Naked Lady of the Week: Bretona

Fabrizio del Wrongo writes:

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Bretona’s face is suggestive of a goddess or allegorical figure out of Neoclassical sculpture. There’s a severity to the nose and chin that’s mitigated by her big gray eyes and long honey-blonde hair. Her body, too, is sculptural — solid, robust, yet keenly proportioned. You can almost sense the way in which the surrounding air reacts to the movement of her legs and haunches.

Her photos, which seem to be the work of one Albert Varin, are a little samey. But you have to credit Varin for the careful way in which he lights and poses her. He knows how he wants to present her, and he makes her look good from every angle.

She’s from Ukraine. I’m going to stop looking up the nationalities of these girls and just assume they’re Ukrainian.

Nudity below. If you’re stuck in this polar vortex (or whatever they’re calling it now), stay warm.

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My Year in Movies

Blowhard, Esq. writes:

First, my favorite movies of 2016. OK, so I saw maybe 15 movies actually released this year. Details, details…

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1. The Lost City of Z
2. La La Land
3. The Nice Guys
4. Hail, Caesar!
5. Cafe Society
6. Love & Friendship
7. 13 Hours
8. Zoolander 2
9. Manchester by the Sea
10. The Magnificent 7

A list of everything I watched, which doesn’t include TV series but probably should. Not nearly enough old or foreign movies this year, so I’ll have to make up for that in 2017.

Chimes at Midnight
The Revenant
Anthony Jeselnik: Caligula
13 Hours: The Secret Soldiers of Benghazi
Sicario
Hail, Caesar!
Cockfighter
The Night of Shooting Stars
Fresh Dressed
Zoolander 2
Experimenter
Hannibal Buress: Comedy Camisado
Trainwreck
God Help the Girl
Bone Tomahawk
Thieves Like Us
Catch Me If You Can
Hannibal Buress: Animal Furnace
Batman v. Superman: Dawn of Justice
Born to Be Blue
The First Monday in May
Hannibal Takes Edinburgh
Unzipped
Jimmy Carr: Funny Business
Law and Order
Gary Gulman: It’s About Time
The Nice Guys
Straight Outta Compton
Fallen Idol
McCabe & Mrs. Miller
Gary Gulman: In this Economy?
The Pearls of the Crown
Bo Burnham: Make Happy
The Impossible Voyage
The Mask of Fu Manchu
The Indian Tomb
That Man From Rio
The Neon Demon
Café Society
The Winding Stream
Real Life
Spotlight
Harry & Tonto
O Brother, Where Art Thou?
Inside Llewyn Davis
The Magnificent Seven
Manchester by the Sea
Popstar: Never Stop Never Stopping
Amanda Knox
Love & Friendship
Yourself and Yours
Mojave
The Lost City of Z
Get On Up
Love & Mercy
Arrival
Happy People: A Year in the Taiga
Carol
Steve Jobs
Hell or High Water
The Witch
La La Land
Weiner
De Palma

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Juxtaposin’: Dark Lords of the Shit

Fabrizio del Wrongo writes:

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Couldn’t Do It Today

Fabrizio del Wrongo writes:

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Movie Still Du Jour

Blowhard, Esq. writes:

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Emma Stone and friends in LA LA LAND (2016)

Click on the image to enlarge.

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My Year in Music

Blowhard, Esq. writes:

Favorite Album of the Year: “Wild Things” by Ladyhawke

Honorable Mention: “Blue & Lonesome” by The Rolling Stones

Favorite Movie Soundtrack: “The Neon Demon” by Cliff Martinez

Honorable Mention: “La La Land” by Justin Hurwitz and Benj Pasek & Justin Paul

Favorite Porn Remix Soundtrack: “Sextape 4” by Drixxxe

Favorite Historical Reissue: “The Great Blues Vocals & Guitar” by T-Bone Walker

I’m Still Not Into Hard Bop or Avant-Garde Jazz But I’m Trying: “The Atlantic Years in Mono” by John Coltrane

Favorite Soul Album: “Changes” by Charles Bradley

Yet Another Radiohead Album That Doesn’t Contain A Single Song as Good as “Creep”: “A Moon Shaped Pool” by Radiohead

I Really Liked the First Single but the Whole Album Was Pretty Lame: “This Is What The Truth Feels Like” by Gwen Stefani

Newcomer to Watch: “Hero” by Maren Morris

Really Glad They Have a New Album But I’m Bummed It’s a Xmas One: “Christmas Party” by She & Him

Close Runner-Up For Least Favorite Album But It Had One Song That I Sorta Liked: “Lemonade” by Beyonce

Least Favorite Album of the Year: “Blond” by Frank Ocean

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Naked Lady of the Week: Jenni Lee

Fabrizio del Wrongo writes:

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What’s your take on fake boobs? I have a really hard time with them. “Hard” as in they make me unhard. More often than not I can’t overcome my diastase: I look at photos of girls with fake boobs, and all I see are the fake boobs. I start to ask: “Why did she go and do that to herself?” or “Why can’t modern surgeons devise something that looks more like a natural titty and less like a leather-covered water balloon?” And by that point it’s all over.

I suppose that, where porn is concerned, I have a strong attraction to the unmediated. I like to see the texture of the girl’s skin; digital airbrushing and smoothing are even bigger turnoffs than silicon. I want her to look so natural and there that her photo just about has an aroma.

Tennessee native Jenni Lee has been around for over 10 years now. She started out doing “amateur” stuff for sites like FTV, then got fake boobs and made the leap to hardcore. I watched some of her sex films, and she’s quite a performer. Both forceful and graceful, she seems like a woman who really knows (and enjoys) what she’s doing. Most of the photos you see below, however, date from her earlier period. The later stuff is too processed for my taste, and of course it features fake boobs. (Not that she isn’t beautiful regardless, of course.)

Jenni claims German, Irish, and Puerto Rican ancestors. I can see the German and Irish in her face. Is the Puerto Rican detectable in her ass?

Speaking of her keister, I realized while assembling this post that the majority of the photos I chose are ass shots. Don’t pretend you’re disappointed.

Nudity below. Have a great weekend.

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Naked Lady of the Week: Stephi

Paleo Retiree writes:

Back here I introduced the delightful amateur bikini model who calls herself Stephi. Stephi’s best-known on Microminimus, the fan-participation branch of the genius Australian bikini company Wicked Weasel, but she also shows herself off on Flickr.

With her auburn hair, her sprinkling of freckles, her friendly smile, her love of the sun and her physical rambunctiousness, Stephi instantly conveys “fit, ripe and good-natured California nature-girl.” But she conveys something else as well: a combo of guilelessness, sweetness, and naughty wholesomeness that’s similar to what comes across in paintings by the great American pinup artists of the ’40s and ’50s. Yet she’s a modern woman too, bringing to bear a very present-day degree of awareness of herself and her effects. As a pinup girl, she isn’t just being surprised-while-ripe in the old style; she’s a full participant in the creation of the situation, and she’s definitely getting something fizzy out of it that pleases her too. Stephi’s awareness is maybe better described as “agency” than as today’s more common, sarcasm-heavy “attitude,” praise the lord. Sweetness and sexiness prevail in the end, and we can all be grateful for that.

It seems to me that part of why Stephi’s able to suggest multiple sides is that, like many of the most memorable erotic models — Dita Van Teese, for instance — she isn’t just a fantasy object. (Not that anything’s wrong with pure objects of fantasy, of course.) Her spirit’s a more overflowing one than that; she’s got personality to share as well as a real performer’s spark. Working with her talented photographer-husband, Stephi’s able to project herself into the scenario and into the moment with joy and abandon. She can inhabit and project seductress as convincingly as Western-movie heroine, slinky glamor as convincingly as bubbly innocence. Btw, in case you’re skeptical that Stephi’s got a good brain in her head, do read our interview with her. She’s as sharp as can be, and knows exactly what she’s up to.

Some good news that I’m pleased to relay today is that Stephi and her husband have created a couple of lavish photo books. In other words, if you’ve got a hankering to linger over Stephi’s mischief, body and beauty, there’s no longer any need to pay an ongoing fee, or to join Microminimus or Flickr. In “Stephi: The Kinky Side,” toys, leather and metal contrast lusciously with smooth, curvy and translucent flesh. They bring out something extra-saucy in Stephi’s expressions too. “Commando Stephi” lives up to its hilariously sweet-and-square (in the best pinup tradition), punning title. It reminds me of some of my favorite B-movies of the 1970s, and I have little higher praise in me to offer than that. The electronic versions of the books strike me as very reasonably priced, while the on-paper versions are printed beautifully.

Nudity (and even some sweetly innocent kink) after the jump. The pix, by the way, are exclusive to UR. They’re also guaranteed to bring considerable sunlight and warmth into your soul as the December days grow shorter and colder.

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Architecture and Color

Paleo Retiree writes:

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Doug Henwood’s “My Turn”

Paleo Retiree writes:

My wife and I got so caught up in the Presidential election that we had some fascination with Hillary left over afterwards, so last week we treated ourselves to a read of this short book denouncing Hillary Clinton from the left. It’s an expansion of a striking article that Doug Henwood did for Harper’s back in November of 2014. Many lefties and Hillaryites were furious with Henwood for undermining their candidate. Is it better to be honest about a politician’s failings or to do propaganda for what one feels to be the lesser of two evils?

Henwood portrays Hillary as pushy, graspy and opportunistic, someone who has never really stood for anything other than Clinton success and who, at this point in her life, manages to be both out of touch with everyday people yet deeply convinced that the world owes her bigtime. (Hence the book’s title.) If anything, she’s a NeoCon — George W. Bush II. But mainly she’s an unprincipled “machine politician.”

Much of what she and Bill have done to climb in the world and enrich themselves appears to be legal — they’re both smart lawyers, after all. But, as Henwood shows very convincingly, a pattern of self-interest, greed and sleaziness is overwhelmingly apparent. It also established itself very early on. About Hillary and Bill’s years in Arkansas, Henwood writes:

The state did all kinds of business with Rose [law firm], from routine bond issues to more complex litigation. Having the state do business with a law firm that employed the governor’s wife seemed a little smelly to many. But, no matter — the Clintons would soon be leaving town. Ambitions as expansive as theirs couldn’t be satisfied in the Ozarks.

Henwood has a wry, sly and biting sense of humor that makes a nice counterpoint to his generally measured tone, his ferocious researching and his fervent leftie principles. “She swears like a longshoreman, one of her more endearing traits,” he writes. There’s certainly nothing that’s proper in an uptight-rightie kind of way in him. It’s a fast, amusing and enlightening read.

Henwood is more concerned with nailing down facts than with Hillary’s psychology, which he lets speak for itself and which is fun to speculate about afterwards. I’d love to buy Henwood a drink and get him to talk about what he really thinks is going on with her. What a fascinating, if also appalling, character Hillary is. My wife is deeply convinced that Hill has immense “who am I really?” identity issues and is likely crazy. What would Henwood say to that?

About a quarter of the book consists of elaborate, meticulous footnotes. They’re fun to explore. Throughout the book there’s a feeling of Henwood saying to his critics and opponents, “Come on and do your best. Just see if you can find any factual mistakes here.”

Full disclosure: though we’ve never met up in person I’ve been in touch in small ways with Doug Henwood for years. Back in the 1980s I subscribed to his great ‘zine Left Business Observer, I learned a lot about how the world works from his book “Wall Street,” and I currently follow his regular provocations on Facebook with interest and delight.

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