Australian Hot Chocolate, Five Ways

Eddie Pensier writes:
There might be more obvious candidates for the title of quintessentially Australian drink. VB, Penfold’s Grange, Bundy,  Sullivan’s Cove. But it cannot be denied that hot chocolate is big business here. Not “cocoa”, either, but real, serious, connoisseur’s hot chocolate, to the point that there are a half-dozen national chains specializing in theobroma cacao preparations. Four of them have branches in Canberra, so as a public service and with no ulterior motive whatsoever, I decided to engage in a little taste-testing.

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Movie Poster Du Jour: “Man of Aran”

Fabrzio del Wrongo writes:

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This British three-sheet for Robert Flaherty’s 1934 “Man of Aran” was designed by Marc Stone, a notable commercial artist who was responsible for some great posters, including a couple for the Karloff horror vehicle “The Ghoul.” The cramped composition and powerful diagonal invest the image with a feeling of restrained energy suitable to Flaherty’s man-versus-nature theme. A lot of Stone’s early ’30s work, this piece included, seems inspired by Art Deco. During the war he did some propaganda posters that were more realistic in feel, though his most famous poster design, for the 1951 “Tales of Hoffman,” is in the fantastic mode of Jean-Denis Malcles’s beloved poster for Cocteau’s “Beauty and the Beast.”

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Tempest in a Teapot?

Fenster writes:

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ere is a video on the subject of tea.  Oh, and sex, too, since they go together like love and marriage.  Check it out.

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Art Du Jour

Blowhard, Esq. writes:

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Ivan Aivazovsky, “The Birth of Aphrodite,” 1887.

Click on the image to enlarge.

Related

  • Back here I shared a gallery of Aivazovsky’s seascapes.
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Juxtaposin’: Cultural Appropriation Alert!

Fenster writes:

Perhaps you thought James Brown’s famous disrobing-and-falling-down routine was sui generis?  Maybe maybe not.

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Naked Lady of the Week: Poppy Coles

Fabrizio del Wrongo writes:

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I guess the British Poppy is best considered as a figure of the very late days of semi-traditional cheesecake publishing, when models still made their names (or pseudonyms) on the rare spread published in a glossy magazine. I recall seeing tiny, unclear scans of her work on the net back the late ’90s and being tickled by her babydoll face and plush physicality. Looking at those photos now, I’m reminded of Ashley Benson.

If this is to be believed, she’s around 40 now. What happened to her? Who knows. A fan group hosted by Yahoo seems to have gone mute, but this thread on the great Vintage Erotica appears to be frequently updated.

Nudity below.

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Free College?

Fenster writes:

Perhaps as punishment for having been a manager for so long, or maybe simply as a form of cosmic social justice, I find myself at a relatively advanced age a union member.  I got to be a faculty member late in my career, and at a heavily unionized public university.

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Delayed Reaction X 2

Fenster writes:

The Boston Globe front page tells two tales that, to me at least, reveal something about delayed reactions on the part of institutions.

People are creatures of habit, and prone to both cognitive error and poor judgment of risk.  Institutions all the more so.  After all, if as the saying goes it takes only one to make an argument by the time you get to two a fight is quite possible.  With three and above it is a wonder that chaos does not reign universal.

Having worked a lot in organizations I have often observed that people’s sense of what is bulletproof is derived too much from an internal sense of safety and danger.  If influential person x is viewed as having the back of person y then person y is pretty safe.  If group cohesion suggests an arrangement is safe then people will conclude it will stay intact.

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An Interview With Brian Kellow, Part 2

Blowhard, Esq. writes:

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Yesterday, Paleo Retiree kicked off part one of our two-part interview with Sue Mengers biographer Brian Kellow. Today we conclude our conversation. We cover, among other topics, how to write a biography, Brian’s reaction to Janet Maslin’s pan of the book in the New York Times, and being insulted by Cathy Moriarty.

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Brian Kellow

Blowhard, Esq.: It took you three years to research and write this book. How do you keep up your energy through such a long project?

Brian Kellow: In the first place, I was getting to talk to so many incredible people that it just kept propelling it forward. It was very exciting to be getting such great stuff from so many people. I remember very well, when I interviewed Fran Lebowitz, that night I realized Sue was right — everyone really is a star fucker. Because Fran dazzled me so completely for an hour and a half. I got on the street when we were finished and I called my partner and said, “I have just spoken to the most brilliant woman.” I mean, my head was spinning. I said very little. I asked about seven questions! It was fantastic. Then you think, “Well, if I’ve got this person, maybe I can get that person.” Then the whole game of who you can get becomes very exciting. You have to figure out how to approach them.

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An Interview With Brian Kellow, Part 1

Paleo Retiree writes:

canigonowbookcover

Yesterday I raved about Brian Kellow’s new book about the legendary Hollywood agent Sue Mengers. It’s a smart and fun biography, an informative joyride through the life of a colorful and fascinating character who peaked during the 1970s, one of Hollywood’s mythical eras. Today Uncouth Reflections is pleased to present a special treat to our visitors: part one of a two-part interview with Brian.

Brian joined Blowhard, Esq. and me for lunch at Greenwich Village’s superfine Cornelia Street Cafe, and the three of us gabbed happily for a couple of hours about Sue Mengers, Hollywood, the ’70s, Pauline Kael, divas and the art of biography. Brian’s a big, good-humored, ebullient man with a sly sense of humor, and our conversation was punctuated with regular bursts of laughter.

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Brian Kellow at Cornelia Street Cafe

Paleo Retiree: The thing that struck me the most about your new book was the similarity between Sue Mengers and Pauline Kael, the subject of your last biography. Did you go into the project knowing in advance that there’d be similarities between them?

Brian Kellow: Not at all. I didn’t know anything about Sue. I really didn’t. Just what I’d read in newspapers and magazines ‘way back. I knew about her husband directing “All Night Long,” and that marking the end of her relationship with Barbra Streisand. But I didn’t know anything of a personal nature, or what the profile of her personality was like at all. Except that she was tough. She was a tough dame. So I thought, Maybe this is the latest in my cycle of tough dames. “The Broad’s Biographer.” (Laughs.)

Blowhard, Esq: What were the similarities between Pauline and Sue that struck you most?

Brian Kellow: Coming to their fields with the feeling of being an outsider, definitely. That’s a big one. Thinking that by telling the unvarnished truth to everyone around them they were doing them all a world of good, and not understanding when people got upset by it — that was a strong point of similarity between them too. And a certain lack of introspection. As brilliant as they both were, they were not inner-directed people to any great degree at all. In fact, I think Sue was a little more introspective than Pauline, because she was in analysis. I don’t think it did her much good, though.

PR: What were some of their more striking differences?

Brian Kellow: I think Pauline had an unlimited appetite for anything artistic or intellectual. Well, not completely unlimited but definitely broad and wide-ranging. And Sue did not. Sue thought a lot of what was being offered up was bullshit, and she had no interest in it. I only learned late in the game that her friend Gore Vidal got her reading the great books of the world and broadening her horizons. And she did read like a fiend, but she tended to do professionally-directed reading. She would read the hot novel that might make a good movie. She would read the newspapers forward and backwards because she wanted to be informed at her next dinner party.

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