Linkage

Paleo Retiree writes:

Posted in Demographics, Linkathons, Politics and Economics, Women men and fashion | Tagged , , , , , , , | 2 Comments

When the sides become the entree

Glynn Marshes writes: crowd with hands (640x480)Perhaps other online publications are doing this as well, but this is the first time I’ve noticed it: at Gawker, reader comments are now arranged in a two-column format.

I was almost startled when I first encountered this. I’m so used to the way comments are generally handled by major online pubs: tacked onto the end of the articles like pinned donkey tails, narrow strips of text that scroll down practically forever. And almost always unanswered by the authors of the article.

Gawker’s  two-column format, on the other hand, causes the comments to appear as if they are part of — not the article, exactly — but the page’s content experience for sure. To my eye, it has the effect of elevating the importance of the comments. It dignifies them. It suggests, as well, a conversation rather than a string of solitary remarks.

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Posted in Books Publishing and Writing, Technology | Tagged , | 6 Comments

“Sex Scenes”: An Adventure in New Media

Fabrizio del Wrongo writes:

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“Sex Scenes” is one of my favorite media creations of the last few years. So I’m happy to admit that several of the folks who contributed to it have connections to this blog. Written by Polly Frost and Ray Sawhill, it’s a narrative, audio-only thingamajig with a strong erotic bent. (The official website calls it an “audio extravaganza,” and I guess that’s as good a description as any.) The story focuses on a young filmmaker named Kati Paxton (Lizzie Knowles) who wants to make a sexy, adult-oriented movie. The work, which is to be called “Sex Scenes,” will feature real sex acts performed by real movie stars, and it’s Kati’s hope that it will reset the mores of contemporary Hollywood, returning movies to the place of artistic and cultural importance they occupied during the ’60s and ’70s. Kati’s an excitable girl, but few things excite her more than talking about the great erotic filmmakers of yesteryear. Bernardo Bertolucci. Michelangelo Antonioni. Marco Ferreri. Radley Metzger. These are more than just names to Kati. As their syllables roll off her tongue, tinged with both longing and aspiration, they convey an almost incantational power. Kati is a woman on a holy mission.

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Posted in Books Publishing and Writing, Humor, Movies, Performers, Personal reflections, Sex | Tagged , , , , , , , , , , , , , | 6 Comments

Architecture Conundrums: Solvang

Paleo Retiree writes:

Back in the day, one of the main things that any self-respecting arts education drilled into wannabe artsfans was an aversion to kitsch. And not just an aversion to it, but a vehement, cell-level hatred. It’s fake. It’s nauseating. It’s even, by some accounts, downright evil; according to some high-falutin’ European thinkers, kitsch helped set the stage for Naziism. (The general outline here is that fake emotions and fake art led to fascism, conceived of as fake politics. Don’t ask me how fascism came to be seen as fake politics. That’s a thought-step I’ve never been able to follow.) You weren’t a knowledgeable sophisticate, in other words, until you hated the right things.

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Posted in Animals, Architecture, The Good Life, Travel | Tagged , , , , , , , , , , , , | 32 Comments

Linkage

Paleo Retiree writes:

Posted in Food and health, Linkathons, Movies, Politics and Economics, Science, Sex, Women men and fashion | Tagged , , , , , , , , , , | 5 Comments

Overlooked Oeuvres: Winsor McCay (1867-1934)

Fabrizio del Wrongo writes:

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Winsor McCay strikes me as an underappreciated artist. Oh, he’s pretty well kown for his comic strips, all-time classics like “Little Nemo” and “Dream of the Rarebit Fiend.” But as a maker of movies he’s often dismissed as little more than an animation pioneer. And while he definitely fits that description, I’m not sure that does full justice to his achievements.

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Posted in Commercial art, Movies, Performers | Tagged , , , , , , , , , , , , , , | 3 Comments

Anthropology Update

Fenster writes:

Here is an interesting account of the controversies surrounding the anthropologist Napoleon Chagnon, famous for his studies of the fierce Yanamamo people of the Amazon jungle.  And here’s his page on . . . uh . . . Amazon.

I remember Chagnon’s Yananamo book was everywhere back in the day, that I owned it and that I probably even read it.  But I didn’t follow the Chagnon controversy over the last, oh, forty years.  Peter Wood’s article is a good refresher course.

Wow, anthro.  For me, long time no read.  I was an anthropology major in college, way back when it was OK, even fashionable, to major in something not useful.  Even then, anthropology was that.  Today, it often tops the list as the worst possible major from a career point of view.

Anthro always was prone to PC infection given its relativist and culture-uber-alles tendencies.  From the tiny bit I have observed over the years, it does seem like it fell into right-thinking rot more than its academic neighbors.  It probably needs a good thwack or two like this.

Things were not always thus.  One of my college idols was the Syracuse anthropology professor Agehananda Bharati, author of the autobiographical The Ochre Robe. Despite his Indian name and mystical training, Bharati was originally one Leopold Fischer, an Austrian caught up in the German back to nature movement and an early voyager to India for spiritual enlightenment.  Also a hard headed academic.  Also a devotee of the Tantric Tradition and thus into what Marvin Gaye would later call sexual healing.  I remember in his introductory course, Bharati defined anthropology, in his thick German accent, as “the schtudy of man”, at which point he leaned forward and leered, adding “embracing voman!”  No PC there!  Today he’d be keelhauled for fooling around with his schtudents.

Posted in Education | 3 Comments

“Can Job,” by Kirsten Mortensen

Fabrizio del Wrongo writes:

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I had a lot of fun reading Kirsten Mortensen’s comic novel “Can Job.” It’s about a prominent can opener company from the city of Borschtchester, New York, which is hoping to expand into the digital sphere. Get outta their way, ’cause they’re laying the foundation for the high-tech kitchen of tomorrow! But there are a few problems — big ones. For one thing, their proprietary can dimpling system looks like it might not catch on. For another, they probably won’t have a prototype ready for the kitchen industry’s big show. And what to do about the pigeons that keep roosting outside of Boss Scally’s window — aside from calling them rock doves, I mean?

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Depressive Affinities: Bergman’s “Thirst” and Zanussi’s “Contract”

Fabrizio del Wrongo writes:

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Early in Ingmar Bergman’s 1949 “Thirst,” a serpent is plucked from a sun-dappled wood and placed on a swarming anthill. It’s meant as an image of paradise encumbered, and it sets the tone for what will develop into one of Bergman’s earliest examinations of a masochistic relationship. The principal character, played by Eva Henning, is named Rut. She’s a past-her-prime ballerina who is slowly undermining her marriage to Bertil, a rather limp art history professor (Rut resents him for being so feckless). Her dissatisfaction leads her to daydream about her past as a dancer and a young woman. That serpent vignette occurs during one of these reveries: a summery interlude filled with memories of a former lover, which Bergman situates right at the start of the film in order to demonstrate just how far Rut has fallen. The lover, Raoul, is an older man who met Rut between stints in the Second World War; unlike Bertil, he’s dashing, irreverent, and callously bullish. He’s also married, and when he impregnates Rut he cajoles her into aborting the child. This breaks the seal on Rut’s innocence: not only does it leave her barren, it permanently sours her on the efficacy of relationships. “Nothing takes root in me anymore,” she says at one point, “it’s all mud inside.”

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Posted in Movies, Performers | Tagged , , , , , , , , , | 6 Comments

Quote of the Day

Blowhard, Esq. writes:

The weakening of the state, the progressive development of its imperfections, is a social necessity. The strengthening of other loyalties, of alternative foci of power, of different modes of human behaviour, is an essential for survival. But where do we begin? It ought to be obvious that we do not begin by supporting, joining, or hoping to change from within, the existing political parties, nor by starting new ones as rival contenders for political power. Our task is not to gain power, but to erode it, to drain it away from the state.

— Colin Ward, Anarchy in Action

Posted in Politics and Economics | Tagged | 1 Comment