muslims at arm’s length.
  • A short interview with Nassim Taleb. (H/T Paleo Retiree)
  • The Cathedral begins the smearing of Ed Snowden.
  • 25 Things to Know About Sexism & Misogyny in Publishing. The incoherence is telling. What exactly is he upset about? The fact that guys hits on girls? (Point #9) Sexy book covers? (Points #10, 11, 12) That there aren’t enough women in publishing? (Points #4, 18) That people aren’t nice enough to each other? (Points #5, 6, 23, 24, 25) Honestly, though, my first thought after reading this was, “I wish people got this worked up about the financial crisis.” But I guess the point is to signal to his readership that he Really Cares A Lot.
  • VICE profiles Law Enforcement Against Prohibition. Key quote: “Right, and whenever I’m speaking at a Rotary Club or a Lion’s Club, and I ask the same question, not a hand goes up – nobody. I say, then let’s be honest. There will never be a drug-free America. Drugs are always going to be a part of our culture. So, the question becomes: Who do you want to control the marketplace – gangsters, thugs, and terrorists, or licensed businesspeople with regulation and control? That’s the only discussion we can have, and it’s the one we’re not having.”
  • A portrait of an optimist:

goose

Posted in Animals, Books Publishing and Writing, Linkathons, Philosophy and Religion, Politics and Economics | Tagged , , , , , | 13 Comments

Dr. Strangecurrency or: How I Learned to Stop Worrying and Love Bitcoin

Sir Barken Hyena writes:

First some background. If you don’t agree with the assumptions below, you might still enjoy the rest of the post in a “what a tin hat maroon” sort of way. But one disclaimer: I have no idea what I’m talking about, I’m just a guy on a blog.

OK, the premise:

The global financial system of credit and trade will collapse, sooner rather than later. This will be triggered by US Government default and the radical devaluing of the dollar, ending its reign as a reserve currency. Unemployment will skyrocket. Loans will be almost impossible to get, for anybody. A new Great Depression will begin.

As this crash happens, there will be a panic flight of capital into gold and precious metals and other stores of wealth. Pure fiat currencies will be abandoned in favor of pegging to the price of gold.

Agree or disagree, doesn’t matter – that’s where I’m starting from. I’m not saying this will all happen, making no predictions here. It’s just one scenario of many.

So now enter Bitcoin. Could these bizarre non-things provide a store of value similar to gold, or maybe even better? I believe it could happen.

It’s really important to carefully unpack the issues around this new financial instrument to understand what’s going on. If you want some background on Bitcoin generally, this is a good place to start.

First there’s the software that runs the bitcoins themselves. This is an open source project, the code is transparent and available to any who want it. Bitcoin is the hottest emerging thing in the geek world and so has attracted the best programmers. I am convinced that the Bitcoin system is absolutely sound, that the coins are impossible to counterfeit, and are immune to manipulation. For years the best hackers have tried to break it, and what vulnerabilities were there have long since been addressed. So I trust the integrity of the coins.

Secondly, there is the software that runs the services that surround the coins. This is the layer that allows for trading and storing bitcoins, and any other imaginable application. This layer is much less mature than the bitcoin system itself, for the simple reason that it’s only needed if there is a real economy surrounding the coins. The smartest money in Silicon Valley jumped on this about two weeks after the price plunge in April was recouped and the price held at higher then pre-spike values. Clearly they think Bitcoin’s time has come. The kind of thing that is needed here is not rocket science: the geeks of the world know very well how to build the type of services and security that’s needed, it’s just a matter of getting it done. And it is getting done. So I trust that this part of the Bitcoin universe has no serious future potential for failure.

But now we come to the frayed edges of the global financial system that Bitcoin needs to work within, and of course here lies the real danger of failure. Some advocates paint a future of an all Bitcoin economy but that’s not realistic to me. Bitcoins will have to be easily convertible to other currencies to be useful and that will require the consent of the banking industry. How they will respond is the big question.

And I think they won’t respond at all, at least not until it’s too late. They won’t respond now because they simply have nothing at all to fear from Bitcoin. Partly it’s is pure hubris. Printing $85 billion a month isn’t exactly the sign of a timid and fearful disposition. It’s the opposite.

But also the legal waters have lately been greatly clarified and the major players in the Bitcoin world are scrambling willingly to comply with regulations. The regulatory entities in the US have signaled that bitcoins are to be treated as any other tradable financial instrument. This is great because it tells bitcoin traders how to work within the system. So as of now the picture to me looks like this: the banking industry has no more reason to prohibit conversion of dollars into bitcoins than it does converting dollars to yen or euro. But I’m nowhere near as confident of this conclusion as I am on the tech issues, partly because I don’t know what the hell I’m talking about. But keep reading!

So what about after the crash? If some of the money that would normally flow into precious metals in a crisis goes to bitcoins this time, there could be capital controls put in place to prevent the flight from the dollar, as there were against gold in the Great Depression, or are now in Argentina against converting peso to dollars. This would attempt to isolate bitcoins in their own closed universe.

It’s highly plausible, likely even, but that doesn’t mean it would be effective. First, US banks will be severely hampered in their control of the financial system when their only weapon to wield will be a ruined currency. Also, unlike the Great Depression when the government had cash on hand, this time the government itself will be utterly insolvent, and in a state of total chaos too probably. Remember that the government going into the Great Depression was very lean. “Lean” is not a word often used today to describe our government. And so whatever they try might not work. Similar to how the Argentine government’s efforts to prevent conversion to dollars are widely regarded as a joke in that country. The black market thrives.

And there’s another angle: if Bitcoin becomes Gold 2.0 then of course the major holders will inevitably be the same 1 percent that’s now running the banks (hopefully minus a smattering that ended up face first on the sidewalks after the crash – see? I’m an optimist). They might become it’s biggest defenders.

OK, that’s all science fiction at this point. But nevertheless, in good Anti-Fragile fashion I’ve put my own skin in this game: thanks to a life of loose and dissipated living I don’t have much in the way of assets to speak of, but what little I have I am in the process of liquidating and converting to bitcoins. The way I see it if nothing happens I still have my job and I have a good story to make fun of myself with when I’m drunk. Still time to rebuild. If the crash comes and my bitcoins are worthless, well so would be any savings in dollars and investments in Wall Street so at least I tried. And if they take off, I might just be somewhat protected from the horrors to come.

It’s all upside from where I sit.

So, going forward I suggest we keep our eyes on what happens with Bitcoin outside of the US and the advanced economies. South America, Africa and the Middle East have a lot to gain from adopting bitcoins and they may pave the way forward. And in particular Argentina.

And dissenters: please have at it in the comments, just refrain from calling me part of the Tin Hat Brigade – I’m getting that a lot from friends anyways!

Posted in Computers, Personal reflections, Politics and Economics, Technology | 7 Comments

Just Popping In To Say “Hello” And Also I Support The Overthrow Of The US Government By Violent Means

Sir Barken Hyena writes:

Phew! What a coupla weeks! Scandal and the scent of blood are afoot in the great Capital, what to make of it?

I’m busy lately fiddling while Rome burns mixing my latest album for my eager/meager public, but I did want to take this opportunity to say just briefly that I heartily support the slaughter of innocent people as long as it leads to the overthrow of the United States Government, and in addition anyone reading this at the NSA can suck my left wang for their tomorrow’s breakfast.

That is all and now we return to our normally scheduled bitching.

Posted in Politics and Economics | 6 Comments

“Going Places” (Les Valseuses)

Blowhard, Esq. writes:

valseuses

Not that we’d ever have such a thing, but if we were to have a UR Litmus Test, this movie would be as good as any. Like it? Great! You’ve found the right place. Don’t like it? Great! You’ve found the right place, but be forewarned…

Anyway, this film a hilarious, gross sex comedy starring Gérard Depardieu and Patrick Dewaere as two young horny, brutish ids. The story is picaresque and wonderfully unpredictable. Those who ever wondered how Depardieu became a star need look no further — watch him charm, cajole, browbeat, and threaten all around him while rocking a black leather jacket and purple pants. The delectable Miou-Miou stars as the frigid shampoo girl who discovers her orgasm, Jeanne Moreau is a hot-to-trot ex-con, and a very young Isabelle Huppert loses her cinematic virginity to Depardieu.

Watching this film — scene after scene, joke after joke — I thought there’s no way this could be made today. It’s weird how these sophisticated works can simultaneously seem so innocent and naïve. But hey, I’m a Blier noob and I know some of the guyz around here are big fans of his work. PR, Fabrizio, Sax, (and everyone else) — what say you?

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Posted in Movies | Tagged , , , , | 11 Comments

“Carmen Comes Home”

Fabrizio del Wrongo writes:

carmen

This sprightly, sweet-spirited comedy from 1951 was the first full-length Japanese film made in color. It features Hideko Takamine and Toshiko Kobayashi as Kin and Maya; they’re a couple of big-city strippers who cause a scandal when they pay a visit to Kin’s hometown, a bumpkinish enclave out of Japan’s pre-industrial past. The girls are like a pair of exotic birds: wearing garish costumes and singing American-influenced songs, they clop through the town on heels with a blithe indelicacy that recalls the gold diggers played by Jean Harlow. Unable to separate the girls’ apparent sophistication from their obvious decadence, the townsfolk are both fascinated and appalled; some take them as avatars of a new Western “art.”

Director Keisuke Kinoshita shoots the early scenes in subdued earth tones, the figures looming over shallow horizon lines like big paper cut outs. Later, during a festival sequence which highlights the movie’s main conflict, he transitions to milling crowds and primary colors in order to suggest the invigorating effect the girls have had on the populace. Much of the movie works off basic oppositions of this sort: when the town’s blind poet laureate intones a plodding ode to civic virtue, it’s meant as a contrast to Kin’s signature song, a Mae West-like stab at knowing blowsiness in which she claims the ridiculous stage name Lily Carmen.

As is often the case with Kinoshita the movie’s tone is a bit too assiduously homespun (his sensibility suggests a cheekier Norman Rockwell). But when he allows a hint of parody to undercut the wholesomeness he achieves a pleasing tartness. This is particularly evident during two scenes in which Kin and Maya perform. One is a hillside pastoral that gradually turns into a strip tease, the girls’ bare skin attracting the attention of a group of hikers and some wayward cows (the images have the flesh-on-nature rosiness of a photograph by Bunny Yeager). The other is a screwball-ish bit in which Kin and Maya put on their big “dance” show. Here Kinoshita implies the effects of nudity by intercutting the performance with the rapt faces of audience members, but he also lets us see the seriousness with which the girls approach their act. They maintain that seriousness even as the band conductor gets a little over-excited at the prospect of boobies and exceeds his tempo (the film speeds up along with him).

There’s a real generosity at work here — an acknowledgement of the inadequacy of art labels and an unwillingness to disregard the pleasures of “low” culture. Afterwards, as the girls ride out of town, they’re followed by all the men who saw and will never forget their clunky little performance. Meanwhile, the blind poet reasserts order by reprising his lame paean.

“Carmen Comes Home” can be streamed via Hulu+.

Related:

  • Kinoshita directed a sequel in 1952, called “Carmen’s Innocent Love.” It plays like a Japanese attempt at screwball comedy, and it pokes frenetic, satirical fun at many elements of post-war Japanese society. It, too, is available on Hulu+.
  • In fact, a ton of Kinoshita-directed movies are available on Hulu+. Though he’s never been highly regarded in the West, Kinoshita was an important guy at the Japanese studio Shochiku, and he deserves to be recognized as one of the major figures in Japanese movie history. Here’s his Wikipedia entry. Looks like a biopic based on his life was recently released in Japan.
  • Kinoshita was the mentor of Masaki Kobayashi, whom I wrote about back here.
  • Kin and Maya do their thing:
Posted in Movies | Tagged , , , , , , , | 4 Comments

“Black Rainbow”

Fabrizio del Wrongo writes:

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I semi-enjoyed this late ’80s film from writer-director Mike Hodges. It’s a thriller with supernatural trappings that’s perhaps most notable for its setting: the fetid, chipped-paint American South of Flannery O’Connor. (It was filmed in Charlotte, North Carolina.) The screenplay is kind of a botch — the bit of corporate intrigue at the movie’s center never amounts to much, and Hodges’ interest in the supernatural slowly curdles into an anti-religion polemic. But the tone is impressively controlled: the movie never breaks a sweat, even as its temperature rises to crisis levels. (That’s Hodges’ forte, isn’t it? He’s cool as a freezer-burned cucumber.) The presence of the youngish Rosanna Arquette is another plus. Hodges puts big Hitchcockian quotes around her: one moment she’s a white-garbed priestess whose elfin features suggest innocence and purity, the next she’s a bodacious trollop in black lingerie (yes, there’s a brief nude scene). I suppose it’s possible Hodges intends this dichotomy to evoke some aspect of the Eternal Feminine, and he definitely wants to suggest an alternative to patriarchy, but I mostly appreciated it for its hawtness.

Related:

  • Unfortunately, the print used for the DVD is a real stinker.
  • Arquette is one of my fave actress crushes. Bless her for taking off her clothes in so many movies.
Posted in Movies | Tagged , , , , , , | 7 Comments

Joël Robuchon at the MGM Grand

Blowhard, Esq. writes:

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Here at UR, we’re all about the pleasures of populist entertainment. Should you ever be unlucky enough to encounter any of us at a party, we can and will absolutely bore you endlessly talking about virtues of the Fast & Furious franchise, the genius of Jackie Collins, or the underappreciated intricacies of vernacular architecture. But look, we’re not merely knee-jerk anti-snobbery snobs. Heavens, no! We’re actual genuine snobs when the mood strikes us. Sure, low culture is fantastic, but sophistimacated high culture is just as essential.

Continue reading →

Posted in Art, Food and health, Photography, The Good Life, Travel | Tagged , , , | 15 Comments

Cirque du Soleil’s “Zumanity”

Blowhard, Esq. writes:

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When was the last time you saw a show whose explicit, avowed purpose was to arouse so you’d go back to your hotel room and fuck? Such is the raison d’être of Cirque du Soleil’s “Zumanity,” the hot hot hot adults-only Cirque show running for the past 10 years (!) at the New York, New York casino in Vegas.

It’s an excellent performance — playful, erotic, naughty, a little edgy. The acts included a female impersonator as MC, ecstatic African tribal dance, twin lesbian aquatic contortionists, sexy schoolgirl hooping, orgasmic-acrobatic scarf bondage, twin BBW French maid comediennes, interracial homo cage fighting, cowboy beefcake striptease, a whip-wielding dominatrix, a lapdancing redhead, an androgynous cape-swirling mute, and dildo-dispensing sex therapists. Something for everyone!

The crowd was entranced and turned-on by the voluptuous eye candy. Hey, doesn’t hurt that every female performer is topless for most of the show. One of the best things about it is the audience participation and interaction. What a hoot to see Theresa, the overweight VP of a Baltimore call center in purple pants and a floral print top, gleefully feeling up a male dancer’s abs and participating in a mock orgy. The show’s performers are all super hot pros and it’s awesome how they pick average Joes and Janes out of the crowd and make stars out of them for the night. Hilarious when the husband of one couple is relaxed enough to admit to a theaterful of strangers that he’s had a foursome with his wife.

No photography during the show, darn it, or else I’d of course share a bunch of snaps with you. I did take a few pics of the moody red velvet lobby before the performance. That’s Paleo Retiree favorite Felix Cane seductively lounging above.

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Have you seen any Cirque shows? What did you think?

Related

  • There’s a 9-part “making of” doc about Zumanity on YouTube. Here’s part one.
  • Speaking of European-style circus/cabaret, if you’re going to be in San Francisco or Seattle soon, I highly recommend checking out Teatro Zin Zanni. I caught the show late last year when they toured through southern California and had a wonderful time.
  • What’s this I hear about Vegas lounge acts being a punchline? During a stay at the Tropicana, I watched their resident act Skye5 perform for over an hour and came away impressed. The band shifted effortlessly between genres — rock, country, r&b, disco — while the lead singer had a great voice and inviting, funny rapport with the audience.
Posted in Performers, Sex, Travel | Tagged , , , , | 11 Comments

Linkage

Blowhard, Esq. writes:

seagaldancing

Posted in Art, Books Publishing and Writing, Linkathons, Politics and Economics | Tagged , , , , , , , | 7 Comments