Linkage

Paleo Retiree writes:

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Placerville, California

Blowhard, Esq. writes:

I had to make a quick business trip to the city of Placerville recently, located in the Sierra Nevada mountains. The town, a California Historical Landmark, was one of the central locations of the Gold Rush. Here are a few snaps I took of the area.

Click on the images to enlarge.

I’ll share some shots of Sacramento in a later post.

Related

  • Paleo Retiree was in Gold Country not too long ago, here’s his post on the appeal of Nevada City’s architecture.
Posted in Architecture, Photography, Travel | Tagged , , , , | 8 Comments

yeah baby

Glynn Marshes writes:

I read Pamela Des Barres’ memoir, “I’m With the Band: Confessions of a Groupie” shortly after it was published in the mid-80s.

Here’s a new interview with her that’s a fun read and which includes her reflections on what it meant, to her, to be a groupie.

“I’m still trying to set that word straight,” she says,

because all it means is just a music lover who wants to be near the band. Period. That’s all it means, in whatever capacity. Sexual? Sometimes yes, but also friends, helpers, assistants, guides… we wanted to uplift and enhance these people who moved us so much. That’s all that a groupie is. They are music-loving muses.

When her interviewer, Joe Daly, probes this a bit further, she goes on to say:

All men want to be revered and admired for what they do. Women do too, but men even moreso, OK? So with men, if you love and admire what they’re doing, if you understand what they’re doing and you comment on it, ask questions about it…if you’re beholden to them for what they create, then they want you around. They want to share it with you, they want you as part of their world, and that always made me feel good, because I could bring some joy into the lives of these people that brought me so much joy.

Heh.

Posted in Books Publishing and Writing, Music, Performers | Tagged , , | 3 Comments

Some Posters Have More Oomph than Others

Fabrizio del Wrongo writes:

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Posted in Commercial art, Movies | Tagged , , , , , | 4 Comments

I Love Adam Sandler Movies

Sax von Stroheim writes:

jack_and_jill

God knows, they aren’t very well made. Adam Sandler may be our Jerry Lewis – he certainly seems to embarrass middlebrow would-be-sophisticates in the way that Jerry did – but unlike Lewis he has no interest at all in filmmaking as a craft. I get the sense that he thinks of the film set as a place where he and his buddies get to hang out at.

But I find them really funny and they are usually about things that are actually relevant to life in contemporary America. For instance, Jack & Jill deals with diversity and stereotypes in a very direct way that’s rare in mainstream entertainment today: Sandler’s movies don’t have any of the ironic distance and intellectual gamesmanship of Sacha Baron Cohen’s movies or Larry David’s shows.

If a comedy is funny, does it matter if it’s made very well? Well, a little, I think, in as much as better filmmakers can, theoretically at least, pull off more elaborate gags. But I don’t think it matters as much as it does in other popular genres:  a good action movie, for example, almost always comes down to the filmmaking.

Anyway, I do love Adam Sandler movies, though I find myself completely uninterested in trying to convince anyone else that they should love them or even like them. I mean, he’s ridiculously popular and successful, why should anyone (let alone me) care that most film critics treat his work with an almost reflexive revulsion?

Related

  • FWIW, Armond White loves Sandler, too.
  • There are a couple of Sandler movies on Netflix Streaming right now. Happy Gilmore is one of his earliest starring-vehicles: it gets pretty close to a “pure” Sandler experience and is a great place to start if you’re at all interested in giving the Sandman a chance. Anger Management is more representiative of the later, “higher concept” Sandler movies. (Punch-Drunk Love is on there, too: it’s a great movie, though doesn’t really count as an “Adam Sandler movie”, IMO.)
  • My favorites – Jack & Jill, The Waterboy, and The Wedding Singer – aren’t on Netflix right now, but they’re the kinds of movies that show up on cable all of the time.
Posted in Movies, Performers | Tagged | 4 Comments

Quote Du Jour

Paleo Retiree writes:

Andrew Bacevich thinks he knows why so many establishment journos consider isolationism such a clear-and-present danger:

Warn about the revival of isolationism and your prospects of making the grade as a pundit or candidate for high office suddenly brighten.

Happy to embrace the “isolationist” label myself.

Posted in Politics and Economics | Tagged , , | 4 Comments

White People Having Fun

Paleo Retiree writes:

NSFW (of a very innocent kind) alert:

Posted in Humor, Sex | Tagged , , | 3 Comments

Listing Movies: Double-Digit Directors

Fabrizio del Wrongo writes:

For some years now I’ve kept a spreadsheet containing information related to movies that I consider to be part of my personal pantheon. It’s hardly an exclusive list — it now includes over 2000 movies (I’m an inclusive sort of dude). And it’s definitely not intended as a declaration of all-time greatness. It’s more of a tool for keeping track of movies I’ve found meaningful, special, etc. I find that scrolling through it can be kind of therapeutic. Among other things, it provides interesting perspective on my tastes and viewing habits.

Anyway, I thought it’d be fun to see what filmmakers turn up most frequently on my list. So I sorted by director name and tallied ’em up. The results are surprising, even to me.

Filmmakers with 10 or more entries:

D.W. Griffith  25
Howard Hawks  23
Alfred Hitchcock 23
Mikio Naruse  23
Yasujiro Ozu  22
Buster Keaton  20
Fritz Lang  20
Ernst Lubitsch  20
John Ford  18
Kenji Mizoguchi  18
Brian De Palma  17
Jean Renoir  17
Frank Borzage  16
Anthony Mann  16
Luis Bunuel  15
Charles Chaplin  15
Satyajit Ray  15
Robert Altman  14
Jean-Luc Godard  14
Raoul Walsh  13
John Boorman  12
John Huston  12
Louis Malle  12
Max Ophuls  12
Johnnie To  12
Jacques Rivette  11
Eric Rohmer  11
Jacques Tourneur 11
George Cukor  10
Sam Peckinpah  10
William Wellman  10
William Wyler  10

Some notes and observations:

  • It’s impossible for a filmmaker to score highly using this method of evaluation unless he was regularly active for a long time. So giants like Orson Welles, Edward Yang, and Chris Marker lose out — at least on this particular metric.
  • Griffith leads the list in part because he’s Griffith, but also because he made a lot of amazing short films.
  • Keaton wasn’t always credited as the director of his films, but I don’t think anyone denies that he more or less directed his movies.
  • A similar case can be made for Harold Lloyd: He’s another non-director who clearly had a lot of control over his output. Unfortunately, I can’t sort the list to yield a number on Lloyd, and I’m too lazy to count them all up by hand. Consider him present in spirit.
  • I’m counting “Corvette K-225” and “The Thing from Another World” as Hawks-directed pictures, even though that’s debatable.
  • De Palma is surely the most controversial guy on the list. That’s fine by me. Who wants a non-controversial De Palma?
  • Numbers that surprised me: Mann, Huston, Malle, Tourneur, Boorman, Wellman, To.
  • There is clearly a bias against filmmakers who made their mark after the ’60s. I think that’s mostly due to the changing nature of film production. A Ford or a Hitchcock made a new movie almost every year. Today no one but Woody Allen does that.
  • Oh, I’m forgetting about the indefatigable Johnnie To. Like Allen, he makes about a movie a year. Obviously, I’ve liked a lot of them.
  • Directors just missing the cut: Ingmar Bergman, Hou Hsiao-hsien, Roman Polanski, Fred Schepisi (somewhat surprisingly), Victor Sjostrom, Preston Sturges, King Vidor.
Posted in Movies | Tagged , , , | 15 Comments

How Government Drags Us Down

epiminondas writes:

This is a very good talk given by John Tamny, an editor at Forbes Magazine.  He discusses many misconceptions about the Great Depression and how the reckless actions of the Federal Reserve endanger our ability to invest scarce resources.  All in all, this is a very basic deconstruction of Keynesian economics. The first part of this video is not very interesting, so move the time hack to 8:30 and start there.

Posted in Politics and Economics | Tagged , , | 1 Comment

“Red Rock West”

Paleo Retiree writes:

red_rock

When I saw it on release in 1993, I took this crime yarn, directed by John Dahl and written by Dahl and his brother Rick, as a postmodern joke — a droll riff on smalltown noir themes. The surprise for me watching it a few days ago was how well it works as a tense and juicy picture in its own right. It ain’t just a put-on (although it’s certainly that too). The actors (led by Nicolas Cage, Dennis Hopper, Lara Flynn Boyle and J.T. Walsh) chew the scenery in the best downtown-theater/B-movie way, the story twists surprise and delight, and the atmosphere is irresistible. I’ve become a big John Dahl fan, if rather late in the game.

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Posted in Movies | Tagged , , , , | 7 Comments