Linkage

Fabrizio del Wrongo writes:

  • Listen, I’m the last guy to complain about a statue of RoboCop, but isn’t it kind of amusing that Detroit — the postercity for fuckupitude — is getting such a monument? While the city crumbles to the ground, internet denizens around the world are donating to a Kickstarter campaign devoted to memorializing a science fiction character. That’s gotta constitute some new watermark for popcult irony.
  • Next week it’ll be revealed that he was against recycling.
  • There’s the E Ticket and then there’s the Victim Ticket. Hilarious story. Shameless one percenters, eh? But I wonder: Is using your association with a disabled person in order to bypass lines really so different from pretending you’re an Indian in order to get tenure at Harvard?
  • Are women naturally more crazy than men? My totally biased and highly unscientific opinion: yes!
  • Is the age of the hetero movie romance over? If so, why? Seems to me that hetero romance fantasies involving things like vampirism, bondage, and Chechens are thriving. Maybe female tastes have simply changed? Or maybe hetero guys have become too lame?
  • Juggalos go gigolo. (H/T Enzo N.)
  • The most racist countries evah! Maybe we can use this as an excuse to invade and subjugate India?
  • White male privilege: it’s the secret sauce of everything!
  • A concatenation of some of my favorite things: movies, books, and cute girls having orgasms.
Posted in Linkathons, Movies, Politics and Economics, Science, Sex | Tagged , , , , | 3 Comments

“Pain & Gain” and Michael Bay

Sax von Stroheim writes:

I believe in fitness.

I believe in fitness.

Pain & Gain, the new true crime caper movie from Michael Bay: Uncouth Reflections Movie of the Year? Movie of the Decade? Movie of All Time? Its subject is excess, and it’s catching, so forgive the hyperbole, though this is easily one of the best Hollywood movies I’ve seen in a while. More importantly for present purposes, it deals with a number of topics that are probably of interest to UR readers: crime, steroids, the plight of low IQ losers, immigration, sexual economics, bogus self-help gurus, the mania for physical fitness, rageaholics, the porn industry, various forms of addiction, and Florida-as-national-freakshow. The movie sees all of these items through its vision of America as a culture choking on its own excess. Pain & Gain reminds me of the kind of movies William Wellman made for Warner Brothers in the early 1930s: it doesn’t feel like it was put together by people following a how-to-write-a-screenplay guide, but, rather, it’s full of digressions and sidetracks that seem to have come directly from observation of and insight into how we live now, which are conveyed through a playful, expressively cinematic style. It ends up being about a lot more than what it’s about from a strictly “What is the major theme?”-English Lit 101 perspective.

The argument that Michael Bay represents some kind of nadir of contemporary Hollywood filmmaking has always struck me as betraying the sensibility of a hysterical, middlebrow manboob. Yes, his movies are loud, overblown, and juiced on consumerism, but they’re hardly alone in that, and at least Bay has some visual style and a quirky sense of humor that leads him to cast people like John Turturro and Steve Buscemi. Those two qualities combine in one of my favorite Michael Bay moments: when we’re introduced to John Malkovich’s character in Transformers: Dark of the Moon with a shot of Malkovich’s giant, 3D floating head. Trust me, sister: there are films and filmmakers out there far, far worse than Michael Bay.

On the other hand, I’m suspicious of the highbrow defenses of his work, which, even when they use ten dollar words, still strike me as coming down to “Michael Bay is great because teh awesome – hardee, har, har…”

To me, a somewhat more realistic take on Bay’s work is that he’s a talented guy, with a limited, narrow sensibility, who has made some pretty good action blockbusters (The Island, The Rock, and Armageddon), at least one outright terrible movie (Pearl Harbor), and a couple of others that are somewhere in between. All of which is preface to say, No, I’m not surprised that Pain & Gain is such a great film: Bay IS talented, and the material is right up his alley. I liked this movie a lot: see it on as big a screen as possible.

Related

  • Here’s Richard Brody’s very highbrow take on the movie. I agree with most of what Mr. Brody is saying, though I’d probably put it differently. I do agree that part of Michael Bay’s greatness is that as an image-maker he “takes a sudden and even self-surprising pleasure in seeing what he’s filming.”
  • Here’s the tumblr for the Vulgar Auteurist movement: they’re big fans of Bay’s work, although I tend to think they’re being a little condescending. Or maybe just ironically condescending: it can be hard to tell these days. And here’s the original Vulgar Auteurism Guide, from egghead movie site MUBI.
  • Back in the day, Michael Blowhard had nice things to say about Bay’s The Island, which was my favorite Bay flick until this new one came along. (Pain & Gain is the “smaller picture” that Bay has been threatening to make for years.)
Posted in Movies | Tagged , , , , , , | 11 Comments

Diversity Musings

Paleo Retiree writes:

ne_nyc_2013_05_village_diversity_message02

In case you were in any doubt about what our state religion now is: A too-big-to-fail bank has just ordered me, a random ATM user, to “unite behind diversity.” If I’ve got this right, I’m not being urged by a fellow citizen to stand up to the Powers That Be in order to demand our rights. Instead, I’ve been commanded by a top-down soul-crushing part of the Plutocracy to stand WITH the Powers That Be in order to stifle dissent and impose a trendy and unrealistic ideal. Hard to imagine why I wouldn’t want to get on board with that particular program …

FWIW, I enjoy living a life in the genuinely diverse style. I’m based in Greenwich Village, which is bursting with gays and Jews, and which is located in NYC, where only 45% of inhabitants are white. Unlike our betters, though, I’d never dream of imposing diversity on others. (I don’t see my preference for leading a life in the “diverse” style as anything but a personal taste.) Why? Well, for one thing, I recognize that many people prefer to live among people more or less like themselves. Whereas the champions of diversity-as-an ideal see any indication of irregularity as suspicious, if not damning, I see clumping-together as what most humans normally tend to do. Why fight it?

For another, managing a “diverse”-type life is a lot of trouble. Every day involves numerous micro-negotiations that simply don’t crop up when you’re among people with whom you share background, language, assumptions and (who knows?) ethnicity. There can be payoffs — my “diverse” life is a pretty darned entertaining and interesting one. But the cost of it, sheesh … Leading the “diverse” life can be extremely wearying; it can really grate on the nerves even if you’re reasonably sophisticated and prosperous. I can only imagine how dispiriting the diverse life can get to be if you don’t enjoy a bit of spare money, space and time. (If, in other words, you don’t have the resources it takes to enjoy the benefits of diversity.) Why impose additional annoyances on people whose lives are already challenging enough?

For a third: I’m just not into forcing utopian ideals on others. Let people live their lives as they choose to the extent that’s possible (and they’re able), you know? And if, in the normal course of events, one neighborhood (or workplace, or province, or country) winds up being more Asian, and another more black, and another more Mexican, and another more white — and another more gay, and another more straight, and another more female, and another more male — why stress about it? Let people sort their lives out as they see fit. Besides, our rulers really do (IMHO) have more urgent things to give their attention to than bulldozing their way into the arrangements we’ve made for ourselves and disrupting them in the name of a silly ideal that people will be laughing about in a decade or two. Ahhhh — banking — choo!

My final thought about diversity this morning is a defense of diversity itself. If every neighborhood/workplace/country needs to be broken into and then re-made into some bean-counting bureaucrat’s idea of “diverse,” isn’t the overall result going to be about as un-diverse as can be imagined? Isn’t the final result, in fact, inevitably going to be something we might reasonably call “uniformity”?

Besides, if you throw all the ingredients in your fridge into the food processor, what you wind up with is inedibility itself. I’d much prefer that life resemble a tasty meal — a banquet of different (maybe even “diverse”) flavors, textures and experiences — than a pot of uniform green/brown sludge.

Short version: It’s possible to enjoy diversity on a personal level and dislike the way our elites are making use of the concept. It’s also possible — heck, it’s even easy — to use the cause of genuine diversity to undermine our elites’ diversity campaign. (“Diversity”-imposers are like “tolerance”-fanatics — giant targets just begging to be shot full of holes.)

I’m reminded of a pair of cartoons by the great Léon Krier:

krier_cartoon01 krier_cartoon02I found these cartoons in this wonderful book.

Related

Curious to hear what others are making of our masters’ determination to use the ideal of “diversity” to crush real diversity.

Posted in Personal reflections, Politics and Economics | Tagged , , | 20 Comments

“Blue Car”

Paleo Retiree writes:

agnes-bruckner-david-strathairn-miramaxs-blue-car-441000

The Question Lady and I were in giggly, semi-camp heaven watching this solemn exercise in literary-workshop-style hypersensitivity.

Agnes Bruckner stars as a midwestern girl from a sad, broken family who has a knack for poetry; Margaret Colin is the girl’s overwhelmed, trying-not-to-be-bitter, snappish mom; David Strathairn is the handsome high-school English teacher whose interest in his student’s talents may be a little too personal.

The actors are all good, and despite my irreverence I’m also happy to acknowledge that the film is classily done. (It was directed by Karen Moncrieff.) It’s what it is that made me hoot. Divorce; quiet miseries; vague yearnings; misplaced love; “family” as an “issue”; clever-but-not-Hollywood dialogue; loads of indirection; the suburbs portrayed as an inane version of paradise; metaphors-and-coincidences standing in for story structure; the cluelessness of adults whose lives haven’t lived up to their hopes … Every cliche of this inevitably slim, wispy, overbaked, narcissistically-compassionate, never-delicate-enough, estrogen-befogged, microtrauma-lovin’ genre is dotingly dwelt-on and artfully-presented, as though the package had both real literary significance and immense sociological resonance.

Tasteful-indiepic bliss.

Related

  • Don’t miss Blowhard, Esq.’s definitive review of tasteful-indiepic classic “Margot at the Wedding.”
Posted in Movies | Tagged , , , , | 7 Comments

Linkage

Paleo Retiree writes:

  • The Soviet erotic alphabet.
  • Great to see that the smart and cantankerous Will S. is blogging again.
  • More on Bitcoin. The alternative-currency meme has really become something.
  • Joys of multiculturalism, cont. And more.
  • The things some people do to get themselves off …
  • Smart pooch.
  • Now even the New York Times is comparing Obama to Nixon.
  • Has Yahoo ruined Flickr?
  • How do women’s hormonal cycles affect their political views?
  • Netflix Instant Recommendation Du Jour: “Mega Shark vs. Crocosaurus.” Proof that scrappily likable exploitation filmmaking isn’t entirely a thing of the past, this shot-in-two-weeks 2010 cheapo action spectacle revels in so-bad-it’s-good effects, acting and storytelling, and it does so without falling into the trap of being excessively knowing or cool. It’s got a lot of the frantic, damn-the-torpedoes, we’re-going-to-tell-our-story-despite-everything sweetness of early Roger Corman movies. FWIW, my own imagination and giddiness kicked in about twenty times more watching this shitty movie than it does when I watch the usual slick, huge-budgeted, big-studio action fantasy. Hmm, maybe that means that “Mega Shark vs. Crocosaurus” is a non-shitty movie …
Posted in Movies, Photography, Politics and Economics, Science, Sex | Tagged , , , , , , , | 2 Comments

Who Needs Mardi Gras?

Fenster writes:

We Americans think we are pretty cool with our wild weekend events like the upcoming Urban Beach Weekend in Miami Beach.  The city seems to have battened down the hatches for that.  It is bound to be a serious fest.

But the Germans are no slouches in the Department of Weekend Celebrations.  The annual Goth Festival just wrapped up in Liepzig.  As Der Spiegel writes, no one does Goth quite like the Germans.

Germany Wave Gothic Festival

Posted in The Good Life | Tagged , | Leave a comment

Cracks in the Swedish Social Model

epiminondas writes:

Race riots in Sweden?  It would appear that the vaunted socialism of every leftist’s favorite socialist state is breaking down along racial lines.  How many remember the stern rebukes of Swedish commentators on America’s racial issues and later on those of the British?  I can still hear the ringing tones of Gunnar Myrdahl as he lectures his inferiors and scornfully contrasts America and its class system with that of peaceful Sweden.  Too bad the SOB didn’t live to see what his dimwitted buddies have done to Sweden.  I’m not hearing too much tut-tutting from them these days.

Posted in Politics and Economics | 9 Comments

Linkage

Blowhard, Esq. writes:

Posted in Linkathons, Movies, Philosophy and Religion, Politics and Economics, Technology | Tagged , , , , , | 2 Comments

De De Mollner’s Sunset Strip (With a Few Detours Along the Way)

Blowhard, Esq. writes:

Map

After reading Paleo Retiree’s ultra-groovy interview with De De Mollner about her days as a go-go dancer in 60s L.A., I couldn’t help but wonder about some of the Sunset Strip locations she mentioned. A few of the places I was familiar with, but many names were new to me. Do these places still exist? What’s there now? Camera in hand, I went out one Sunday to see for myself.

Continue reading

Posted in Architecture, Music, Performers, Photography, Travel | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 8 Comments

The Downton Abbey Syndrome…In a Bad Sense

epiminondas writes:

A new aristocracy is busy cementing its agenda into place.  At the expense of free men and free markets.

Posted in Politics and Economics | Leave a comment